Vaclav Havel Movies

The often uncomfortable bonds of family intersect with the wary political and social allegiances of the Czech Republic following the collapse of the U.S.S.R. and the end of Soviet occupation in this drama from director Jan Hrebejk and screenwriter Petr Jarchovsky. Goran and Milan (Zdenek Suchy and Jan Budar) are criminals who, while ferrying a truckload of illegal aliens into the Czech Republic, discover that one of their cargo has misplaced a baby; looking to turn a profit wherever they can, they sell the lost child to Lubos and Eman (Marek Daniel and Pavel Liska), two petty thieves who run a black-market adoption agency. Among Lubos and Eman's clients are Miluska and Frantisek (Natasa Burger and Jiri Machacek), a barren and lonely couple who are unable to adopt due to Frantisek's criminal record, which amounts to a bout of drunken foolishness during a soccer game. Meanwhile, Martin Horecky (Petr Forman) is a Czech expatriate living in Australia who comes home for a visit following the death of his father, who abandoned the family before Martin was born. Circumstances prove not to be especially welcoming for Martin; his mother (Emilia Vasaryova), who has become poisoned with race hate, invites two guests for his homecoming dinner, a half-sister he's never met (Kristyna Liska-Bokova) and her mother, who was once Martin's girlfriend (Ingrid Timkova). ~ Mark Deming, Rovi

Unlike any other opera, the so-called Beggar's Opera is not just one composition, but a lineage of adapted compositions, beginning with the original hugely successful 1728 political satire written by Englishman John Gay. Composers and writers have penned variations on it ever since. The most famous of these was A Threepenny Opera by Bertholt Brecht and Kurt Weill. Some things these compositions share in common is their setting among the poor and criminal classes, and the roguish character Macheath. This production is based on an adaptation of Gay's original by Vaclav Havel the freedom-fighter, writer and philosopher who became the first (and only) president of the united post-communist country of Czechoslovakia, and it retains many traces of its theatrical origins. Film reviewers were not too tolerant of what they called "slavish adherence" to the noted Czech writer's stage production, but theater, philosophy and history buffs may feel otherwise. ~ Clarke Fountain, Rovi