Mary Hatcher Movies

1952  
 
Though filmed through the facilities of Hal Roach Studios and produced by Hal Roach Jr., Tales of Robin Hood was released by Lippert Pictures. Robert Clarke stars as the young Earl of Huntington, who after losing his property and title to the invading Normans heads to Sherwood Forest. Here he gains notoriety and adulation as beneficent outlaw Robin Hood. Mary Hatcher co-stars as Maid Marian, while Sir Guy of Gisborne and the Sheriff of Nottingham are played respectively by Paul Cavanaugh and Tiny Stowe. Robin's Merry Men are portrayed by Wade Crosby (Little John), Ben Welden (Friar Tuck), Robert Bice (Will Scarlet) and Bruce Lester (Alan A-Dale). Reportedly, Tales of Robin Hood was intended as the pilot film for a TV series; indeed, its structure resembles two half-hour TV episodes cobbled together. ~ Hal Erickson, All Movie Guide

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Starring:
Robert ClarkeMary Hatcher, (more)
1949  
 
Desi Arnaz's bandleader career was in decline when he starred in Columbia's Holiday in Havana. Arnaz essays the difficult role of a Cuban bandleader, named not Ricky Ricardo but Carlos Estrada. His romantic vis-a-vis isn't Lucille McGillicudy but a peppery dancer named Lolita Valdez (Mary Hatcher). Just before the lovers participate in a gala Havana festival, Carlos has a lot of explaining to do when Lolita catches him in the arms of another. Song highlights include "The Arnaz Jam" and the title number, both written by Desi. Though it did OK at the box office, Holiday in Havana is indication enough that Desi Arnaz was very wise to latch onto the fledgling TV industry. ~ Hal Erickson, All Movie Guide

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Starring:
Desi ArnazMary Hatcher, (more)
1949  
 
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In The Big Wheel, Mickey Rooney plays Billy Coy, a garage mechanic who matriculates into a champion race-car driver. On the way to the top, he steps on friends and foes alike. He even manages to briefly alienate his saintly mother (Spring Byington). The cocky Coy eventually kills another racer when he forgets that gas and alcohol don't mix. It takes some doing, but Billy finally redeems himself. The climax blends stock footage of the Indianapolis 500 with newly-lensed racing sequences. The Big Wheel lapsed into public domain in 1976. ~ Hal Erickson, All Movie Guide

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Starring:
Mickey RooneyThomas Mitchell, (more)
1948  
 
One of the more popular movie-review paperbacks sums up Paramount's Isn't it Romantic? with a terse "No." There's actually more to the film than that, but not much. Set in Indiana in the 1890s, the story revolves around an diehard Confederate soldier named Major Euclid Cameron (Rolan Culver), who refuses to acknowledge that the South lost the Civil War. Cameron also regards himself as an aristocrat who will never sully his hands with work, which is why he and his family are flat broke. It is up to the Major's three pretty daughters-Candy (Veronica Lake), Susie (Mona Freeman) and Rose (Mary Hatcher)-to make ends meet financially, even if it means marrying for money rather than love. Pearl Bailey transcends the stereotypical role of the Cameron's housekeeper Abigail with her soulful renditions of such forgettable tunes as "I Shoulda Quit When I Was Ahead" (a bit of advice that could have profited the film's producers!) ~ Hal Erickson, All Movie Guide

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Starring:
Veronica LakeMona Freeman, (more)
1947  
 
This story of two young hopefuls who come to Hollywood is merely a thin device to feature almost every star working for Paramount Studios in 1947. Mary Hatcher plays Catherine Brown, a woman of humble origins who arrives in Hollywood, where she meets another wanna-be movie star, Amber La Vonne (Olga San Juan). They work their way through the Paramount studios, trying to impress every important person. Mostly, the film is a cavalcade of songs by various stars that take place at several studio and Hollywood locations, including the famous Brown Derby restaurant. Many of the film's songs were written by Frank Loesser. Dorothy Lamour and Alan Ladd sing "Tallahassee"; Bing Crosby and Bob Hope play golf and sing a duet, "Harmony"; the Original Dixieland Jazz Band plays "Tiger Rag"; and a host of other top performers of the era appear in brief cameos. ~ Michael Betzold, All Movie Guide

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Starring:
Eric AldenMary Hatcher, (more)
1946  
 
Our Hearts Were Growing Up is the sequel to Paramount's surprise 1944 hit Our Hearts Were Young and Gay. The first film was based on the memoirs of actress Cornelia Otis Skinner; the sequel was inspired by the fevered imaginations of the screenwriters. Gail Russell plays Ms. Skinner, while Diana Lynn costars as Cornelia's best friend Emily Kimbrough. This time the girls visit the college boyfriends, only to become involve with a pair of benign bootleggers, portrayed by Brian Donlevy and William Demarest. Their misguided association with the criminal results in consternation for Cornelia's father, the eminent stage actor Otis Skinner (Charlie Ruggles). Ironically, Gail Russell, who played Cornelia Otis Skinner in both of the Our Hearts films, was cast opposite the real Ms. Skinner in the 1943 ghost chiller The Uninvited--and was nearly murdered by the older actress in the course of the plotline! ~ Hal Erickson, All Movie Guide

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Starring:
Gail RussellDiana Lynn, (more)
1946  
 
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MGM's Till the Clouds Roll By is the musicalized, and highly fictionalized, life story of beloved composer Jerome Kern, who gave his blessing to the production shortly before his death in 1946. As played by a gray-templed Robert Walker, Kern is a likeable but none too exciting sort who expresses his emotions through his music. Constructed in the form of an extended flashback, the story proper begins at the turn of the century, as Kern tries to peddle his ditties to disinterested Broadway producers. His efforts to interest impresario Charles Frohman (Harry Hayden) go nowhere because Frohman is convinced that the only good music comes from Europe. Obligingly, Kern moves to London, where he meets and falls in love with his future wife Eva (Dorothy Patrick). On the verge of securing work with Frohman, Kern's hopes are dashed when the producer goes down with the Lusitania in 1915. Fortunately, Kern has developed such powerful U.S. contacts as Victor Herbert (Paul Maxey) and Oscar Hammerstein (Paul Langton), enabling him to find success as the composer of several "intimate" musicals for New York's Princess Theater. The film ends where it begins, with Kern's triumph as composer of the Broadway blockbuster Show Boat. Van Heflin weaves in and out of the proceedings as the obligatory best friend/severest critic, a musical arranger named Jim Hessler (purportedly based on longtime Kern associate Paul Sadler). No one in 1946 really cared about the dramatic passages of Till the Clouds Roll By; the film's biggest drawing card was its lineup of all-star MGM talent, performing Kern's most famous numbers. Judy Garland (as Marilyn Miller) sings "Look for the Silver Lining"; Dinah Shore performs "The Last Time I Saw Paris" before a back-projected "Gay Paree"; Kathryn Grayson does a Rita Hayworth imitation with "Long Ago and Far Away"; Virginia O'Brien deadpans "A Fine Romance"; Tony Martin warbles "All the Things You Are"; June Allyson and Ray McDonald team up for the title number; and Frank Sinatra, incongruously dressed in white tuxedo, runs through "Ol' Man River." In addition, other musical contributions are made by Van Johnson, Angela Lansbury, Cyd Charisse, Gower Champion, and Lucille Bremer (cast as Van Heflin's daughter). The film's high point comes at the very beginning with a Reader's Digest edition of Show Boat, featuring Lena Horne, as Julie (the role she was born to play, but never did again on screen), delivering a powerhouse rendition of "Can't Help Lovin' Dat Man." Since lapsing into public domain in 1974, Till the Clouds Roll By has, along with Royal Wedding, become the most readily accessible of all MGM musicals. ~ Hal Erickson, All Movie Guide

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Starring:
Robert WalkerJune Allyson, (more)

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