Irene Hervey Movies

Play Misty for Me marked Clint Eastwood's debut as a director, and it gave him the then-unusual opportunity to play a regular contemporary guy in a thriller about sex, obsession, and stalking. Eastwood's Dave Garver is a self-centered California jazz disc jockey struggling with the idea of committing to his on-again, off-again girlfriend Tobie (Donna Mills). One night he meets the mini-skirted Evelyn (Jessica Walters) in a bar, and he goes home with her for what he assumes is a one-night stand. Dave discovers, however, that Evelyn has repeatedly called his show requesting that he "play 'Misty' for me," and she is not about to go gently into the night now that she has bedded him. Even though it touches on the early-'70s flashpoints of sexual liberation, studio execs expressed doubts about why anyone would want to see a movie featuring Eastwood as a deejay. Eastwood reportedly answered that he was not sure either, but he thought it was a good suspense story, and he offered his services as director for free. Play Misty for Me wound up making five times more than it cost and is a precursor to such erotic thrillers as Fatal Attraction (1987) and Basic Instinct (1992). Eastwood mentor Don Siegel appears early on as a bartender. ~ Lucia Bozzola, All Movie Guide

Goldie Hawn won an Oscar for her performance as a Greenwich Village free spirit in Cactus Flower. Middle-aged dentist Winston (Walter Matthau) is enjoying an affair with Toni (Goldie Hawn) but doesn't want to be hemmed in by marriage. He prevails upon his non-glamorous assistant Stephanie (Ingrid Bergman) to pose as his wife so as to keep from campaigning for a ring. Then, to justify his "infidelity," Winston talks his pal (Jack Weston) into pretending to be Stephanie's illicit lover. Flattered by all the attention, Stephanie begins to "doll up." Confronted by a newly gorgeous Stephanie, Winston realizes that his Dream Girl has been right there in his office all along. As for Toni, she ends up in the arms of a writer (Rick Lenz), who has loved her since Reel One. Cactus Flower was adapted by Billy Wilder's frequent collaborator I.A.L. Diamond from the play by Abe Burrows -- which in turn was adapted from a French farce. ~ Hal Erickson, All Movie Guide

Kaye Stevens guest-stars as nightclub singer Julie Madden, another of Bill's many lady friends. As a favor to Bill, Julie agrees to give singing lessons to Buffy, who hopes to join her school glee club. Alas, poor, tone-deaf Buffy has what could be described as "Van Gogh's ear for music". Kaye Stevens sings "You're Nobody Till Somebody Loves You", while series regular Johnnie Whitaker (Jody) performs "Every Boy Should Be President", a fascinating preview of Whitaker's song renditions on his later series Sigmund and the Sea Monsters. ~ Hal Erickson, All Movie Guide

Declared legally dead, Trevor Harris (David McLean) suddenly appears out of nowhere to be at the bedside of his dying wife. Harris hopes to prevent her last wish--that her Uncle Edgar (Philip Bourneuf) be named legal guardian of her three children and act as executor for the family forutne--from being carried out, despite stiff opposition from the rest of the Harris clan. Since it already assumed that Harris is nothing but a heartless fortune hunter, it is only logical that he be charged with the subsequent murder of Uncle Edgar. But Perry Mason (Raymond Burr) senses that there is more to this "open and shut" case than meets the eye. ~ Hal Erickson, All Movie Guide

Whitney Blake, who played the first client of Perry Mason (Raymond Burr) in the series opener "The Case of the Restless Redhead", returns in this episode as blonde Diana Reynolds, who shows up in Perry's office clad in a bathrobe and sporting a black eye. As Perry and Della listen attentively, Diana weaves an incredible tale of being framed for a jewel theft. But this turns out to be the least of the girl's problems when she is charged with the murder of Marian Shaw (Judith Ames). A long-lost grandson also figures prominently in this episode, which is based on a 1944 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, All Movie Guide

Singer Molly Bee once commented ruefully that her films were shown only to captive audiences in jails and reformatories. One suspects that Ms. Bee's Going Steady had a few paying customers, since no Sam Katzman production of the 1950s ever lost money. In this one, Molly plays high schooler Julie Ann, who secretly marries boyfriend Calvin (Alan Reed Jr.) so that she can accompany his basketball team to an out-of-town game. The fun really begins when Julie Ann finds out that she's pregnant--depending, of course, upon one's interpretation of the word "fun". Going Steady was shipped out on a Columbia double bill with another Sam Katzman epic, Crash Landing. ~ Hal Erickson, All Movie Guide

Natalie Wood plays what was touted as her first "grown up" role in the tense melodrama A Cry in the Night. Based loosely on the Caryl Chessman case, the film showcases Raymond Burr as a psycho who stalks and attacks young couples on Lover's Lane. Overpowering Wood's boyfriend, Burr kidnaps the girl and locks her up in a seedy one-room apartment. Though he barely lays a hand on her, Wood has every reason to be terrified of her captor, who has a disturbing habit of brutally killing small animals. Meanwhile, Wood's police-captain father Edmond O'Brien brusquely ignores all manner of civil liberties as he and fellow officer Brian Donlevy turn the town inside out in search of the girl and her abductor. Carol Veazie appears as Burr's blowsy, dominating mother, while Mary Lawrence offers an interesting characterization as Wood's plain-Jane sister, who is jealous of all the attention showered on her missing sibling. Cry in the Night is a surprisingly lively offering from the normally uninspired director Frank Tuttle. ~ Hal Erickson, All Movie Guide

Tough reporter Ed Adams (Alan Ladd) wants to get the full story behind the apparent suicide of a young woman. It seems that the girl left behind a notebook with a list of seemingly unrelated names. Adams tracks down each one of the persons cited in the notebook, slowly but surely putting the pieces together. Once the basic mystery is solved, however, there's one surprising loose end left to be tied up. June Havoc co-stars as Leona, self-styled best friend of the decedent, who helps Adams in his quest. As the victim, Donna Reed appears exclusively in flashbacks. Based on a story by veteran suspense scrivener Tiffany Thayer (of Thirteen Women fame), Chicago Deadline was remade for television in 1966 as Fame is the Name of the Game. ~ Hal Erickson, All Movie Guide

Something seems fishy when a married man finds new adventure and romance in this comic fantasy. Arthur Peabody (William Powell) is a slightly stuffy businessman from Boston who after turning fifty finds himself suffering from a full-fledged midlife crisis. On the advice of his doctor, Peabody and his wife Polly (Irene Hervey) head to the Caribbean for a restful vacation. One evening, Peabody decides to do some fishing, and he pulls in a highly unexpected catch -- a beautiful mermaid named Lenore (Ann Blythe). Peabody takes the mysterious creature home with him (keeping her in a backyard pond for safekeeping), but while he soon becomes infatuated with Lenore, she's quite shy around others, refusing to let people see her except for the tip of her tail, so few believe his story about the big one he's reeled in. Makeup whiz Bud Westmore designed the special mermaid costuime for Ann Blythe; keep an ear open for the song "The Caribbees", co-written for the movie by Johnny Mercer. ~ Mark Deming, All Movie Guide

Dick Foran is back for another seven-reel melange of music and comedy in Universal's He's My Guy. Foran is cast as defense-plant worker Van Moore, who is casting about for ways of boosting morale amongst his fellow workers. Coming to the rescue are a group of veteran vaudevillians, who stage a spectacular show for the plant. Among these beloved performers are Gertrude Niesen, the Mills Brothers, Louis Da Pron, Lorraine Krueger, The Diamond Brothers and the Dorene Sisters. The feminine angle of the storyline is handled by heroine Irene Hervey and comedienne Joan Davis. ~ Hal Erickson, All Movie Guide

Half Way to Shanghai is Burma, according to this Universal B-grade actioner. The film takes place almost in its entirety on a train bound from Lashio to Rangoon in the days just prior to the Japanese invasion. Passenger Alexander Barton (Kent Taylor) becomes the reluctant hero of the piece when he comes into possession of a map showing Chinese defense sites. When he's not trying to elude Nazi agents Zerta (George Zucco) and Van Simet (Lionel Royce), Barton is dealing as best he can with the film's two heroines, Vicki Nelson (Irene Hervey) and Caroline Wrallins (Charlotte Wynters). Half Way to Shanghai bears traces of the earlier Universal suspenser Bombay Clipper, which took place on a cramped passenger plane. ~ Hal Erickson, All Movie Guide

More than one aficionado of Universal's horror films has cited Night Monster as the weakest of the batch. Part of the complaint lies in the fact that, despite their first and second billing, Bela Lugosi and Lionel Atwill are utterly wasted, with Atwill getting bumped off in the first reel! The nonsensical farrago of a plotline concerns a mysterious night stalker who has been killing off the doctors attending wealthy, crippled Kurt Ingstom (Ralph Morgan). With both of his legs amputated, Ingstom couldn't possibly be the murderer himself-or could he? The explanation to the mystery is as silly as the rest of the picture, but at least Night Monster boasts a rousing climax, one which suggests that no one lives happily ever after. ~ Hal Erickson, All Movie Guide

Universal contractee Irene Hervey, generally required to stand by the sidelines while the leading men did all the acting, was given a vehicle of her very own with Frisco Lil. Irene plays a law student whose father is framed for a crime he didn't commit. Going undercover as a gambling-joint croupier, Harvey tries to sniff out the genuine crooks. She does, but it's fortunate that Kent Taylor is on hand to keep her from winding up in a cement kimono. Irene Hervey would continue to act into middle age, retiring periodically to devote herself to her family (she was married to singer Allan Jones, and was the mother of another vocalist, Jack Jones); in 1965, she popped up in a colorful recurring role on the TV series Honey West. ~ Hal Erickson, All Movie Guide