John Hargreaves Movies

This caustic Australian comedy is meant to burn those commercial interests who sponsor artists for tax breaks. It also a sexually unresponsive wife's revenge against her cheating husband. Heiress Georgina Oliphant, the daughter of pharmaceutical magnate George Oliphant is on a mission to find a sculptor suitable of her father's sponsorship. Normally, George doesn't give a hoot about art, but tax time approaches and he needs a big deduction. Since large bronze statues are 100% deductible, that's what he wants. Georgina comes through with the lesbian sculptor Lily Carmichael who suggests a detailed male nude, sans fig leaf. For her model, lily chooses unemployed hunk Karl-Heinz Applebaum who at first doesn't realize he is to model totally nude. Fortunately, coquettish Georgina is around to convince him to shed those clothes. He soon begins looking forward to the sessions much to the dismay of his frowsy, sexually frosty wife Cecilia, a devout member of the "Center for Synchronic Awareness," an esoteric religious cult which is headed by the oily, avaricious Baba Charles whose picture Cecilia has placed throughout her home (Aussie film buffs may recognize the photo as that of director Rolf de Heer, a rival of this film's director Paul Cox). Soon enough, her husband and Georgina become lovers causing Cecilia to hatch an elaborate plot for revenge, a plot in which the financially beleaguered George Oliphant unwittingly assists by having her pose with her husband for an even larger, more tax deductible sculpture. ~ Sandra Brennan, All Movie Guide

This Australian drama has been adapted from Chekov's Uncle Vanya. It is set in post WW I Australia at a time when the Aussies were getting ready to break away from England. After his father's death, Jack Dickens sacrificed his literary aspirations to run the family farm. He lives in the old farm house with his aged mother and his plain, soft-spoken niece Sally, who was abandoned by her father Alexander Voysey after her mother, Jack's sister, passed away. Sally suffers unrequited love for Max Askey, the local doctor. Jack sends monthly payments to his brother-law Alexander, an aspiring London literary critic. After secretly dishonoring himself in London, Alexander returns to Australia with his lovely and much younger wife, Deborah. Alexander is a wind-bag and it is plain that Deborah is unhappily married. Jack and the doctor are attracted by the comely woman and vie for her attention at the expense of long suffering and ignored Sally. ~ Sandra Brennan, All Movie Guide

The Bells live on a sheep station in the Australian outback, struggling from year to year just to get by. In this story, they have suffered for a number of years from one of Australia's periodic droughts, and are practically the last holdouts in their part of the country to remain on the land. Everyone else has been forced to abandon their farms and move into the city. Despite that, their sheep are doing fairly well, and they have hopes that they can survive the drought. Just then, the government lowers its price supports for wool, and they can't get enough at shearing time to make even a reasonable payment on their debts. They are forced to kill off their sheep, sell their land, and move in with relatives in Sydney. The Bell's daughter Mathilda (Amy Terelinck), who is heartbroken at all these events and who desperately misses her half-wild (dingo) dog and misses the outdoors, runs away. Though the family is able to "get by" in the city, it becomes clear that from their perpsective they are not living - only surviving. ~ Clarke Fountain, All Movie Guide

Sweet Revenge is a made-for-television comedy about a female lawyer (Carrie Fisher) who is ordered to pay alimony to her ex-husband. She hires an actress (Rosanna Arquette) to marry him, in hopes that she will be able to stop paying alimony. ~ Stephen Thomas Erlewine, All Movie Guide

Australian author David Williamson adapted Emerald Cities from his own stage play. The title may conjure up images of the Wonderful Land of Oz, but the plot is set in the Munchkin-free Australian film industry. John Hargreaves stars as a prosperous screenwriter who is perfectly willing to accept the obscene gobs of money thrown at him. One day, however, he decides that he's a sellout, and attempts to turn out something of meaning and value--and uniquely Australian. But he runs up against an industry with both eyes on the valuable American market. There are laughs in Emerald Cities, but they have a hollow ring; this hit too close to home with many Australian filmmakers to be considered a comedy. ~ Hal Erickson, All Movie Guide

Richard Attenborough directed this dramatic story, based on actual events, about the friendship between two men struggling against apartheid in South Africa in the 1970s. Donald Woods (Kevin Kline) is a white liberal journalist in South Africa who begins to follow the activities of Stephen Biko (Denzel Washington), a courageous and outspoken black anti-apartheid activist. Woods and his wife Wendy (Penelope Wilton) get to know Biko, and they become friends, until Biko is brutally murdered at the hands of government troops in 1977 for his activities against the country's repression of the black majority population. Donald is shocked and appalled by Biko's murder and determined that the truth about Biko will become known to the world; eventually, Donald and Wendy Woods and their children must leave South Africa (and nearly everything they have) as they spread the word about Biko's life and death to ensure that he did not die in vain. Washington received an Academy Award nomination for his performance as Biko. ~ Mark Deming, All Movie Guide

Set in the 1830s, this historical drama stars Robin Soans as George Loveless, a Methodist minister whose flock is a group of working families in Tolpuddle, a small town in the British Southwest. Most of the workers in the community are under the thumb of Frampton (Robert Stephens), a ruthless land owner, and his overseer Clerk (Murray Melvin); Frampton and Clerk demand long hours from their workers and pay meager wages. Convinced that the workers deserve a better shake, Loveless, encouraged by organizer Mr. Pitt (Michael Hordern), forms the Society of Friends, an early labor union, and organizes the men to negotiate with Frampton for better pay. When their salaries are instead cut, Loveless and his men go on strike, which could cripple Frampton financially. However, Frampton is well-connected, and soon both the government and private militias are sent in to break the strike and punish the rebellious laborers. The supporting cast includes James Fox, Freddie Jones, and Vanessa Redgrave. ~ Mark Deming, All Movie Guide

A limp storyline refuses to go taut throughout this sci-fi adventure that patches together bits and pieces from its famous, multi-genre predecessors (the Indiana Jones series, The Deer Hunter, The Philadelphia Experiment, and others). The premise has John Hargreaves as Harris fly his plane through a time warp and land on Easter Island. Harris soon encounters the evil "Savage" (Max Phipps) who is looking for a magic stone -- left by spacemen -- that was used to erect the Aku-Aku giant heads and the enormous boulders of Stonehenge. "Savage" does not want to build a monument, the stone also gives its owner the power to destroy. Heroine Melanie Mitchell (Meredith Phillips) more or less stands around, as Harris and "Savage" duke it out. ~ Eleanor Mannikka, All Movie Guide

Classical music DJ John Hargreaves neglects his wife Wendy Hughes, who responds by entering into an illicit romance. Upon finding out, Hargreaves leaves Hughes, but doesn't want to tell his parents; they'd never liked Hughes, and he isn't in the mood for a chorus of "I told you so"s. What is already painful for Hargreaves is amplified when his dying father, suspecting that something's wrong, lectures his son on the sanctity of marriage--even a bad one. Director Paul Cox used the Australian My First Wife as a kind of catharsis, to purge himself of ill-will concerning the bust-up of his own marriage. The film won three Australian academy awards, including one for the reluctantly revelatory Cox. ~ Hal Erickson, All Movie Guide

Director Donald Crombie's fourth feature tackles the problem of out-of-control redevelopment by unscrupulous corporate developers. Angel Street is a row of charming and quaint homes on the shore of Australia's Sydney Harbor. A development company wants to buy the homes, raze the street, and build high-rise apartments in their wake. When B.C. Simmonds (Alexander Archdale), the leader of the residents' group, dies under mysterious circumstances, his daughter Jessica (Liz Alexander) takes up the residents' cause against the developers, assisted by Elliot (John Hargreaves), the Communist union official with whom Jessica had a brief affair. It turns out that the developers are not just businessmen, but have a malevolent connection with the government. ~ Paul Brenner, All Movie Guide

In The Odd Angry Shot director Tom Jeffrey provides a cathartic Australian answer to Michael Cimino's The Deer Hunter. Australia's participation in the Vietnam War was as much of an alienating and soul-searching experience for Australians as for Americans, and Jeffrey's frank portrayal of a group of Australian volunteers casts the war in a different light from the perspective of a Cimino or Oliver Stone. The story concerns a corp of Australian elite soldiers -- the Special Air Service troops (the equivalent of the United States' Special Forces group) -- and the elite group's more pragmatic and hopeful attitudes -- whiling away the time in mindless diversions and cracking jokes. Then one of their own is killed and their feelings about the war suddenly change. ~ Paul Brenner, All Movie Guide

In this fact-based drama, when Stephen Walls (Nathan Dawes), a four-year old, goes missing in the outback near his home in rural Australia, the population of the entire town (and several nearby towns) turns out to search for him. Unfortunately, they raise such a ruckus that they scare the little tyke, and he hides himself even more thoroughly. For four days, the townsfolk search for him, and during that time, the lad not only avoids capture, but begins to thoroughly enjoy his dangerous game of hide-and-seek. ~ Clarke Fountain, All Movie Guide