Ann Harding Movies

Susan Glaspell's famous short story and one-act play Trifles is the source of this episode, in which Millie Wright (June Walker) is arrested for the murder of her husband. When Millie is released for lack of evidence, two of her neighbors, Sarah (Ann Harding) and Mary (Frances Reid), try to find out what really happened to the late Mr. Wright. They uncover some disturbing evidence -- but are forestalled from informing the authorities upon uncovering some even more disturbing evidence. ~ Hal Erickson, All Movie Guide

This meticulous and unusually long cinemadaptation of Sloan Wilson's best-selling novel The Man in the Grey Flannel Suit stars Gregory Peck as an ex-army officer, pursuing a living as a TV writer in the postwar years. Hired by a major broadcasting network, Peck is assigned to write speeches for the network's president (Fredric March). Peck comes to realize that the president's success has come at the expense of personal happiness, and this leads Peck to ruminate on his own life. Extended flashbacks reveal that Peck had experienced a torrid wartime romance with Italian girl Marisa Pavan, a union that produced a child. Peck is torn between his responsibility to his illegitimate son and his current obligations towards his wife (Jennifer Jones), his children, and his employer. Among the many life-altering decisions made by Peck before the fade-out is his determination to seek out a job that will allow him to spend more time with his family, even if it means a severe cut in salary. The superb hand-picked supporting cast of The Man in the Grey Flannel Suit includes Ann Harding as March's wife, Keenan Wynn as the man who informs Peck that he'd fathered an Italian child, Henry Daniell as a detached executive, and an unbilled DeForrest Kelley as an army medic (who gets to say "He's dead, captain"!) ~ Hal Erickson, All Movie Guide

Highly respected defense attorney Dwight Bradley Mason (Walter Pidgeon) is able to clear young Rudi Wallchek (Keefe Brasselle) of a murder rap. When it's all over, however, Rudi lets slip a careless comment which leads Mason to believe that his client was guilty after all. Using the evidence at hand, the attorney retraces his steps, only to discover that one of the town's leading citizens is a criminal mastermind. The solution to this ethical dilemma is straight out of the "postman always rings twice" school of crime fiction. Even after justice has been served, however, Mason's conscience dictates that everyone responsible for all previous legal miscarriages be punished -- including himself! ~ Hal Erickson, All Movie Guide

Two Weeks With Love is set in a Catskills resort in the early 1900s. Seventeen-year-old vacationer Patti Robinson (Jane Powell) feels that she's a bit too strait-laced to attract the male contingent, and dreams of being a "woman of the world." Naturally, the principal object of her affections, dashing Demi Armendez (Ricardo Montalban), prefers an old-fashioned girl, but Patti doesn't find that out until the last reel. The supporting cast is well served, especially Louis Calhern and Ann Harding as Patti's long-suffering parents and Phyllis Kirk as a bitchy coquette. Stealing the film from their "elders" are relative newcomers Debbie Reynolds and Carleton Carpenter, who get to perform the delightful "Abba-Dabba Honeymoon." ~ Hal Erickson, All Movie Guide

It Happened On Fifth Avenue was easily the most ambitious movie made by the then-newly-organized Allied Artists for at least a decade after its release -- actually, as a "Roy Del Ruth Production," it was made through rather than by Allied Artists, which may explain why it stands so far apart from the Bowery Boys movies and other productions normally associated with Allied during this period. And amazingly, it works, mostly thanks to a genial cast and a reasonably light touch by director/producer Roy Del Ruth, and in spite of a script that needed at least one more editorial pass. Victor Moore is the star and dominant personality -- if there is one in what is, basically, an ensemble cast -- as Aloyisius T. McKeever, a genial hobo whose annual routine for finding winter quarters is to wait for multi-millionaire Michael O'Connor (Charlie Ruggles) to lock up his Fifth Avenue mansion and head to Virginia, and move in during the man's absence. He chances to meet Jim Bullock, a homeless WWII veteran (displaced, ironically, by one of O'Connor's development projects), and gives him shelter in the mansion. They become a trio when O'Connor's free-spirited daughter Trudy (Gale Storm) shows up, fleeing her finishing school, and the two men -- thinking she's an impoverished runaway from an abusive father -- take her in. She goes along with the masquerade and gradually falls in love with Jim, who also chances to meet two former army buddies (Alan Hale, Jr., Edward Ryan) who -- you guessed it -- are also desperately trying to find homes, in their cases for their wives and growing families. Now there are nine people living in the shelter of O'Connor's Fifth Avenue mansion, and in between setting up housekeeping, Jim and his two buddies manage to come up with an idea about how to build homes for veterans and their families. Trudy, her identity still a secret to the other, gets her father to meet the "squatters" incognito, in hope that he'll take to Jim, but a series of misunderstandings and his own impatience and lack-of-faith leads him to reject everything decent he sees about Trudy's friends. In desperation, to keep them from being evicted and arrested, she calls in reinforcements in the person of her mother (Ann Harding), long estranged from her father. O'Connor is still not convinced of Jim's worth, and definitely doesn't see him as a potential husband for Trudy -- and, in a comic mix-up, he ends up going head-to-head with Jim for the property where he plans to build those houses for veterans, causing them to lock horns once more. Matters do eventually fall into place, as they usually do in Christmas movies of this sort, which more closely resembles The Bells of St. Mary's or One More Spring -- to name another movie about displaced New Yorkers -- than It's A Wonderful Life (with which it is usually compared). It Happened On Fifth Avenue is usually defined as a Christmas movie, in part because of its plot time-line, but more than that, it's a movie that, like George Seaton's Miracle On 34th Street -- made the same year -- sings of the generosity of the human spirit, and the feeling of renewal that was in the air in the immediate post-World War II era, a funny, gentle, warm look at people making their way in a time when, for the first time since the Great Depression and the outbreak of the Second World War, cautious optimism seemed an appropriate approach to life. And not for nothing was this reportedly lead actor Don Defore's personal favorite of all of his movies. ~ Bruce Eder, All Movie Guide

Robert Young stars as a WW2 pilot named Hank, who accompanies his pal Jerry (Bill Williams, in his film debut) on a furlough. Jerry introduces his girlfriend Helen (Laraine Day) to Hank, a notorious and unrepentent womanizer. In a twinkling, Hank tries to steal Helen away from Jerry-but succeeds only after proving that he's a nice guy after all. Ann Harding, one of RKO Radio's leading star of the early 1930s, returns to her old studio to play Helen's all-knowing mother. Those Endearing Young Charms is based on a Broadway play by Edward Chodorov, originally purchased for the screen by independent producer Sam Goldwyn. ~ Hal Erickson, All Movie Guide

Janie, adapted from the Broadway play by Josephine Bentham and Herschel Williams, was one of a 1940s cycle of stage-to-film comedies about teenagers. Joyce Reynolds stars as Janie, a typical teen whose life is turned topsy turvy by the installation of a military base near her home town. Edward Arnold and Ann Harding, exasperated and understanding respectively, play Janie's parents. Robert Hutton is the soldier and Richard Erdman the hometown boy who vie for Janie's attentions. The film is cloying at times, but survives as a reasonably accurate representation of teenage life in the war years, right down to the "coded slang" used to throw parents off the track. Janie ends with the Army marching out and the Marines marching in, leaving the door wide open for a sequel, which appeared in 1946 under the title Janie Gets Married. ~ Hal Erickson, All Movie Guide

More so than most wartime films, Mission to Moscow must be viewed within the context of its times. Requested by President Roosevelt to make a film supportive of America's Russian allies, Warner Bros. turned to the memoirs of Ambassador Joseph H. Davies, who spent several years prior to WWII in the Soviet Union. As played by Walter Huston, Davies is a pillar of incorruptable integrity, reporting the facts "as I saw them" (only in later years was Davies revealed to be something less than a paragon of virtue who was willing to alter opinions for political, personal and financial expedience). Sent to Moscow by FDR as a means of finding out if Russia is a potentially trustworthy ally in case of war, Davies and his family are given the royal treatment by the Commissars, who display the social, technological, agricultural and artistic advances made under the Stalin regime. Invariably, the Russian citizens are shown to be singing, smiling, freedom-loving rugged individuals-in contrast to the Nazis, who are depicted as humorless automatons. In its efforts to present the USSR in the best possible light, the film glosses over the notorious Purge Trials of 1937, presenting the trials as scrupulously fair and the defendants as unabashed traitors to the Soviet cause. At one point, Russia's annexation of Finland in 1939 is "justified" by Davies' explanation that the Soviets merely wanted to protect their tiny neighbor from Nazi domination! It is unfair to label Mission to Moscow as Communistic or even left-wing, since it was merely parroting the official party line vis-a-vis US/Soviet relations in 1943. Even so, screenwriter Howard Koch found it very difficult to get film work after the war because of his contributions to this "Pinko" project (conversely, Jack Warner pulled a Pontius Pilate, washing his hands of the matter by insisting that he was strongarmed into making the film). Seen objectively, Mission to Moscow is top-rank entertainment, superbly and excitingly assembled in the manner typical of Warners and director Michael Curtiz. The huge cast includes Gene Lockhart as Molotov, attorney Dudley Field Malone as Winston Churchill, Maynart Kippen as a benign, pipe-smoking Stalin, Charles Trowbridge as Secretary Cordell Hull, Leigh Whipper as Hailie Selassie, Georges Renavent as Anthony Eden and Alex Chirva as Pierre Laval, along with the more familiar faces of Ann Harding (as Mrs. Davies), George Tobias, Eleanor Parker, Moroni Olsen, Minor Watson, Jerome Cowan, Duncan Renaldo, Mike Mazurki, Frank Faylen, Edward van Sloan, Louis-Jean Heydt, Monte Blue, Robert Shayne and even Sid (sic) Charisse. Original prints of Mission to Moscow include a 6-minute prologue delivered by the real Joseph Davies. ~ Hal Erickson, All Movie Guide

Love From a Stranger was adapted from a play by Frank Vosper--which, in turn, was based on a story by Agatha Christie (though you'd never know it from the print ads for this film, which reproduced Ms. Christie's name in microscopic typeset). Ann Harding plays a lovely but somewhat naive young woman who goes on a European vacation after winning a lottery. Swept off her feet by charming Basil Rathbone, Harding finds herself married before she is fully able to grasp the situation. Slowly but surely, Rathbone's loving veneer crumbles; when he casually asks Harding to sign a document turning her entire fortune over to him, she deduces that her days are numbered. Desperately trying to keep one step ahead of the homicidal Rathbone (without his catching on), Harding foils all of his clever schemes to put her out of the way. The flustered Rathbone finally tips his hand, but by now the tables are turned. Filmed in England, Love From a Stranger would be remade in Hollywood in 1947, with Sylvia Sidney and John Hodiak in the leading roles. ~ Hal Erickson, All Movie Guide

Ann Harding stars as Anne Talbot, the wife of prominent physician Michael Talbot (Herbert Marshall). Despite his happy marriage, the good doctor's head has been turned by much-younger socialite Jerry Mannerly (Margaret Lindsay). A "modern woman," Anne gallantly steps aside, confident that Michael will eventually tire of his new flame and come to his senses. And of course, he does, but not without the help of his wise old dad (Edward Ellis). This harmless romantic drama was raked over the coals by the American and Canadian Glass Blowers' Union, who complained that beer was served in a tin can in one scene (special-interest pressure groups were definitely not a phenomenon of the 1990s!). ~ Hal Erickson, All Movie Guide

"I'll See You in My Dreams" could well have been the theme music of Peter Ibbetson, the second film version of George du Maurier's 1891 novel. Peter Ibbetson (Gary Cooper) is an architect who, while working on a restoration job for the British Duke of Towers (John Halliday), discovers that The Duchess of Towers (Ann Harding) is actually Mary, his childhood sweetheart. The jealous duke pulls a gun on Ibbetson, but Peter kills him. He is sent to prison for life, certain that he'll never meet his Mary again. But both lovers are reunited in one another's dreams, which connect them spiritually. The years pass, but the aging Peter and Mary remain ever youthful in their dreams. Upon their deaths, they are reunited in the afterlife. Somehow this fragile fantasy works, thanks to the steady guiding hand of director Henry Hathaway. ~ Hal Erickson, All Movie Guide