Mark R. Harris Movies

Something of an Irish variation on The Sopranos with a considerably younger cast, NBC's weekly, hour-long The Black Donnellys was reportedly inspired on the exploits of an actual family (also named Donnelly) who were involved in a notoriously bloody fued in the Ontario of the 1880s. The TV series, however, was set in the present, and took place in the Hell's Kitchen district of New York City, specifically a patch of territory controlled by four tough young Irish-Americans with mob connections. The eldest of the four Donnelly brothers was the hotheaded, antagonistic Jimmy (Thomas Guiry), the leader of the gang and owner of the bar where the family all hung out. Jimmy's second-in-command was his brother Tommy (Jonathan Tucker), a former art student who occasionally suffered pangs of conscience over the Donnelly's dubious ethics and business practices. The third brother, Kevin (Bill Lush), was a compulsive gambler, while youngest brother Sean (Michael Stahl-David) was a weak-willed ladies' man. The series was narrated by family friend Joey "Ice Cream" (Keith Nobbs), a combination hatchet man and court jester. Created by the same people responsible for the Oscar-winning feature films Million Dollar Baby and Crash, The Black Donnellys debuted February 19, 2007, as a ten-week replacement for the floundering NBC dramedy Studio 60 on the Sunset Strip. ~ Hal Erickson, All Movie Guide

An encounter between two people with a shared past and conflicting futures is played out on a split-image screen in this offbeat drama. An unnamed man (Aaron Eckhart) and woman (Helena Bonham Carter) are enjoying drinks and cigarettes in a hotel room after attending a wedding reception. At first, the two seem to be playing a flirtatious game, as he cheerfully but confidently advances toward her, and she seems at once attracted and put off by his bravado. Their pas de deux is shot and edited in split screen, with his image appearing in one half of the divided frame and hers appearing in the other. As time wears on, the man and woman begin crossing their appointed boundaries, and in some sequences one half of the frame represents the present while the other shows us events in the past. We learn that the man and woman had a tempestuous affair when they were in their late teens, and both are now committed to other people -- she has a husband, while he has a steady girl. How will the experiences of their past affect their present, and are they willing to betray their lovers for an evening's pleasure? Conversations With Other Women was the first feature film from director Hans Canosa. ~ Mark Deming, All Movie Guide

Overhearing his parents Stephanie and David Carver having a heated argument, young Justin Carver (Cole Sprouse) retreats to his bedroom. A few minutes later, Justin peeks downstairs, only to see his mother Stephanie (Connie Sellecca) locked in a warm, romantic embrace with none other than Santa Claus. Unaware that mom's hirsute "lover" is actually his own father, David (Corbin Bernsen), who has dressed up as Santa in hopes of getting back in Stephanie's good graces, Justin is convinced that his parents' marriage is on the rocks -- just like the recently shattered union of his best friend's parents. Further convinced that jolly old Saint Nick is the cause of all the marital disharmony, little Justin goes on a one-boy vendetta, physically assaulting every department-store and sidewalk Santa who crosses his path. Very loosely based on the 1949 hit song of the same name, the made-for-TV I Saw Mommy Kissing Santa Claus first aired December 9, 2001, on the PAX network. ~ Hal Erickson, All Movie Guide

Haley Joel Osment stars in this melodramatic war drama about Japan's attempted incursion into California's water just after Pearl Harbor. Japanese sailor Matsuo (Yuji Okumoto) falls overboard off the coast of Passerville. He eventually finds refuge in an old factory where four boys, including Pee Wee (Osment) and Duke (Trevor Morgan), usually play. Meanwhile, Duke's parents (Mark Harmon and Pam Dawber) befriend Japanese-American Abe Tanaka (Noriyuki "Pat" Morita) as he his forced to move to a relocation camp. ~ Jonathan Crow, All Movie Guide

An artist with Tourette's syndrome and an aversion to romance falls for his best friend's girl in this sometimes comic drama. Lyle Maze (Rob Morrow), a successful painter who's also starting to explore sculpture, relies on emotional armor a foot thick to protect him from other people. In addition to suffering from uncontrollable physical tics and loud outbursts, Lyle is also prone to obsessive-compulsive disorder. Afraid that his artistic gifts and his disease spring from the same well, he eschews the well-meaning advice of his doctor pal, Mike (Craig Sheffer), and refuses to try the new drug therapies available. He also rejects any attempt to fix him up with women. But when rebel-without-a-cause Mike decides to tilt at windmills in Africa for seven months as a member of Doctors Without Borders, Lyle finds himself in a precarious position. Callie (Laura Linney), Mike's acerbic ad-exec girlfriend, has confided to him that she's pregnant but unwilling to use her condition as leverage to shore up her troubled relationship. Soon, Lyle is coaching Callie through natural childbirth classes, playing surrogate father-to-be, and falling in love. Inspired by the documentary Twitch and Shout, Maze marked the first trip behind the camera for actor Rob Morrow, who played another man with Tourette's in the film Other Voices. In addition to directing and starring in Maze, the Northern Exposure star co-wrote and co-produced. ~ Brian J. Dillard, All Movie Guide

Gods and Monsters was promoted from the outset as an artistic drama, but the publicity tended to play coyly on the possibility of a homosexual romance between the retired film director James Whale, played by Ian McKellen and his hunky gardener Clayton Boone (Brendan Fraser). While the film does involve romance, the central relationship between the director and his gardener is about the development of a genuine friendship between two outwardly dissimilar but inwardly kindred spirits. In the story, Whale has been living for many years in peaceful, if not entirely contented retirement, under the loving and watchful eye of his contentious and argumentative Hungarian housekeeper (Lynn Redgrave). His earlier celebrity as the director of the original Frankenstein movie and its sequel, The Bride of Frankenstein, results in his being visited occasionally by disagreeable young men who have come to bask in the reminiscences of this creator of two "camp" classics. His reputation as a fairly outrageous homosexual comes into play here, when one particularly unpleasant and effeminate young man comes by seeking cinematic tidbits: the director challenges the boy to a game of stripping off one article of clothing for every revelation he shares about his moviemaking past. He had gotten the boy down to his briefs when he is stricken with one of his ever-recurring bouts of epilepsy, the result of a series of strokes. By way of contrast, while he is clearly interested in his gardener as a sex-object, gradually luring him into ever closer association, the openness and vulnerability of this awkwardly aggressive heterosexual boy inspires him to reveal the history of his heart. It turns out that, like the young man who is modeling for his supposed artworks, he came from a poor and difficult background. By the time naïve gardener learns of the director's homosexuality from the housekeeper, he has been drawn too deeply under the man's spell to stay away from their meetings for long. While the tension between the men never departs, a genuine relationship of caring develops between them. Meanwhile, Whale has been clearly observing the progressive deterioration of his mental faculties, and is increasingly being overwhelmed by vivid memories and visions. ~ Clarke Fountain, All Movie Guide