Anne Gwynne Movies

Looking like a high-school junior, Michael Douglas plays a college professor in Adam at 6 AM. Tired of academia, Douglas opts for the supposed tranquility of rural Missouri. After working as farm hand for a few weeks, he realizes that his "normal" neighbors are as screwed up as any of his more sophisticated friends. To punch up the film's leisurely screenplay, a great deal of sex talk is injected, which may have sounded daring in 1970 but which plays like an episode of Married: With Children nowadays. Adam at 6 AM is blessed with a superb supporting cast: among the secondary actors is 1940s leading lady Anne Gwynne, making a one-time-only film comeback. ~ Hal Erickson, Rovi

In this adventure, set in the dark African jungles, visiting American scientists inadvertently enrage the local natives when they steal a sacred golden tablet. Fortunately a jungle dwelling doctor helps the insensitive brutes return the tablet before they are killed by the natives. ~ Sandra Brennan, Rovi

The title King of the Bullwhip could only refer to one of two western-movie favorites: Lash LaRue or Whip Wilson. Since LaRue was under contract to Ron Ormond productions, it was LaRue who starred herein. Usually associated with the lowest of low-budget productions, LaRue is here surrounded with decent production values and an above-average cast, including Jack Holt, Anne Gwynne, Tom Neal, Michael Whalen, Dennis Moore and George Lewis. And, as always, LaRue is aided and abetted by trusty comical sidekick Al "Fuzzy" St. John. Likewise praiseworthy is the plot, a solid mystery yarn concerning an unknown bank robber. The finale finds LaRue subduing the villain with a startling exhibition of expert whip-cracking. ~ Hal Erickson, Rovi

Gene Autry is back in the saddle again in The Blazing Sun. On this occasion, Autry plays a lawman in pursuit of two bank robbers. Adding novelty is the fact that the film is set in the contemporary West, with Pat Buttram co-starring as a conceited radio actor Mike. Weaving in and out of the proceedings is enigmatic heroine Kitty (Anne Gwynne), whose curious behavior is explained in full at fadeout time. Blazing Sun is capped by an exciting runaway-train sequence, pitting Autry against principal heavy Kenne Duncan. Featured in the cast is future Gilligan's Island co-star Alan Hale Jr. ~ Hal Erickson, Rovi

Regarded by some film buffs as the best of director Leslie Selander's many westerns, Panhandle stars Rod Cameron as an ex-lawman turned gunslinger. He hopes to bury his past and homestead in Texas, but his plans change when his newspaper-reporter brother (John Champion) is killed. Reluctantly, Cameron buckles on his gun belt and heads out for retribution against crooked gambler Reed Hadley. Making his screenwriting debut, Blake Edwards (who also coproduced the film and played a small supporting role) does his best to steer free of cliches, structuring his script in the manner of the detective stories Edwards had been churning out for radio. No mere B picture, Panhandle was permitted to unspool at an "A" length of 84 minutes. To further assure audience approval, Blake Edwards rewrote the ending, in which hero Rod Cameron had originally been killed off. ~ Hal Erickson, Rovi

Befitting his status as a genre star, Boris Karloff earns top billing over leading man Ralph Byrd in RKO's final Dick Tracy caper. The former Frankenstein monster plays an escaped convict masterminding a daring bank robbery. To get in and out of the bank without being noticed, the gang uses an asphyxiating gas that leaves anyone inside momentarily frozen in place. Everyone, that is, except for bank customer Tess Truehart (Anne Gwynne), who is able to contact Dick Tracy (Byrd) from a phone booth in the bank. With little or no clues, Tracy and his man Friday, Pat Patton (Lyle Latell), question the bank customers but none can shed any light on the mysterious goings-on. The disappearance of Dr. A. Tomic (Milton Parsons) and the odd behavior of his associate, Dr. I.M. Learned (June Clayworth), crack the case wide open, however, and Tracy is eventually able to track down both Gruesome and the surprising identity of his boss, L.E. Thal (Edward Ashley). According to some reports, RKO wanted to release Dick Tracy Meets Gruesome as "Dick Tracy Meets Karloff" but that title was vetoed by Karloff himself. The legendary horror star apparently later accepted his own box-office value and a 1949 Universal comedy was released as Abbott and Costello Meet the Killer, Boris Karloff. ~ Hans J. Wollstein, Rovi

The Ghost Goes Wild is a low-cost but high-rolling farce starring James Ellison and Anne Gwynne. It starts off with Ellison, a young artist, being sued for an unauthorized caricature. To escape arrest, Ellison disguises himself as a mystic, only to conjure up a genuine ghost during a seance. Things come to a head during Ellison's trial, where the invisible ghost takes the witness stand on Our Hero's behalf. The Ghost Goes Wild is a rare venture into wacky comedy by western-oriented Republic Pictures. ~ Hal Erickson, Rovi

In this drama, a reporter marries a socialite with a bad ticker. The gold-digging reporter is well aware of her delicate condition, and he and his girlfriend conspire to kill her. He shoots her, but does not realize that she was dead from a heart attack before the bullet entered her body. He is later captured and convicted. The detective who caught him was well aware that the woman died of heart failure, but he decided to say nothing. ~ Sandra Brennan, Rovi

Set at a major newspaper, this crime drama centers on a fellow who returns to newspaper reporting after he bombs as a playwright. Believing his grown son is in danger of marrying a gold digger, the paper's publisher assigns his new reporter to expose her. In order to do so, he cons the gal's maid into letting him into her apartment. There he hides a camera. Later that night, the gold digger is murdered there. Fortunately, the reporter's camera caught the killer in the act. ~ Sandra Brennan, Rovi

All but forgotten today, Ladies Courageous was one of the more successful wartime morale-boosters. Loretta Young heads the virtually all-female cast as Robert Harper, no-nonsense executive officer of the original 24 members of the Women's Auxiliary Ferrying Squadron. Each of the women under her command has a story to tell, and tell it they do in long, verbose flashbacks. Standing out in the supporting cast is Geraldine Fitzgerald as Vinnie Alford, who joins the WAFs for publicity purposes and nearly scuttles the program in the process. Also appearing is the tragic Diana Barrymore, whose leading role was considerably trimmed before the film was released to the public. Though not all that exciting (especially considering the subject matter), Ladies Courageous served its patriotic purpose in 1943. ~ Hal Erickson, Rovi

At MGM, the studio's youth musicals were more rural than urban -- find a barn, get some friends together, and hey kids, let's put on a show. At Universal, for this musical for its young contract players, the atmosphere is more urban -- the kids at a settlement house, led by Trudy Costello (Peggy Ryan), have to raise $200 a month to support scholarships so that 10 of them can go to music school; they're helped by Carol Curtis (Ann Blyth), a wealthy young heiress who's in love with Billy Harper (Billy Dunn), who's too poor to afford the scholarship but also too proud to take her help. The kids decide to organize a night club for teenagers, and try to get help from Carol's eccentric uncle Malcolm (Leon Errol, who's never been comfortable with his upper-crust family's staid outlook on life. But standing in their way is Carol's aunt Martha Alma Kruger, who doesn't like music and sees no reason for her niece or any member of her family to be involved with this group of under-privileged kids. And running interference for the teenagers is her attorney, Dick Lorimer (Kirby Grant), who sympathizes with Carol and Malcolm and happens to like the director of the settlement house (nne Gwynne) a great deal. ~ Bruce Eder, Rovi

In many ways the most endearing of Universal's B-grade "monster rallies" of the 1940s, House of Frankenstein manages within its 70-minute time span to make room for Frankenstein's monster (Glenn Strange), Dracula (John Carradine) the Wolf Man (Lon Chaney Jr.), and a couple of new recruits, mad scientist Boris Karloff and demented hunchback J. Carroll Naish. Escaping from prison, Karloff vows to continue his diabolical efforts to emulate Dr. Frankenstein's "eternal life" experiments; he also swears vengeance on the three men (Sig Ruman, Frank Reicher and Michael Mark) who were responsible for sending him to prison. With the help of fellow escapee Naish, Karloff murders a travelling-carnival impresario (George Zucco) and assumes his identity. He travels first to the village where Ruman is burgomaster. Since his carnival is a "chamber of horrors", Karloff utilizes one of those horrors--Count Dracula--to settle his account with Ruman. Dracula does so, but dies when the first rays of sunlight stream across his body. En route to the next village, Naish gives shelter to runaway gypsy girl Elena Verdugo, who joins the caravan (though she remains incredibly naive concerning Karloff's intentions!) Coming to the village when the Frankenstein monster and the Wolfman were presumably drowned at the end of Frankenstein Meets the Wolfman (1944), Karloff revives the latter, who when he's not baying at the moon is the comparatively good-looking Lawrence Talbot. Karloff secures Talbot's cooperation by promising to perform some brain surgery that will relieve him of his lycanthropy. Later on, Karloff kidnaps and kills his other enemies Mark and Reicher, intending to use their brains to cure Talbot and to reactivate the Frankenstein monster. Jealous of Verdugo's attentions towards Talbot, Naish rebels against Karloff, and is killed for his troubles. Talbot turns into the Wolfman, whereupon Verdugo kills him before expiring herself. And Karloff, rendered immobile by the requisite attack of angry villagers, is dragged by the lumbering Monster into a pit of quicksand. Thus House of Frankenstein has something in common with Hamlet: No one is left alive at fade-out time. It's to scenarist Robert Siodmak's credit that he was able to fashion a coherent screenplay out of the crazy-quilt of copyrighted horror characters handed to him by Universal Pictures. ~ Hal Erickson, Rovi

This patriotic WW II-era bit of anti-Japanese propaganda centers on a white Texas college student who becomes such good friends with Japanese students on campus that he goes to their country after he is wrongfully accused of being a traitor. All this happened before the U.S. declared war on Japan. After the war begins, the fellow willingly makes pro-Japanese radio broadcasts. Fortunately, the fellow turns out to be a red-blooded American boy through and through and thanks to him, the Japanese are rendered helpless by the end of the film. ~ Sandra Brennan, Rovi