Gael García Bernal Movies

Fernando Meirelles' adaptation of Nobel Prize-winning author José Saramago's novel Blindness begins when an epidemic of blindness strikes the world. Mark Ruffalo stars as an eye doctor who awakens one morning to find that he suffers from the unexplained disorder. He, along with other victims, is sent to a government detention center so that they can be quarantined. His wife (Julianne Moore) pretends to be blind so that she can be with him inside the institution. Their time in the center grows more and more desperate as food and supplies dwindle, and one of the other citizens (Gael García Bernal) exercises dictatorial control over the others after he acquires a weapon. ~ Perry Seibert, Rovi

Three years after his "experimental" phase wrapped with the jarring, iconoclastic Container, Swedish enfant terrible Lukas Moodysson returned for this sprawling, ambitious social drama. Echoing Alejandro González Iñárritu's Babel and featuring two Hollywood A-listers as his leads, Mammoth also marked the director's premier English-language project. Michelle Williams and Gael García Bernal co-star as Ellen and Leo, New York marrieds; she's an emergency-room surgeon, he's a listless, vaguely dissatisfied Internet game designer. They have a family, albeit an unconventional and dysfunctional one: seven-year-old daughter Jackie (Sophie Nyweide) is practically being raised by a 24/7 Filipino caregiver, Gloria (Marife Necesito), who dotes on her incessantly. This provokes the envy of Ellen and the resentment of Gloria's two geographically estranged sons, Manuel (Martin Delos Santos) and Salvador (Jan Nicdao), who repeatedly phone their mom from Manila and plead with her to come home. Gloria's mother grows so distressed by this behavior that she attempts to show Salvador just how easy his life is in comparison to that of others, which leads to unanticipated tragic consequences. Meanwhile, Leo teams up with a shifty associate, Bob (Tom McCarthy), flies to Thailand, and encounters a freewheeling, laid-back working mother named Cookie (Run Srinikornchot). Step by step, the actions that Leo takes while abroad create a domino effect and alter everyone's lives in irreversible ways. ~ Nathan Southern, Rovi

Eight internationally known filmmakers address vital issues concerning the Third World in this omnibus feature. In 2000, 191 countries affiliated with the United Nations agreed to take part in a program to cut world poverty in half before the year 2015 by observing eight Millennium Development Goals. In Eight, each of these goals is addressed in a short film from a different filmmaker. "Tiya's Dream" by Adberrahmane Sissako focuses on "Eradicating Extreme Poverty and Hunger" in a story about an African student preparing a class project on the Millennium Development Goals. A child in Iceland is learning about Nepal in Gael García Bernal's "The Letter", a variation on the theme of "Achieving Universal Primary Education." Mira Nair examines the issue "Promote Gender Equality" in "How Can It Be", about a Muslim woman who wants to leave her husband. "Mansion on the Hill" by Gus Van Sant focuses on contemporary teens as he contemplates efforts to "Reduce Child Mortality." Jan Kounen traveled to Peru to film his polemic on "Improving Maternal Health," "The Story of Panshin Beka". A man struggles with a fatal disease in Gaspar Noe's "SIDA", aligned to the goal "Combat HIV/AIDS, Malaria and Other Diseases." A village in the Australian outback struggles with environmental issues in "The Water Diary", a parable on "Ensuring Environmental Sustainability" by Jane Campion. And Wim Wenders looks into the ways people in need can help themselves in "Person to Person", his study of "Global Partnerships for Development." Eight received its world premiere at the 2008 Rome Film Festival. ~ Mark Deming, Rovi

The politics of the past and present begin to merge during the making of a motion picture in this drama from director Icíar Bollaín. Spanish movie director Sebastián (Gael García Bernal) and his producer Costa (Luis Tosar) have arrived in Bolivia to shoot a picture about Columbus' exploration and exploitation of the New World. While Sebastián has come to Bolivia for realistic scenery, Costa has chosen the location for the cheap and abundant supply of labor. An open casting call for extras attracts far more people than the picture needs, but when Costa tries to send them away, one would-be actor, Daniel (Juan Carlos Aduviri), makes a strong and eloquent case for fair treatment of the locals, and Sebastián casts him as Hatuey, the chief of a native tribe who fought the invading Spaniards. As Sebastián stages scenes of revolt against would-be colonists, a real battle is brewing in Colombia -- the government has privatized the national water works, and the price of water has jumped by 300 percent, leading to protests and riots in the streets of Cochabamba. Daniel is one of the activists protesting price gouging for something as essential as water -- will Sebastián and his colleagues join him in speaking out against this injustice? También la Iluvia (aka Even the Rain) was an official selection at the 2010 Toronto International Film Festival. ~ Mark Deming, Rovi

Ten Mexican filmmakers consider their nation on the centennial of the revolution in this anthology feature. For Revolucion, ten directors were asked to each contribute a ten minute film that in some way dealt with Mexico, its people, its national character and the legacy of the revolution. Actor Gael García Bernal directed Lucio, in which a young boy who is practicing the flag salute for school is confronted by his irreverent brother and must consider his views on patriotism and faith. Mariana Chenillo's La Tienda de Raya (aka The Estate Store) concerns a woman working for a discount store that pays her in company script rather than cash, making it even harder to climb out of poverty. Fernando Eimbcke directed La Bienvenida (aka The Welcome), in which a small town musician patiently waits for his opportunity to perform for a visiting dignitary. Two children come to the rescue of a priest tied to a tree in El Cura Nicolas Colgado (aka The Hanging Priest), a surreal episode by Amat Escalante. Rodrigo García's La 7th y Alvarado (aka At 7th and Alvarado) is an impressionistic piece in which the revolutionaries who fought for freedom and justice in Mexico pay a visit to modern day Los Angeles. Diego Luna's Pacifico tells the story of a man who takes some time off from his family only to discover how much they mean to him. A man trying to get medical help for his injured friend is forced to take desperate action in Gerardo Naranjo's R-100. Rodrigo Plá's 30/30 follows an elderly relative of Pancho Villa who is invited to a public celebration of the revolution but doesn't get the reception he expects. Este Es Mi Reino (aka This Is My Kingdom) by Carlos Reygadas observes a curiously aggressive holiday celebration in which natives and American visitors go on a tear while the community's poor look on. And in Lindo y Querido (aka Beautiful and Beloved) from Patricia Riggen, a family of Mexican expatriates living in America head home to honor an elder's final request. Revolucion received its world premiere at the 2010 Berlin International Film Festival. ~ Mark Deming, Rovi

Aspiring beauty queen Laura Guerrero (Stephanie Sigman) finds her dreams of becoming Miss Baja California dashed after witnessing a nightclub bloodbath, and becoming hopelessly caught up in a raging drug war. ~ Jason Buchanan, Rovi