Gael García Bernal Movies

The son (Will Ferrell) of a rancher unwittingly gets into a war with a local drug lord (Gael Garcia Bernal) after his supposedly wealthy brother (Diego Luna) turns out to be unable to settle the family's financial troubles in this Spanish-language comedy from Gary Sanchez Productions. Frequent Ferrell collaborator Adam McKay (Step Brothers, The Other Guys) produces, with Funny or Die's Matt Piedmont handling direction duties. ~ Jeremy Wheeler, Rovi

Actor Diego Luna stepped behind the camera to direct this warm drama about a young boy whose emotional problems take him in an unexpected direction. Abel is an unstable child whose issues have only gotten worse since his father walked out on the family. No one in the household is sure what to do for Abel or how they should behave around him, and a stay in a mental hospital does little to ground him. However, one day Abel wakes up and decides that he's the man of the house, and begins acting like his absent father rather than the youngest child. To the surprise of everyone, adult responsibilities agree with Abel, and the family seems significantly happier with his new personality. But this proves to be short-lived when Abel's real dad unexpectedly returns, and the two vie for the status of head of the household. Abel received its world premiere at the 2010 Sundance Film Festival. ~ Mark Deming, Rovi

An American girl discovers a love letter that changes her life in this romantic comedy starring Amanda Seyfried and Vanessa Redgrave. The setting is Verona, Italy -- the city where Romeo and Juliet first met. In Verona, there's a wall where the lovelorn leave notes, hoping that Juliet will answer their inquiries about love. Sophie (Seyfried) is part of a team of volunteers who respond to the letters. When Sophie answers a letter from 1957, the woman who wrote it (Redgrave) decides to seek out the one that got away, and romance starts to blossom all around. ~ Jason Buchanan, Rovi

A mysterious loner attempts to successfully complete his criminal mission while operating outside of the law in contemporary Spain. His objectives shrouded in secrecy, the untrusting lone wolf (Isaach de Bankolé) sets out on his latest assignment knowing that the law is never too far behind. Bill Murray, Tilda Swinton, and Gael García Bernal co-star in a crime drama from acclaimed indie filmmaker Jim Jarmusch (Mystery Train, Ghost Dog: The Way of the Samurai). ~ Jason Buchanan, Rovi

Director Gerardo Naranjo transplants the myth of the last romantic couple to upper middle-class Mexico City with this vital and hectic tale of a young couple who throw caution to the wind and set out in search of their true fate. Román is the son of a contemptible, right-leaning congressman. Recently enrolled in a new high school, the rebellious teen clumsily attempts to hang himself on-stage at the big talent show. Maru is the sole member of the audience to applaud, earning both students a day of detention. After bonding during the course of their punishment, Román and Maru grab daddy's gun, steal a Volkswagen, and hit the road bound for nowhere. ~ Jason Buchanan, Rovi

Student Academy Award winner Cary Joji Fukunaga makes his feature directorial debut with this epic dramatic thriller following a Honduran teenager who reunites with her long-estranged father and attempts to emigrate to America with him in order to start a new life. Inspired by the director's firsthand experience with Central American immigrants, Sin Nombre opens to find dejected teenager Sayra (Paulina Gaitan) biding her time in Honduras while dreaming of a brighter future. Upon reuniting with the father she hasn't seen in years, Sayra seizes the opportunity to finally make her dreams a reality. Her father has a new family in the United States, and he's preparing to travel with her uncle to Mexico, where they will then cross the border to freedom. Meanwhile, in Mexico, Tapachula teen Casper (aka Casper, played by Edgar Flores), has gotten caught up with the notorious Mara Salvatrucha street gang. He's just delivered a new recruit to the Maras in the form of desperate 12-year-old Smiley (Kristyan Ferrer), and though the youngster's initiation proves particularly rough, she adapts to gang life rather quickly. As involved as Casper is with the Mara, he does his best to keep his relationship with girlfriend Martha Marlene (Diana Garcia) a secret from the gang. Just as Martha encounters ruthless Mara leader Lil' Mago (Tenoch Huerta Mejía) and suffers a grim fate at the hands of the gang, Sayra and her relatives arrive at the Tapachula train yards and prepare to rush a U.S.-bound freight train with a horde of other immigrants. Rather than attempting to gain access to the cars, Sayra and the rest of the immigrants decide to ride atop the train. Little do they realize that their lives are now in danger, because Lil' Mago has recruited Casper and Smiley to rob the immigrants as they make their way to the United States. When dawn comes and Lil' Mago makes his move, Casper finally decides to stand up to the tyrannical gang leader. Now, as the train winds though the Mexican countryside, Sayra's only hope of surviving the journey and making her way to a new beginning is to align herself with Casper as he flees from the most feared gang in Tapachula. ~ Jason Buchanan, Rovi

Fernando Meirelles' adaptation of Nobel Prize-winning author José Saramago's novel Blindness begins when an epidemic of blindness strikes the world. Mark Ruffalo stars as an eye doctor who awakens one morning to find that he suffers from the unexplained disorder. He, along with other victims, is sent to a government detention center so that they can be quarantined. His wife (Julianne Moore) pretends to be blind so that she can be with him inside the institution. Their time in the center grows more and more desperate as food and supplies dwindle, and one of the other citizens (Gael García Bernal) exercises dictatorial control over the others after he acquires a weapon. ~ Perry Seibert, Rovi

Y Tu Mamá También star Diego Luna makes his directorial debut with this documentary tracing the life and career of Mexican boxer Julio César Chávez. From his very first bouts to his unforgettable matches against such formidable opponents as Oscar De La Hoya and Kostya Tszyu, Luna's film merges past and present by following the legendary Chavez as he prepares for retirement and begins training son Julio César Chávez, Jr. to carry on the fighting family tradition. It isn't every day that a boy who spent his youth in a boxcar in Mexico rises through the ranks to become a six-time world champion, yet somehow Chávez managed to beat the odds to become one the most respected boxers in the history of the sport. Interviews with the pugilist's family and friends reveal the fascinating details about Chávez's rise from poverty, with an examination of the fighter's questionable association with Mexican president Vicente Fox and an ill-conceived "farewell tour" highlighting how social controversy can be as devastating as even the most solid left hook. ~ Jason Buchanan, Rovi

In Mexico City's rough-and-tumble Tepito district, crime and violence are unfortunate facts of life, and in a dominantly Catholic nation it's no surprise that the people of Tepito have turned to a favored saint for guidance and protection. However, in Tepito the saint in whom many have placed their faith has been rejected by the Catholic Church -- Santa Muerte, or Saint Death, who is personified in icons as a skeleton shrouded in a white dress. Adopted by the poor and many in the criminal underclass, Saint Death is to some a throwback to Aztec deities of the past, and to others a presence that has become so common in Mexico that they have chosen to worship death rather than shun it. Filmmaker Eva Aridjis examines this phenomenon in the documentary Saint Death, which features interviews with a number of worshipers to pay tribute to Santa Muerta shrines, as well as tracing the history of this saint created by the people. Gael Garcia Bernal provides the film's narration. ~ Mark Deming, Rovi

Y Tu Mama Tambien star Gael García Bernal makes his feature directorial debut with this study of the class system in Mexico centered on a rowdy house party. Cristobal (García Bernal) is a privileged rich boy who loves a good party almost as much as he loves hip-hip. Cristobal has made plans for a barbecue at his parents' weekend home, but his younger sister (Camila Sodi) and her friends will be staying at the house that weekend as well. Cristobal's sister's friends are more hippie than hip-hop, and as the party begins to get underway it's obvious that these two groups are incapable of seeing past their differences. Likewise, gardener Adán (Tenoch Huerta Mejía) has known Cristobal since the two were just children, yet despite being the same age the two old friends have now been drawn into the same system of class consciousness that divides the entire country. While Cristobal has also invited his girlfriend Mafer (Ana Serradilla) to the highly anticipated shindig, a chance meeting with Argentine beauty Dolores (Luz Cipriota) prompts the deceitful lothario to purposefully give Mafer bad directions in order to get better acquainted with the lovely new object of his affections. ~ Jason Buchanan, Rovi

Two young indigenous brothers from the La Sierra Tarahumara region of northwest Mexico return home from Benito Juarez elementary boarding school, only to find their fates pulling them in opposite directions in director Laura Amelia Guzmán's dramatic meditation on the value of culture and the cost of progress. Evaristo and Luis Antonio Lerma Batista have graduated from boarding school. Though 12-year-old Evaristo would like nothing more than to continue his education, learn Spanish, and lead a bicultural existence, his 11-year-old sibling couldn't see things more differently. Antonio is thrilled to be finished with school. Despite being a considerably bright student, Antonio would much rather spend his days on the family ranch than in the classroom. As both brothers take their tentative first steps into the adult world, they are assigned the task of delivering a package to a faraway community and lent the family horse to get the job done. After taking a wrong turn down a narrow and winding canyon, Evaristo and Antonio decide to tie the horse to a tree and attempt to find a way out. Upon returning some time later, the brothers discover that the horse is missing and they decide to split up. Now, as Antonio searches for the horse and Evaristo sets out to deliver the package, these two brothers will experience a side of Tarahumara culture that can't be taught in a classroom. ~ Jason Buchanan, Rovi