Frank Grimes Movies

Rival groups of boys from two neighboring Irish villages engage in a running battle in this remake of the 1962 French movie of the same name, based on a novel by Louis Pergaud. The boys from Ballydowse, who dress as they please, exchange insults with boys from nearby Carricksdowse -- who wear school uniforms. One day, the Bally gang cuts the buttons off the clothes of a bully in the Carricks gang. The Carricks retaliate by swiping the buttons from the clothes of the leader of the Bally boys, Fergus (Gregg Fitzgerald). The Ballys deface the Carricksdowse church, though both groups are Catholics. They rout the Carricks by charging at them naked. Marie (Eveanna Ryan), who heads the Ballys' girls auxiliary, tries to calm down the boys by raining new buttons on them to replace those lost in warfare. When Fergus' abusive stepfather (Jim Bartley) finds out about the war, he beats Fergus and sends him away. Fergus goes to the cliffs along the valley between the two villages, chased by the Carricks' leader, Geronimo (John Coffey). Geronimo, who has come to help, slips, and Fergus rescues him from a fall. In the end, Fergus, riding a horse, leads his troops, dressed in motley medieval suits, into a final battle. The allegorical anti-war film is primarily aimed at children. ~ Michael Betzold, Rovi

Another of writer/director Ken Russell's D.H. Lawrence adaptations, Lady Chatterley (an amalgam of three Lawrence novels) was first shown as a British TV miniseries on BBC1 from June 6 to 27, 1993. In recounting the familiar details of young, bored Lady Chatterley (Joely Richardson), her elderly, infirm husband (James Wilby), and her hot-blooded stable-groom lover, Manners (Sean Bean), Russell took the opportunity to both celebrate and savage the British upper classes of the 1920s. One brief sequence of full frontal nudity caused a minor scandal in Britain, though by Ken Russell standards the scene was a model of taste and decorum. After its initial TV run, Lady Chatterley was edited down from 220 to 110 minutes and released theatrically in the United States. ~ Hal Erickson, Rovi

In this action drama, after putting in a full shift, two deep sea divers return to the deep to perform a quick repair to a piece of equipment and wind up trapped 100 yards below the surface for hours, and before long they are cut off from the lines which connect them to the surface. Frantic efforts are made by those on the surface to find some way to rescue them before their air completely runs out. ~ Clarke Fountain, Rovi

A once-in-a-lifetime cast of veterans performs David Berry's play about Libby Strong (Bette Davis) and Sarah Webber (Lillian Gish), widowed sisters vacationing on a Philadelphia island for their 60th consecutive summer. Libby is blind and embittered, while Sarah is healthy, supportive, and almost annoyingly chipper. Their neighbor Tisha (Ann Sothern) tries to convince Sarah to put Libby in the care of her daughter, but Sarah hasn't forgotten Libby's moral support when her own husband died, and she won't entertain such notions -- until she is swept off her feet by an aging roué (Vincent Price). When Libby spitefully sabotages this romance, an infuriated Sarah decides that gratitude has its limits. But when it actually comes down to selling their summer house and sending Libby packing, Sarah can't do it. In the film's flashback sequences, Libby is played by Margaret Ladd, Sarah by Mary Steenburgen, and Tisha by Ann Sothern's real-life daughter Tisha Sterling. Another film personality of long standing, Harry Carey Jr., is well cast as the sisters' handyman. ~ Hal Erickson, Rovi

This low-budget horror film about teenagers trapped in a carnival funhouse with a freakish monster is pretty standard stuff. Director Tobe Hooper manages a few shocks and includes some typically peculiar supporting characters, but this film is less entertaining than either of his previous excursions into such territory. Not as scary as The Texas Chainsaw Massacre (1974) nor as bizarre as Eaten Alive (1976), The Funhouse may as well have been directed by an anonymous hack as one of the foremost names in the genre. The movie tie-in novel, penned by Dean R. Koontz under the pseudonym "Owen West," is actually far more frightening than the film on which it was based. ~ Robert Firsching, Rovi

It's late 1944, and the Allied armies are confident they'll win the World War II and be home in time for Christmas. What's needed, says British general Bernard Law Montgomery, is a knockout punch, a bold strike through Holland, where German troops are spread thin, that will put the Allies into Germany. Paratroops led by British major general Robert Urquhart (Sean Connery) and American brigadier general James Gavin (Ryan O'Neal) will seize a thin road and five bridges through Holland into Germany, with paratroops led by Lieutenant Col. John Frost (Sir Anthony Hopkins) holding the most critical bridge at a small town called Arnhem. Over this road shall pass combined forces led by British Lieutenant Gen. Brian Horrocks (Edward Fox) and British Lieutenant Col. Joe Vandeleur (Michael Caine). The plan requires precise timing, so much so that one planner tells Lieutenant Gen. Frederick Browning (Dirk Bogarde), "Sir, I think we may be going a bridge too far." The plan also has one critical flaw: Instead of a smattering of German soldiers, the area around Arnhem is loaded with crack SS troops. Disaster ensues. Based on a book by historian Cornelius Ryan, A Bridge Too Far is reminiscent of another movie based on a Ryan book, The Longest Day. Like that movie, it is loaded with more than 15 international stars, including Sir Laurence Olivier, Robert Redford, Hardy Krueger, Gene Hackman, Maximilian Schell, and Liv Ullman. ~ Nick Sambides, Jr., Rovi

Lee Remick made her TV movie debut in And No One Could Save Her. She plays an American heiress whose husband (Frank Grimes) has apparently disappeared in the middle of a transcontinental flight. Remick heads to Ireland, her husband's original destination, to get to the bottom of things. And No One Could Save Her was the first TV production of the Robert Stigwood Group (Saturday Night Fever, Grease, Can't Stop the Music etc.) The film originally aired February 21, 1973. ~ Hal Erickson, Rovi