James Griffith Movies

In 1945, James Cagney, through his independent production company, bought the rights to a lurid novel by Adria Locke Langley, concerning the rise of a Southern demagogue, loosely based on the political career of Huey Long. By the time the film finally went into production and was released in 1953, the film became an also-ran, trailing behind Robert Rossen's Oscar-winning production All the King's Men, which concerned the same subject. The film, directed by Raoul Walsh, never escapes from the towering shadows of the Rossen film, so it becomes, in the end, a matter of preference for the lead character -- whether one prefers the looming intimidation of Broderick Crawford or the brisk pugnacity of James Cagney. Cagney plays swamp peddler Hank Martin, who tries to ride into the governor's mansion in a backroad Southern state by making a crusade out of the plight of the poor and impoverished majority of the state. He begins his political assent by leading a sharecropper's revolt against the rip-offs the sharecroppers are receiving at the local cotton mill. But things become more intense and Hank Martin sows the seeds of his own destruction when he makes a deal with a local, crooked political boss in order to get ahead in his political career. ~ Paul Brenner, Rovi

The real Al Jennings was a wizened little man who, after a largely unsuccessful career as a western outlaw, reformed to the extent of hitting the lecture circuit and even producing his own films. Jennings was still alive when Columbia's Al Jennings of Oklahoma was produced in 1951, so one can assume that he approved of the radical changes made in his life story and the casting of the better-looking Dan Duryea in the lead. The story begins with Al and his brother Frank (Dick Foran) trying to go straight, even though there's a $25,000 reward on their heads. Al's hopes for connubial bliss with Margo St. Clare (Gale Storm), who loves him despite his reputation, is shattered by the vengeful machinations of a railroad detective. Forced back into a life of crime, Jennings is captured and sentenced to life imprisonment--a sentence that, of course, was eventually modified. Al Jennings of Oklahoma is not one of the classic westerns, but it manages to hold one's attention throughout a plenitude of plot twists. ~ Hal Erickson, Rovi

Anything Goes is a Technicolor-and-Vistavision remake of the 1936 film of the same name, which in turn was based on Cole Porter's hit 1934 Broadway musical. The 1956 bears little relationship plotwise to its predecessors, except for the fact that most of the story takes place aboard a luxury liner. Bing Crosby and Donald O'Connor star as Bill Benson and Ted Adams, a pair of top Broadway tunesmiths who agree to collaborate on their next musical just as soon as they complete their respective vacations. Complications arise when, unbeknownst to one another, Bill and Ted each sign up a potential leading lady; Bill's choice is ballerina Gaby Duval (Zizi Jeanmaire), while Ted's selection is brassy chanteuse Patsy Blair (Mitzi Gaynor). Retained from the original Cole Porter score are such standards as "You're the Top", "I Get a Kick Out of You" (with appropriately laundered lyrics), "Blow, Gabriel Blow", and the title tune. New songs, penned by Sammy Cahn and Jimmy Van Heusen, include "You Gotta Give the People Hoke" and "A Second-Hand Turban and a Crystal Ball". To avoid confusion with the 1956 adaptation of Anything Goes, the 1936 version was for many years retitled Tops is the Limit for television. ~ Hal Erickson, Rovi

Shortly before his death, horror film producer Val Lewton switched creative gears by overseeing the Universal western Apache Drums. The scene is the potentially prosperous western town of Spanish Boot, built from nothing by a group of determined settlers. Before they can enjoy the fruits of their labors, the townsfolk are threatened with an imminent Apache attack. Delivering this sobering news is gambler Sam Leeds (Stephen McNally), previously kicked out of town by the "proper" citizens. At first, no one believes Leeds, but soon the Apaches prove the veracity of the gambler's claims. The rest of the film is light on action but heavy on tension, as the true personalities of all concerned are revealed while they await the final, fatal Apache assault. ~ Hal Erickson, Rovi

One of the best of the High Noon derivations, At Gunpoint is the story of reluctant hero Fred MacMurray. When a band of gunmen invade a small frontier town, storekeeper MacMurray fires off a lucky shot and kills the leader. Hailed as a hero, MacMurray realizes deep down that he's a coward. When the surviving gunmen return to town, thirsting for revenge, the townsfolk expect MacMurray to singlehandedly stand up to the villains. When he asks for help, his neighbors turn their backs on him, ordering him to get out of town to avoid further trouble. Only doctor Walter Brennan and MacMurray's wife Dorothy Malone remain loyal. Facing certain death,MacMurray discovers that he's not as yellow as he thought he was-a revelation that brings about a change in the rest of the town. ~ Hal Erickson, Rovi

While visiting the remote community of Olympus, Candy is accused of murdering the son of town boss A.Z. Wheelock (Arch Johnson). Things don't look very rosy for the Ponderosa ranchhand: Determined to see Candy hang, Wheelock has paid off both the district attorney and a drunken eyewitness. Arriving in town, Joe Cartwright tries to prove Candy's innocence, only to be arrested himself for murdering the sole witness. Also appearing are Barry Sullivan as Fully, Brooke Bundy as Mary Elizabeth, and Vaughn Taylor as Sheriff Henning. Originally titled "Judgement at Olympia", this episode was written by Walter Black, and made its network debut on October 8, 1967. ~ Hal Erickson, Rovi

Con artists Morgan (Wally Brown) and Axe (Dave Willock) flimflam Clementine Hawkins (Beatrice Kay), a former dance-hall girl turned boarding-house keeper, with an elaborate scam involving "The Burma Rarity", a priceless emerald. Inasmuch as Ben Cartwright introduced Clementine to the crooks, he figures it is his responsibility to recover her money. To that end, Ben puts together a "sting" operation-which backfires so spectacularly that Ben may well have to marry Clementine to make amends! Written by N.B. Stone,"The Burma Rarity" originally aired October 22, 1961. ~ Hal Erickson, Rovi

When seen today, Bullwhip seems to be a dry run for the 1975 Jack Nicholson-Mary Steenburgen western Goin' South. To save himself from being hanged on a trumped-up murder charge, frontiersman Guy Madison agrees to marry whip-wielding spitfire Rhonda Fleming. Once the ceremony is over, Fleming wants nothing to do with her new husband, but he insists upon insinuating himself in her burgeoning fur-trading business. How long will it be before the heroine succumbs to Madison's rakish charms? When Shakespeare wrote this story, he called it Taming of the Shrew. ~ Hal Erickson, Rovi

Also known as City on a Hunt, No Escape stars Lew Ayres and Marjorie Steele as mixed-up victims of circumstance. John Tracy (Ayres), a drunken songwriter, has reason to believe that he's murdered artist Peter Hayden (James Griffith). So does Pat Peterson (Steele), a blue-collar girl whom Hayden had tried to seduce. Both John and Pat take it on the lam, with her boyfriend, police detective Simon Shayne (Sonny Tufts), in hot pursuit. The twist ending isn't much of a surprise, but it's still crammed with suspense. No Escape represents a rare directorial effort by screenwriter Charles Bennett, whose previous scripting credits include several Alfred Hitchcock thrillers. ~ Hal Erickson, Rovi

Martha Vickers was given a rare leading-role opportunity in Daughter of the West. Vickers plays Lolita Moreno, a part-Native American girl who falls in love with college-educated Navajo Navo (Philip Reed). The film's Indian characters are depicted in a dignified, respectful manner: not so the white villains, headed by crooked Indian agent Ralph Connors (Donald Wood). When Connors and his flunkies try to cheat the Navajos out of their land, Navo gets wise to their scheme and nips it in the bud. The film's highlight is an authentically staged Indian harvest sequence, lensed in Cinecolor. ~ Hal Erickson, Rovi

Warfield (Glenn Ford) is the dispassionate ex-gunslinger who joins forces with peaceful neighbor Forbes (Arthur Kennedy) to help him track down the Apache Indians who have kidnapped Warfield's wife and children two months prior. In searching for the abductees, the hardened gunslinger eventually keeps a level head while the even-tempered Forbes turns into a cold-blooded killing machine. Warfield and Forbes eventually complete their personality changes that lead to the inevitable western showdown. Initially a television movie made for ABC, the company decided to release the film only in theaters. ~ Dan Pavlides, Rovi

Vincent Edwards, four years removed from Ben Casey, enters another branch of the healing profession in the made-for-TV Dial Hot Line. Edwards plays Matt Lincoln, a community psychiatrist who is patched into a "hot line" telephone for those troubled souls unable to afford therapy. This TV movie involves three of Lincoln's call-in patients, including one potential suicide. Also featured was future Laugh-In regular Chelsea Brown as Tag, a member of Lincoln's staff. Dial Hot Line later matriculated into the brief Matt Lincoln TV series, with both Vincent Edwards and Chelsea Brown retained from the pilot. ~ Hal Erickson, Rovi