William Gould Movies

Ma and Pa Kettle at the Fair was Number Four in Universal's immensely successful "B"-picture series. It is giving away nothing to reveal that Marjorie Main and Percy Kilbride once more assume the title roles. The plot is motivated by Ma's desire to send daughter Rosie (Lori Nelson) to college. To that end, she intends to win a big cash prize at the upcoming county fair. Meanwhile, Pa uses his half of the winnings (which no one, as yet, has really won!) to purchase a race horse. When Mafails to win the money, the Kettles are forced to rely on the horse to save the day during a sweepstakes race. Towards the end of Ma and Pa Kettle at the Fair, a close-up of the racing statistics sheet is shown, revealing that one of the owners is "Quinn Martin"--a cute inside joke, inasmuch as Mr. Martin was a prolific scriptwriter and a friend of Ma and Pa Kettle producer Leonard Goldstein. ~ Hal Erickson, All Movie Guide

Originally designed for church showings, Messenger of Peace was blown up from 16mm to 35mm and given a brief theatrical distribution early in 1950. Told in flashback, this is the inspirational story of Pastor Armin Ritter (John Beal), whose faith remains unshakable despite the most extreme forms of personal tragedy. Peggy Stewart co-stars as Ritter's ever-supportive wife, while Paul Guilfoyle has a plum role as an alcoholic who "sees the light." Though excessively hokey at times, the film scores on its obvious sincerity. Messenger of Peace was filmed by Roland Reed Productions, the same firm responsible for TV's religious weekly This is the Life. ~ Hal Erickson, All Movie Guide

Lee J. Cobb stars as Ed Cullen, a San Francisco police lieutenant, embroiled in a clandestine romance with married socialite Lois Frazer (Jane Wyatt). When Lois kills her husband Howard (Harlan Warde), the flustered Cullen vows to cover for her. He arranges the evidence to suggest that Howard was shot during a robbery. Things get sticky when Cullen is assigned to investigate the case, together with his more honest younger brother Andy (John Dall). How can Cullen escape detection without destroying his brother's standing with the force? Man Who Cheated Himself is worth seeing if only to watch Jane Wyatt play against her established screen image. ~ Hal Erickson, All Movie Guide

In pageant-like fashion, Warner Bros.' Task Force traces the history of the American aircraft carrier, as experienced by a group of naval air aces. Gary Cooper plays Admiral Jonathan L. Scott, who on the verge of retirement remembers his struggle to win recognition of the importance of aircraft carriers. The story begins in 1921, when Scott and his friend Pete Richard (Walter Brennan) were making dangerous landings on the primitive 65-foot carrier Langley. Scott's outspokenness wins him few friends among the brass, and after he publicly insults a Japanese diplomat on the subject of his beloved carriers, he is shunted away to a desk job. Naturally, once Pearl Harbor is attacked, Scott is vindicated. While his wife Mary (Jane Wyatt) waits patiently at home, Scott serves in World War II with distinction, guiding his carrier through a maze of Japanese artillery and kamikazes. Filmed in Technicolor, Task Force makes good use of actual color battle footage filmed by the Signal Corps. A brief clip from Task Force shows up in the drive-in movie scene in James Cagney's White Heat (1949). ~ Hal Erickson, All Movie Guide

The exciting world of racing provides the backdrop for this adventure that is unusual because it is told from a race horse's viewpoint. The story begins as the racer is born on a Kentucky farm. He is then seen being trained, having problems, and getting very attached to his devoted owner. Later, ridden by real-life jockey Johhny Longden, the horse wins at Santa Anita. Special guest horses include: Man O'War, Seabiscuit, Whirlaway, Gallant Fox, Phar Lap, and Equipoise. ~ Sandra Brennan, All Movie Guide

Deanna Durbin's career was clearly on the downswing when she starred in For the Love of Mary. Durbin plays a switchboard operator at the White House, whose hiccuping spells throw several incoming special-interest callers into a tizzy. The President himself cures Durbin of her hiccups, thereby becoming entangled with the girl's various romances. She, in turn, finds herself neck-deep in numerous political intrigues. A forgettable comedy with disposable songs, For the Love of Mary turned out to be Deanna Durbin's last picture. The onetime mortgage-lifter of Universal Pictures was tired of the Hollywood grind and of fighting a losing battle with her fluctuating weight; thus she retired to France with her director-husband Charles David. ~ Hal Erickson, All Movie Guide

Befitting his status as a genre star, Boris Karloff earns top billing over leading man Ralph Byrd in RKO's final Dick Tracy caper. The former Frankenstein monster plays an escaped convict masterminding a daring bank robbery. To get in and out of the bank without being noticed, the gang uses an asphyxiating gas that leaves anyone inside momentarily frozen in place. Everyone, that is, except for bank customer Tess Truehart (Anne Gwynne), who is able to contact Dick Tracy (Byrd) from a phone booth in the bank. With little or no clues, Tracy and his man Friday, Pat Patton (Lyle Latell), question the bank customers but none can shed any light on the mysterious goings-on. The disappearance of Dr. A. Tomic (Milton Parsons) and the odd behavior of his associate, Dr. I.M. Learned (June Clayworth), crack the case wide open, however, and Tracy is eventually able to track down both Gruesome and the surprising identity of his boss, L.E. Thal (Edward Ashley). According to some reports, RKO wanted to release Dick Tracy Meets Gruesome as "Dick Tracy Meets Karloff" but that title was vetoed by Karloff himself. The legendary horror star apparently later accepted his own box-office value and a 1949 Universal comedy was released as Abbott and Costello Meet the Killer, Boris Karloff. ~ Hans J. Wollstein, All Movie Guide

Lucille Ball offers a seminal version of her Lucy Ricardo TV character in Her Husband's Affairs. Ball is cast as Margaret Weldon, the wife of advertising executive William Weldon (Franchot Tone). Though Weldon is successful, Margaret can't help but feel that he'd be more successful if she were to take an active part in his business affairs. The fun really begins when Margaret tries to help Weldon promote a crackpot inventor (Mikhail Rasumny) who's come up with a revolutionary new embalming fluid. As in the previous year's The Hucksters, Madison Avenue and Big Business are targetted for a great deal of derisive ribbing. If only Her Husband's Affairs were as funny as everyone involved seems to think it is. ~ Hal Erickson, All Movie Guide

Not by any means a great film, The Devil Thumbs a Ride nonetheless has an indefinable audience allure that sucks the viewer into its labyrinthine storyline and doesn't let go until the fade-out. Lawrence Tierney plays Steve Morgan, a charming but utterly sociopathic criminal who has just robbed and killed a movie theater cashier. Morgan hitches a ride with inebriated conventioneer Jimmy Furguson (Ted North). Later on, Furguson picks up two more hitchhikers: virginal Beulah Zorn (Nan Leslie) and good-time girl Agnes Smith (Betty Lawford). When circumstances lead Jimmy to believe that Steve is the fugitive whom the cops are looking for, Morgan sweet-talks his way into everyone's confidence. Before he knows what's happening, Jimmy is holed up in a beach house while Steve parties with Beulah and Agnes. Not even the most fervent of film noir fans will be able to predict the outcome of this one. Long ignored by movie buffs, The Devil Thumbs a Ride gained a large following through repeated TV showings in the 1960s and '70s. It is now considered so representative of its genre that one film historian used the film's title for a collection of his essays on B-melodramas. ~ Hal Erickson, All Movie Guide

The Warner Bros. musical My Wild Irish Rose purports to tell the life story of popular 19th century balladeer Chauncey Olcott-or at least, the version set down by Olcott's daughter Rita. Starting his career in minstrel shows, Olcott (Dennis Morgan) is given his first break by stage luminary Lillian Russell (Andrea King), who casts him as her Broadway leading man. Though their relationship is platonic so far as Russell is concerned, the newspapers have a field day concocting an imaginary romance, driving a wedge between Olcott and his hometown sweetheart Rose Donovan (Arlene Dahl). No matter what his personal problems, Olcott rises to heretofore unimagined show-biz heights with his sentimental Irish ballads, including "A Little Bit of Heaven", "Mother Macree" and, of course, the title tune. I Love Lucy fans will be amused by the casting of a generously toupeed William Frawley as famed Irish tenor William Scanlan, who after his voice fails him generously passes the torch of celebrity to Olcott. ~ Hal Erickson, All Movie Guide

A woman struggles to reassemble her broken life in this drama that features Susan Hayward in her first starring role. The woman started out as a night-club singer, but abandoned her career after marrying a budding radio star. At first she does everything she can to insure his success, but when he finally hits the big-time, the woman finds herself deeply depressed and turning toward the bottle for solace because he is increasingly absent from her life. She becomes a full-fledged alcoholic and her husband, unable to take it anymore begins divorce and custody procedures. It takes such extreme measures to wake her up to her problem. Fortunately, with hard work, and renewed support from her husband, she overcomes her addiction. ~ Sandra Brennan, All Movie Guide

Gilbert Roland dominates the action in a colorful performance as the bandit hero the Cisco Kid, this time up against a surprisingly vicious plot by a local doctor to steal land from the local peasants and small ranchers by poisoning them to drive them off, and then reselling the property to absentee European landlords. He finds an unexpected ally in Jeanne DuBois (Ramsay Ames), who starts out as part of the plot but is turned around by Roland's charm and charisma after a few fireworks. The direction is uneven, with William Nigh not quite able to make the flatter parts of the script as entertaining or smooth as they ought to be. Evidently, the producers knew they were in trouble with this downbeat script and took steps to rescue the picture. Seeing the sparks fly in the scenes in the first third of the picture, in which Ames is disguised as a man (which evokes echoes -- albeit very distant -- of Shakespeare's As You Like It) and verbally jousts with Roland, more material was written on the spot for the two of them, depicting a competition that becomes much more heated when her gender is revealed. By her own account, Nigh and Ames were friends, and she was a good sport on this shoot whatever they had her doing, and it's a pity they didn't go further with the rivalry between Roland's and Ames' characters, who might've been the Antonio Banderas and Catherine Zeta-Jones of their era. Roland also wrote some of his own dialogue and poetry for this effort, which seems very hackneyed today, but played just fine for audiences in 1946. (Note: In early TV prints of Beauty And The Bandit, all references to the Cisco Kid and O. Henry in the credits were blacked out, and mentions of the Cisco Kid and "Cisco" in the dialogue awkwardly dubbed over as "Chico" -- one suspects this was because the exclusive TV rights to the Cisco Kid had been sold to another producer for the TV series starring Duncan Renaldo and Leo Carrillo). ~ Bruce Eder, All Movie Guide