Michael Gough Movies

Washington Irving's tale of Ichabod Crane and the Headless Horseman gets a few new twists in a screen adaptation directed by Tim Burton. In this version, Ichabod (Johnny Depp) is a New York City detective whose unorthodox techniques and penchant for gadgets make him unpopular with is colleagues. He is sent to the remote town of Sleepy Hollow to investigate a series of bizarre murders, in which a number of people have been found dead in the woods, with their heads cut off. Local legend has it that a Hessian ghost rides through the woods on horseback, lopping off the heads of the unsuspecting and unbelieving. Ichabod refuses to believe in this legend, convinced that there must be a logical explanation for the murders. In time, Ichabod becomes smitten with a local lass, Katrina Van Tassel (Christina Ricci), who is the sweetheart of the burly Brom Bones (Casper Van Dien), and he becomes determined to capture the murderer to prove his bravery and win her heart. Christopher Walken, Jeffrey Jones, and Christopher Lee highlight the supporting cast; Lee's appearance is particularly apt, since Burton has cited the Hammer films of the 1960s as a major influence in making this film. Andrew Kevin Walker and Tom Stoppard contributed to the screenplay. ~ Mark Deming, All Movie Guide

Director Joel Schumacher inherited the Batman franchise from Tim Burton and began steering it in the campier direction of the Sixties television show with this third installment. First-time Batman/Bruce Wayne (Val Kilmer), in his only outing as the Caped Crusader, is effectively brooding as he ponders strange dreams about his parents' death and escapes his own near-demise at the hands of Two-Face (Tommy Lee Jones), a former district attorney driven insane and turned into a master criminal when a gangster throws acid in his face. Meanwhile, as sexy psychologist Chase Meridian (Nicole Kidman) tries to analyze and seduce both Bruce Wayne and Batman, Wayne Enterprises employee Edward Nygma (Jim Carrey) reacts badly to getting fired, using his self-invented mind-energy device to transform into the super-intelligent Riddler. The Riddler teams up with Two-Face to bring down Batman and drain the minds of Gotham City residents with his device, while Batman gets some much-needed help in the form of circus performer Dick Grayson (Chris O'Donnell), out for vengeance after being orphaned by Two-Face. ~ Don Kaye, All Movie Guide

This period drama explores the life and times of the 16th century doctor and scientist who some believed could see into the future. Michel de Nostradamus (Tcheky Karyo) was the son in a Jewish family who posed as Catholics to be spared the wrath of the Inquisition. As a student of the renowned physician Dr. Scalinger (F. Murray Abraham), Nostradamus created herbal cures and did pioneering research in the importance of proper nutrition and hygiene. However, he was unable to protect his wife Marie (Julia Ormand) from the Black Plague sweeping the country, and he lost both her and their two children. Nostradamus remarried, to widow Anne (Assumpta Sterna), but at the urging of Scalinger, he began to more carefully explore the strange trances that befell him, and Nostradamus began writing prophetic essays predicting any number of future catastrophes. Nostradamus also features Amanda Plummer as Queen Catherine de Medici and Anthony Higgins as the King. ~ Mark Deming, All Movie Guide

In this stylized art film, which marked the directorial debut of second-generation filmmaker Jennifer Chambers Lynch, a surgeon with a mommy fixation and a problem with premature ejaculation grows obsessed with a vivacious young libertine, to the detriment of her mobility. Dr. Nick Cavanaugh (Julian Sands), the son of a frosty, unfaithful society matron, can't get lovely neighbor Helena (Sherilyn Fenn) out of his head. Although the two only ever shared a one-night stand, Nick won't let Helena go -- a hang-up that bodes ill for the health of his plodding romance with the smitten Anne Garrett (Betsy Clark). After Nick's mother dies, he moves into her mansion and promptly throws a lavish gala just so he can lure Helena into his orbit. She spurns him for another bedmate, but not before Anne figures out something fishy is going on. Discovering that Helena forgot her purse during her hasty exit, Nick uses it to lure her back to his place for some attempted courtship. When she storms out, furious, she's the victim of a hit-and-run. Rather than simply call 911, Nick performs an emergency amputation of her legs and lets her convalesce in his house. When the hobbled Helena tries to leave, he makes her his prisoner, eventually removing her arms to prevent her escape. But when Ray O'Malley (Bill Paxton), her leather-trousered former lover, starts sniffing around to discover her whereabouts, Nick's fragile little fantasy world threatens to pop like a bubble. After Madonna and Kim Basinger both dropped out of the title role, Lynch settled on Fenn, who had risen to prominence working with the writer/director's father, David Lynch. After a lengthy breach-of-contract lawsuit, Basinger was eventually ordered to pay the film's producers eight million dollars in damages. ~ Brian J. Dillard, All Movie Guide

In Martin Scorsese's adaptation of Edith Wharton's 1920 novel, romance between an upper-class gentleman and an ostracized lady is doomed by 19th century New York society. Shortly after his engagement to blandly genteel May Welland (Winona Ryder), Newland Archer (Daniel Day-Lewis) is reacquainted with May's scandalous cousin Ellen Olenska (Michelle Pfeiffer). As the head of an esteemed family, Archer initially uses his standing to try to rehabilitate Ellen's reputation, but he finds himself increasingly drawn to her disregard for the codes of New York manners. Bound by ingrained society mores and his peers' insinuations, Newland tries to dodge his growing passion by rushing his marriage to May, but he cannot keep himself from confessing his love to Ellen. Recognizing that Newland could never abandon his sense of honor and be happy, Ellen pushes Newland to May and leaves town. The marriage proceeds as dictated, but when Newland unexpectedly sees Ellen again, he yearns for the affair to come to fruition. However, he underestimates not only what May knows but also her ability to uphold the rules of propriety. Sumptuously shot by Michael Ballhaus, the film offers meticulously designed costumes and settings that evoke a culture as seductively beautiful in its surfaces as it is stifling in its rituals. Unspoken emotions are expressed through such details as yellow roses or a clipped cigar, a fade to red or a single camera move. Using Wharton's original prose to comment on the setting's hypocrisies, Joanne Woodward's voiceover narration suggests how much decisive power is buried beneath dainty femininity. The Age of Innocence received five Oscar nominations, including Best Supporting Actress for Ryder and Best Screenplay for Scorsese and Jay Cocks, and a win for Best Costumes. Although The Age of Innocence seemed like a departure from Scorsese's prior work, Newland is as much at the mercy of his circle's Byzantine structure (and his own conscience) as are Scorsese's more familiar mobsters; Newland's persecutors just wear white tie and tails. ~ Lucia Bozzola, All Movie Guide

In this first sequel to 1989's Batman, the Caped Crusader (Michael Keaton) is up against the Penguin (Danny DeVito), the hideously deformed scion of a wealthy Gotham City family. The Penguin plots with evil businessman Max Schreck (Christopher Walken) to become mayor and then turn Gotham into a cathedral of crime. Upon overhearing these plans, Schreck's mousy secretary Selena Kyle (Michelle Pfeiffer) is tossed from a high-rise window by her boss. Rescued by a covey of kittens, Selena transforms into the leather-clad Catwoman. In this guise, she teams with the Penguin and Schreck to divvy up their ill-gotten gains and help discredit Batman-but she also has her own scores to settle. Paul "Pee-Wee Herman" Reubens, Vincent Schiavelli and Jan Hooks play significant bits, while Pat Hingle and Michael Gough make returns as, respectively, Commissioner Gordon and Alfred the Butler. ~ Hal Erickson, All Movie Guide

The Derek Bentley Case has been an uneasy blight on the British legal system since the early 1950s. Two young, frightened boys were caught by police trying to break into to a building. One of the boys had a gun. When the policeman reached out to the youth to turn over the gun, his friend shouted "Let him have it," and the policeman was killed by a gun blast. Whether the boy understood "Let him have it" to mean he should turn over the gun or to kill the police officer has been debated ever since. But the result was the 19-year-old boy was executed for the crime -- only to be posthumously exonerated in 1953. In this dark and biting film by Peter Medak, the life of Derek Bentley (Chris Eccleston) that led up to the crime is recreated in pitiful detail, as well as the ensuing trial and execution. The story begins in 1952, when the likable Bentley is released from reform school. Bentley is an impressionable young man who returns home to his loving family -- his parents (Tom Courtenay and Eileen Atkins) and sister (Clare Holman) -- but becomes involved with a group of friends, led by the intimidating Chris (Paul Reynolds), who live in the poverty of post-World War II Britain and escape their bleak world by emulating the American gangster films they see at the local cinema. They play-act at being gansters, but with real guns ... and tragic results. ~ Paul Brenner, All Movie Guide

In this intricately layered, dark story, a woman whose guardian sexually abused her tells her story. It seems that her guardian also used her life as the basis for a series of stories about a woman known as Blackeyes. The real-life woman and the fictional woman each tell their stories, while attempting to cope with their lives in the present. Eventually, both commit suicide, but not before the real-life woman has taken revenge on the man who warped (and stole) her life. This story was brought to the screen by the prolific (and ailing) director Dennis Potter who was responsible for such stunning works as The Singing Detective. There is no evidence that Blackeyes has ever received a U.S. screening. ~ Clarke Fountain, All Movie Guide

Peter Davison stars as bespectacled, aristocratic private detective Albert Campion in this two-part adaptation of Margery Allingham's novel The Case of the Late Pig. The title character is Roland Isidore "Pig" Peters (Mike Charles), a lifelong bully who had been Campion's principal tormentor during his school days in the early 1900s. Although Campion would just as soon never see Peters again, he accepts a curiously poetic invitation to "Pig"'s funeral. Three months later, a former girlfriend of Campion asks him to solve a recent murder -- and the victim is none other than "Pig" Peters, who apparently has died twice! Ingredients essential to the story include the wrong body (and wrong species) in Peters' coffin, a shady information peddler (played by Michael Gough, better known as Alfred the butler in the Batman theatrical films), and a handful of ice cubes. In America, "The Case of the Late Pig" was telecast October 12 and 19, 1989, as the first "Campion" story to appear on the PBS anthology Mystery! ~ Hal Erickson, All Movie Guide

This long-running TV series features John Thaw as the morose but shrewd detective of the title, who along with his partner -- the dependable Sgt. Lewis -- investigates a variety of murderous crimes against the picturesque back-drop of Oxford, England. ~ Mark Hockley, All Movie Guide

Scripted by Frederick Forsyth from his own novel, The Fourth Protocol is a fact-based spy thriller. The titular protocol is a secret agreement between America, Britain and Russia to cease smuggling nuclear weapons into their respective countries. This figures into the schemes of several rogue spies, who hope to destroy NATO by embarking on just such a smuggling endeavor. Russian agent Valeri Petrofsky (Pierce Brosnan) is ordered to stage a nuclear accident in England, then arrange the evidence to point to the Americans. British intelligence agent John Preston (Michael Caine) begins wondering why such nuclear-weapon components like lithium are showing up in the unlikeliest places. Ignored by his superiors, who figure that Preston is merely an old-line anti-Commie paranoic, Preston gathers the clues that will enable him to find out who's behind the potential breaking of The Fourth Protocol. ~ Hal Erickson, All Movie Guide