Ann Todd Movies

In this standard suspense thriller, Paul Hatcher (Charles Dance) has a habit of spying on the neighbors across the way, something that gets him into deep trouble. Hatcher is a movie critic, and for awhile it looks like his main problem is keeping reality and the silver screen separate. But then a double murder occurs across the street after some mobsters cannot find an incriminating negative. After Hatcher discovers where the negative is hidden, he is bumped to the top on the assassins' hit list. ~ Eleanor Mannikka, All Movie Guide

This psychological horror movie revolves around a religious sect, one of whose number roams the streets of London murdering prostitutes, believing that he is on a holy mission. ~ Mark Hockley, All Movie Guide

The Anglo-Czech coproduction 90 Degrees in the Shade stars British actress Anne Heywood as a grocery clerk embroiled in an affair with manager James Booth. Though she knows that Booth is good for nothing, she remains with him because of the intensity of their physical relationship. Company auditors Rudolf Hrusinsky and Donald Wolfit make life miserable for Heywood, who cannot bring herself to reveal the fact that Booth has been stealing from the store. Her subsequent suicide humanizes the strictly-business auditors, but the unrepentant Booth merely shrugs and casts about for another willing young woman. The title is a succinct assessment of the film's sex scenes, which were as hot as it was possible to get in a mainstream movie of the 1960s. ~ Hal Erickson, All Movie Guide

The British writer/director team of Jimmy Sangster and Seth Holt was never satisfied unless it scared the bejeepers out of its audience. Scream of Fear stars Susan Strasberg as the crippled daughter of Ann Todd, whom she meets for the first time during a vacation on the Riviera. There's something unsettling about Strasberg's surroundings and her mother's behavior. But when Strasberg insists that she's seen the dead body of her father, it is she who is considered off the beam, while everyone else is treated as normal. Perhaps the authorities are right; perhaps Strasberg is merely neurotic and overwrought. And perhaps there's more than one plot twist ahead of us as we draw nearer and nearer the truth. Scream of Fear was originally released in Great Britain as Taste of Fear. ~ Hal Erickson, All Movie Guide

Time Without Pity carried the name "Joseph Losey" on the credits -- the first time in three years that the blacklisted director was permitted to use his own name on a film. This British-made suspense film was based on a play by Emlyn Williams. Michael Redgrave stars an anguished father whose son (Alec McCowan) is accused of murder. With time running out, Redgrave struggles to prove his son innocent of the charge. The paranoia prevalent in Time Without Pity can be attributed to Losey's own experience at the hands of the HUAC, though this element never gets out of artistic control. ~ Hal Erickson, All Movie Guide

Breaking the Sound Barrier juxtaposes the history of jet aviation with an intensely personal fictional story. Ralph Richardson plays a wealthy aircraft manufacturer, stubbornly determined to develop a jet that will travel faster than the speed of sound. Richardson's seemingly cavalier attitude toward the pilots who have died on behalf of his dream--including his own son (Denholm Elliott)--has turned his daughter (Ann Todd) against him. When the daughter's fighter-pilot husband (Nigel Patrick) agrees to test Richardson's jet, he too loses his life. The daughter walks out of her father's life and sets up residence with the wife (Dinah Sheridan) of another pilot (John Junkin). Richardson approaches this pilot as well with his challenge--and this time the "sound barrier" is successfully broken without anyone being killed. Reconciled to the fact that her father's apparent coldbloodedness was in the interest of scientific progress, the daughter and her newborn child are reconciled with Richardson. The first independent project of director David Lean, Breaking the Sound Barrier was a huge success, persuasively scripted by Terence Rattigan and beautifully photographed by aerial specialist Jack Hildyard. The film's original British title was simply The Sound Barrier, but the American distributor apparently didn't want filmgoers to think the movie was about the record industry. ~ Hal Erickson, All Movie Guide

David Lean directed this romantic drama, scripted by Eric Ambler from a novel by H.G. Wells. Mary Justin (Ann Todd) is married to wealthy financier Howard Justin (Claude Rains), and while their marriage allows her to lead a comfortable lifestyle, there's little excitement in their relationship. While visiting Switzerland, Mary happens to run into Steve Stratton (Trevor Howard), with whom she was romantically involved years before she wed Howard. Mary finds herself falling for Steve once again, and she has to decide if she should leave her husband in hope of finding real passion or stay with a man who treats her well but whom she does not love. Leading lady Ann Todd married David Lean the same year this was released; it was the first of three films they would make together prior to their divorce in 1957. ~ Mark Deming, All Movie Guide

Based on a novel by Robert Hichens, The Paradine Case concerns Anna Paradine (Alida Valli), on trial for the murder of her wealthy husband. British barrister Anthony Keane (played by the aggressively American Gregory Peck) takes on the case-and in the process, falls in love with Anna, despite being married himself. Despite his client's protests, Keane summons Anna's lover, unkempt stableman Andre Latour (Louis Jourdan), hoping to prove in court that Latour was the killer. Only after a series of stunning upsets does Keane realize that, for the first time in his career, he has allowed his heart to rule his head. In a typically perverse Hitchcockian development, the film's most unpleasant character, an autocratic, vindictive judge played by Charles Laughton, is one of the few who can see through Anna's facade. Hitchcock had wanted Greta Garbo to play Anna Paradine, and indeed a screen test was filmed, but Garbo ultimately declined. At the time of filming, Hitchcock was enamored with uninterrupted, 10-minute takes (later used to the extreme in Rope); thus, the Old Bailey courtroom set where much of the action takes place was designed to accommodate multiple cameras and elaborately conceived crane movements. Such techniques were cumbersome in 1947, and as a result the over-illuminated set ended up costing $70,000, jacking up the film's overall budget to a whopping $3 million (quite a pretty penny in those days). The film was a box-office disappointment, spelling the end of the always-rocky association between Alfred Hitchcock and producer David O. Selznick. ~ Hal Erickson, All Movie Guide

Though its title suggests that Gaiety George is yet another vehicle for British comedian George Formby, the film is in fact a biopic. Richard Greene plays Irish theatrical impresario George Howard, whose elaborately staged musical entertainments were highlights of the early 20th century. Wounded during World War I, Howard returns to London and virtually forgotten, compelling him to mount a spectacular comeback. Surprisingly, the weakest element is not its banal plotline but the musical numbers, which are staged with little of the "feel" or energy of the period. Released in the US as Showtime in 1948. ~ Hal Erickson, All Movie Guide

A couple's wartime separation provides an unexpected tonic for their romance in this drama. Robert and Catherine Wilson (Robert Donat and Deborah Kerr) are a married couple whose relationship has hit a dry patch; neither of them have much enthusiasm for each other, and when Robert is drafted into the Royal Navy during the war, they almost welcome the separation. Life in the Navy gives Robert a more easygoing outlook on life, especially after he has a brief fling with Elena (Anne Todd), a nurse who recently lost her husband. On the home front, Catherine makes friends with Dizzy (Glynis Johns), a free spirit who encourages her to smoke, wear makeup, and enjoy a dalliance of her own with a man named Richard (Roland Culver). After the end of the war, Robert and Catherine both dread their reunion, but each find that they're pleasantly surprised with the changes that time has brought to their mate. Perfect Strangers was also released under the highly appropriate title Vacation from Marriage. ~ Mark Deming, All Movie Guide

Roddy McDowall stars Hugh Aylesworth, as a well-bred English youth who is evacuated to America during the London blitz. Hugh moves into the home of Mr. and Mrs. Andrews (Don Douglas and Katherine Alexander), both of whom are charmed by their little guest's impeccable manners. Less charmed is the couple's own son Don (Freddie Mercer), who not only feels neglected, but considers Hugh a royal pain in the posterior. But Hugh proves himself a "regular guy" when he helps Hugh foil a particularly scabrous schoolyard bully (Stanley Clements). For reasons unknown, On the Sunny Side never seems to show up on TV, not even in the wee small hours. ~ Hal Erickson, All Movie Guide

A courageous canine, a former mascot for the Marines during WW II, almost ends up destroyed after he is framed by thwarted dognappers who claim that the dog attacked them without provocation. Believing that Danny Boy is suffering from shell-shock and is therefore dangerous, the court send's down a death sentence. Danny's young master and a vet fight to see that the dog dies honorably. The youth, also begins investigating the dog's accusers and just before Danny Boy dies, finds the proof he needs to save him. This emotional drama is one of the few to examine the effects of war upon the dogs who served alongside the soldiers. Watch Danny the dog carefully during the film and it can be seen that he did not always cooperate with his director. ~ Sandra Brennan, All Movie Guide