Cliff Gorman Movies

The down-and-dirty side of building management in pre-gentrification Manhattan sets the stage for this dark comedy. It's 1981, and Joe Peltz (David Krumholtz) runs a newsstand in New York City, where he has recently married Annabelle (Clara Bellar), an exotic dancer from France who isn't in love with Joe but asked for his hand so she could get a Green Card. When Annabelle discovers she's pregnant, the couple decides they need a larger apartment, and Joe finds a flat in the East Village that's on the same block where his great-great-grandparents lived when they first came to America. However, the neighborhood is decaying and ridden with crime, and when Joe and Annabelle move into their new apartment, he's immediately drafted onto the building's co-op board, where he has to deal with a variety of eccentrics of various stripes and must often sleep in the lobby armed with a baseball bat to ward off junkies and burglars. But by far his biggest problem is Carlos DeJesus (Paul Calderon), a bully who has been squatting in the building for eight years with his roughneck teenage son, Segundo (Jon Budinoff). Carlos sees no reason why he should start paying rent, and he's made enemies with practically everyone who lives in the building, wasting no time in adding Joe and Annabelle to that list. So when a gasoline fire guts Carlos' apartment, the question is not who wanted him out, but who actually had the nerve to start the blaze. Based on a novel by Joel Rose, Kill the Poor was written for the screen by Daniel Handler, best known as the author of the popular "Lemony Snicket" books. ~ Mark Deming, All Movie Guide

A surreal crime drama told as only Jim Jarmusch could, Ghost Dog: The Way of the Samurai stars Forest Whitaker as Ghost Dog, a hit man living in an unidentified but run-down city in what license plates call "The Industrialized State." Known for his gift of being able to come and go without people noticing him, Ghost Dog is a self-taught samurai who is obsessed with order and his strict personal moral code, drawn from the philosophies of the Japanese warriors. As every samurai needs a leader to whom he swears loyalty, Ghost Dog has devoted himself the service of Louie (John Tormey), a low-level crime boss who once saved his life. When Louie's superiors decide he must be executed, Ghost Dog leaps into action, methodically wiping out his many enemies. Along with a dizzying series of stylized shoot-outs, Ghost Dog also features carrier pigeons, characters who read Rashomon, a French-speaking ice cream man, and a score by RZA from the top-selling hip-hop group Wu-Tang Clan, who have their own well-documented obsession with Asian culture. Ghost Dog was screened in competition at the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

The investigation following the stabbing of a female police officer could result in either the re-election or defeat of D.A. Adam Schiff (Steven Hill). Meanwhile, Briscoe's (Jerry Orbach) troubled daughter Cathy (Jennifer Bill) is arrested for drug dealing, and his partner Curtis (Benjamin Bratt) is wounded in the line of duty. Robert Vaughn and Charles Grodin make return appearances as, respectively, vindictive millionaire Carl Anderton and politically ambitious judge Gary Feldman. ~ Hal Erickson, All Movie Guide

After a drunken driver kills three people in the same accident, Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) deliver the perpetrator to the D.A.'s office. Still grieving over the death of his former partner, Claire Kincaid, in a similar DUI accident, McCoy (Sam Waterston) intends to charge the driver with first-degree murder, a determination which results in conflict between McCoy and his current partner Ross (Carey Lowell). The ensuing trial degenerates into a media circus, helped not at all by the ruthless behavior of a politically ambitious judge. Cliff Gorman makes his first Law & Order appearance as Judge Gary Feldman. ~ Hal Erickson, All Movie Guide

A serial killer is on the loose. The only clues he leaves are dried "wallflowers" near or on the body. For Police Lieutenant Janek, the need to find the maniac becomes more urgent after he learns that the latest victim is his own beloved goddaughter. ~ Sandra Brennan, All Movie Guide

Richard Crenna makes his fifth appearances NYPD detective Frank Janek in Terror on Track 9. The villain this time is a serial killer who preys upon women at Grand Central Station. The murderer's modus operandi is to inject his victims with poison. Janek suspects that the perpetrator is a man with a extensive background in chemistry-but he's still whistling in the dark, inasmuch as he has millions of suspects to choose from. Joan Van Ark and Swoosie Kurtz costar. Made for television, Terror on Track 9 debuted September 20, 1992. ~ Hal Erickson, All Movie Guide

Night and the City is a remake of the 1950 Richard Widmark vehicle of the same name. Major changes: As played by Robert DeNiro, the Widmark character, one Harry Fabian, is no longer merely a two-bit tout but instead a two-bit lawyer; and the film is set in New York, as opposed to the London setting of the original. While embroiled in a lawsuit involving a boxer, Fabian becomes fascinated in the world of championship prizefights. Always susceptible to get-rich-quick schemes, Fabian tries to organize his own big boxing event, but to do that he needs the help of hardnosed promoter Alan King--and to get to King, Fabian uses the promoter's father, former boxer Jack Warden, to act as front man. Fabian scurries around lying and double-dealing in order to sell percentages of the upcoming bout, while King warns Fabian of the consequences should anything unfortunate happen to the ailing Warden. Disaster plagues Fabian as his boxers fail to pass their physicals, and Warden dies while setting up the big event. Pursued by King and his creditors, the terrified Fabian is urged by girlfriend Jessica Lange to get of town. Instead, Fabian decides to face up to his failings for the first time in his life, and stands his ground for the final, fatal confrontation. Like the earlier Widmark film, the 1992 Night and the City is based on a novel by Gerald Kersh. ~ Hal Erickson, All Movie Guide

Richard Crenna returns as New York police detective Frank Janek in Murder Times Seven. This time Janek tackles the case of a mass murder. One of the victims was his ex-partner (an occupational hazard for Janek, who in an earlier film had to turn in his own boss on a murder rap). One of the detective's former lovers (Carolyn Kava) unexpectedly provides a vital clue to the killer's identity. Originally titled Murder X 7, this made-for-TV drama first aired October 14, 1991-though there was a warning in the TV Guide listings that the film risked being bumped by the World Series playoffs (coincidentally, it would have been Game Number Seven!) ~ Hal Erickson, All Movie Guide

The controversial case of a black man killed in Howard Beach, a working-class all white neighborhood of Queens, NY provides the basis of this docudrama. Much of the story centers around the attempts of Joe Hynes, the state prosecutor to bring the case to trial. ~ Sandra Brennan, All Movie Guide

Jessica (Angela Lansbury) enters the rarefied world of art collecting when Julia Marcus Granger (Anne Scheeden), the heiress daughter of one of Jessica's oldest friends, is murdered. The most likely culprit turns out to be Julia's husband Donald (Christopher Allport), a known art thief. But Julia's sister Sabrina (Andra Millian) is convinced that Donald is innocent, and she prevails upon Jessica to prove it, leading our heroine down a twisted trail involving two entirely different sets of clues. This is the final episode of Murder She Wrote's second season. ~ Hal Erickson, All Movie Guide

The original "honor student by day, hooker by night" melodrama, Angel stars Donna Wilkes in the title role. During the daylight hours, the 15-year-old Angel is known as Molly, a model prep school student. Devoid of parents, Molly must find some way to keep up the cash flow, so she hits the Hollywood mean streets as a prostitute. While we thankfully don't see Angel "in action", as it were, the film makes up in violence what it lacks in raw sex. Psycho John Diehl is on the loose murdering prostitutes; detective Cliff Gorman tries to stem the murder spree, but soon the hooker ranks are sorely diminished, leaving Angel the next likely target. With the help of such friends as ex-cowboy star Rory Calhoun and transvestite Dick Shawn, Angel manages to avoid becoming a statistic. We're not giving anything away here: after all, there was a 1986 sequel, Avenging Angel. ~ Hal Erickson, All Movie Guide

This exhaustive (and exhausting) 3-hour TV movie dramatizes the last three months of Adolph Hitler's life, spent in his bunker in Berlin. Anthony Hopkins is repulsively riveting as Hitler, while Piper Laurie is even more frightening as fanatical Frau Goebbels. Joseph Goebbels (Cliff Gorman) feeds the Fuehrer's ego as the Nazi empire crumbles, while Albert Speer (Richard Jordan) defies him. The day before his suicide, Hitler legalizes his relationship with mistress Eva Braun (Susan Blakely). The film's plot extends beyond the suicide, with the triumphant allied forces arguing over who has proprietary rights to Hitler's remains. First telecast January 27, 1981, The Bunker was based on Joseph O'Donnell's best seller, which in turn was based on first-hand accounts. ~ Hal Erickson, All Movie Guide

"It's showtime!" In this part film à clef, part musical phantasmagoria, director/choreographer Bob Fosse takes a Felliniesque look at the life of a driven entertainer. Joe Gideon (Roy Scheider, channeling Fosse) is the ultimate work (and pleasure)-aholic, as he knocks back a daily dose of amphetamines to juggle a new Broadway production while editing his new movie, not to mention ex-wife Audrey (Leland Palmer), steady girlfriend Kate (Ann Reinking), a young daughter, and various conquests. Joe cannot, however, avoid intimations of mortality from white-clad vision Angelique (Jessica Lange) that lead him to look back at his life as he heads for a near-inevitable coronary and his departure from this mortal coil with the appropriate razzle-dazzle. Taking his cue from Federico Fellini's 8 1/2 (1963), Fosse moves from realistic dance numbers to extravagant flights of cinematic fancy, as Joe meditates on his life, his women, and his death. Following a similarly dark revisionist vein as Martin Scorsese's New York, New York (1977), Fosse shows the stiff price that entertaining exacts on entertainers (among other things, he intercuts graphic footage of open-heart surgery with a song and dance), mercilessly reversing the feel-good mood of classical movie musicals. Critics praised Fosse's daring even as they damned his self-indulgence, while Scheider was lauded for giving the best performance of his career. Though not a disastrous failure, All That Jazz came nowhere near the popularity of 1978's Grease, as late '70s audiences increasingly turned away from "difficult" movies. For all its excesses, Fosse's fiercely personal approach turned All That Jazz into another striking work from one of the few directors able to make, and experiment with, movie musicals after the 1960s. ~ Lucia Bozzola, All Movie Guide