Colin Gordon Movies

Considered a bit too sacrilegious for general consumption in 1963, the Boulting brothers' Heavens Above was simply ahead of its time, and has since accrued a loyal and vocal following. Peter Sellers plays an idealistic British reverend with a bad habit of telling the truth at all times. He also follows his conscience whenever possible, resulting in several cleric decisions that shock his wealthy, landed-gentry parishioners. By inviting such "undesirables" as gypsies and West Africans to worship freely in his church, Sellers rouses the ire of the rest of his white-bread flock. He does, however, compel the selfish owner (Isabel Jeans) of a laxative firm to "see the light" and to sell off all her holdings on behalf of the poor and downtrodden. Unfortunately, by doing this the woman wrecks her business--which is the principal source of income for the community where Sellers works. Retreating from town with an angry mob on his heels, Sellers relocates on a tiny island in the Pacific. Since the island is the site of a missile base, and since the local astronauts have shown signs of agnosticism, where else is there for Sellers to go...but up? Heavens Above was inspired by a notion cooked up by iconoclastic British satirist Malcolm Muggeridge. ~ Hal Erickson, Rovi

In this crime drama, an ex-con goes looking for his late cellmate's hidden loot. ~ Sandra Brennan, Rovi

Director Sidney J. Furie was betwixt and between his Canadian TV work and his theatrical-film prominence vis-a-vis Ipcress File (65) when he helmed the British social melodrama The Boys. The title characters are four youths, all implicated in the murder of a night watchman. Robert Morley plays the defense attorney who tries to convince the jury to render a charitable verdict. His basic argument is that the government expects a death sentence in cases involving robbery, but is more lenient towards crimes of passion. Prosecuting attorney Richard Todd is unmoved; his job is to prove that the boys aren't the innocent victims of society they're made out to be. The Boys benefits from Furie's dextrous use of flashbacks during the testimony scenes. ~ Hal Erickson, Rovi

Night of the Eagle was the second film version of Fritz Leiber Jr.'s Conjure Wife (the first was Weird Woman, perhaps the best of Universal's low-budget "Inner Sanctum" series of the 1940s). The film's title was possibly meant to invoke memories of the earlier Night of the Demon (58); both films involve a rational scientist (in the case of Night of the Eagle, Peter Wyngarde) forced to accept the existence of the supernatural. All evidence points to the conclusion that the scientist's American wife Janet Blair is the reincarnation of a witch, and a practitioner of voodoo. The actual villain is supposed to be a mystery, though the identity was made clear in the Leiber original and in both other film versions of Conjure Wife (there was a 1980 parody version titled Witches Brew). The supernatural aspect of Night of the Eagle is convincingly handled, including a knockout sequence with a wild eagle rampaging through the scientist's tranquil study. Adapted by Twilight Zone stalwarts Richard Matheson and Charles Beaumont, the British-made Night of the Eagle was released in the US as Burn, Witch, Burn. ~ Hal Erickson, Rovi

In this comedy, a young man stands to inherit a vast fortune, but first he must spend a small fortune in two months. ~ Sandra Brennan, Rovi

In this British bedroom farce, Bill Ferguson (Richard Todd), a Scottish travel agent, has a major row with his fiancée Stella (June Thorburn) shortly before leaving for a jaunt through Europe. Considering himself free to do as he pleases, Bill gives keys to his Edinburgh apartment to a number of beautiful women, inviting them to drop by if they happen to be in the neighborhood. When he comes home, Bill and Stella patch things up, which leaves him with a lot of explaining to do when a bevy of curvaceous females from across the continent begin appearing at their doorstep, including Ingrid (Elke Sommer) and Lucille (Nicole Maurey). Richard Todd served as producer as well as star; Frederic Raphael contributed to the screenplay. ~ Mark Deming, Rovi

Produced for television and released as a European feature, this Disney adventure stars Annette Funicello as a would-be equestrian who must conquer her fears of jumping. ~ Jason Ankeny, Rovi

Please Turn Over is an updated British variation on a theme put forth by the old Hollywood film Theodora Goes Wild. A bored young teenage girl (Julia Lockwood) causes a scandal when she pens a torrid bestseller. Those close to the girl recognize themselves as characters in the book; all they can hope for is that no one else does. But as the girl's fame escalates, her friends and family enter the realm of notoriety--which turns out not to be so bad after all. Clearly inspired by the Peyton Place brouhaha, Please Turn Over was based on the long-running West End stage farce Book of the Month by Basil Thomas. ~ Hal Erickson, Rovi

This crime caper based on a legendary robbery stars Aldo Ray as Norgate, the ringleader of the thieves out to steal a bundle from the Bank of England. But it is a young Peter O'Toole as the guard Fitch who steals the show -- two years before Lawrence of Arabia would make him an internationally acclaimed star. The year is 1901 and Norgate is an avid supporter of Irish Home Rule, avid enough to plan this robbery to get the bullion needed to make his independence wishes come true. He gathers together the necessary crew of brains, brawn, and bravado, and the would-be thieves make their way through a sewer system that runs under the bank. What they do not count on is that Fitch may not be quite as dumb as he seems. ~ Eleanor Mannikka, Rovi

The economy of the teeny-tiny European duchy of Grand Fenwick is threatened when an American manufacturer comes up with an imitation of Fenwick's sole export, its fabled wine. Crafty prime minister Count Mountjoy (Peter Sellers) comes up with a plan: Grand Fenwick will declare war on the United States. Grand Duchess Gloriana (Peter Sellers again) is hesitant: how can meek little Grand Fenwick win such a conflict? Mountjoy explains that the plan is to lose the war, then rely upon American foreign aid to replenish Grand Fenwick's treasury. Bumbling military officer Tully Bascombe (Peter Sellers yet again) leads his country's ragtag army into battle. They cross the Atlantic in an ancient wooden vessel, then set foot on Manhattan Island, fully prepared to down weapons and surrender. But New York City is deserted, due to an air raid drill. While wandering around, Sellers comes upon atomic scientist David Kossoff and the scientist's pretty daughter Jean Seberg. Kossoff has been working on the deadly "Q Bomb," a football-sized weapon with the destructive capacity of a hundred hydrogen bombs. Suddenly seized with patriotic fervor, Tully captures Kossoff, his daughter and the bomb and brings them all back to Grand Fenwick. Tully has "won" the war-precisely what he'd been told not to do. The upshot of this "victory" is that every world power converges upon Grand Fenwick to claim the Q Bomb for themselves. The satire is heavy-handed at times, but The Mouse That Roared contains several unforgettably hilarious moments, including one startling "false ending." One of the best gags involves the Columbia Pictures logo--a bit frequently cut from TV showings, worse luck. Based on one of the many "Grand Fenwick" novels by Leonard Wibberly, The Mouse That Roared was a success, yielding a Peter Sellers-less sequel, 1963's Mouse on the Moon. ~ Hal Erickson, Rovi

The "crowning touch" of the title is a fancy woman's hat. It has been specially set aside at a posh British headwear shoppe, but no one comes to claim it. At this point the film takes a prismatic approach, with three of the shoppe's employees offering different reasons as to why the pretty young girl who'd ordered the hat never showed up. The Crowning Touch is a serviceable British shaggy-dog story, graced by the presence of such top talents as Greta Gynt, Griffith Jones, Sydney Tafler, Dermot Walsh and Irene Handl. ~ Hal Erickson, Rovi

Let to believe that she has killed a man in a car accident, entertainer Barbara Crane (Helen Cherry) is blackmailed into collaborating with a gang of criminals. Fortunately, one of Barbara's biggest fans is Peter Brady, aka "The Invisble Man." Figuring out that Barbara is completely innocent, Brady takes full advantage of his invisibility in a next-to-closing effort to clear the woman's name and round up the crooks. ~ Hal Erickson, Rovi

This film adaptation of Bernard Shaw's 1903 comedy/drama stars Dirk Bogarde, which might have led some impressionable viewers to assume that Doctor's Dilemma was merely the latest installment in Bogarde's "Doctor in the House" series. Bogarde plays a rakish artist who falls victim to consumption. Leslie Caron is his lovely wife, who will not face up to Bogarde's indiscretions. Rather than watch her husband die, Caron begs a doctor to utilize a revolutionary new serum on Bogarde. With the serum in short supply, the doctor is faced with his dilemma: should he save the life of the "worthless" Bogarde, or hold out until a more deserving patient comes along? ~ Hal Erickson, Rovi