Bob Goody Movies
A thieving band of orphans who steal from the rich simply to survive encounter a supernatural merry-go-round with mysterious powers in this screen adaptation of award-winning author Cornelia Funke's popular series of children's books. Left in the care of their abusive aunt following the death of their mother, two young boys flee to Venice, Italy in hopes that life will be easier on their own. Times are tough in Venice though, and after meeting mysterious young thief Scipio the desperate runaways soon agree to join his band of pint-sized pickpockets. When a detective assigned the task of bringing the youngsters in becomes privy to their impoverished plight, he joins them in solving the mystery of a powerful merry-go-round that appears to have special powers. ~ Jason Buchanan, Rovi
Peter Hewitt (Tom and Huck) directed this $30-million family film, an adaptation of Mary Norton's classic children's novels about a miniature family of wee folk, four inches high, living beneath the floorboards of an English cottage. The Borrowers family, so labeled because they "borrow" from the house's kitchen, consist of Pod Clock (Jim Broadbent), mother Homily (Celia Imre), and children Arrietty (13-year-old Flora Newbigin) and Peagreen (Tom Felton). Their adventure begins when they're almost caught in the kitchen by the Lenders, the tenants of the house, so they run for cover. When lawyer-Realtor Ocious P. Potter (John Goodman) discovers the owner of the house has died, he makes plans to evict the Lenders and demolish the building -- a situation where one would want to "neither a Borrower nor a Lender be." Fortunately, young Pete Lender (Bradley Pierce) has become friends with Arrietty -- an alliance leading toward a method of thwarting Potter. ~ Bhob Stewart, Rovi
- Starring:
- John Goodman, Jim Broadbent, (more)
- 1995
The Grotesque (aka Grave Indiscretion, aka Gentleman Don't Eat Poets) is a very black, very British comedy that puts an unusual and perversely entertaining spin on the classic tea-cup-and-intrigue mystery. Sir Hugo Coal (Alan Bates) is a grumpy, eccentric English gentleman (and self-styled paleontologist) obsessed with reconstructing a dinosaur skeleton with bones dredged up from a nearby moor. He is also penniless, and so must live vicariously off the inheritance of his smoldering American wife Harriet (Theresa Russell). Enter: the crafty and secretive Fledge (Sting) and his wife and co-conspirator Doris (Trudie Styler) the new Coal family servants. Fledge immediately sets his sights on Harriet and the Coal fortune, Doris on the household wine cellar. When Hugo and Harriet's daughter Cleo (Lena Headey) announces her engagement to demure poet Sidney Giblet (Steven Mackintosh), Hugo is less than pleased, but not for long, since Sidney is murdered soon after and, we learn, his body gruesomely disposed of. As the rivalry between Fledge and Hugo escalates, Cleo, the police, and the poet's shrewd mother Mrs. Giblet (Anna Massey) follow a trail of clues from the swampy, bone-littered moor to the Coal pig sties and finally (rather horribly) back to the Coal dinner table. Though criticized for its irreverent humor and somewhat ambiguous ending, The Grotesque is worth a watch. Sting and his real-life partner Trudie Styler (who co-produced the film) are both wonderful as the loathsome, manipulative servants, as is Anna Massey as the poet's investigative mother. The real stars of the film, however, are not the actors, but the dense, ornamental interiors provided by Jan Roelfs and Michael Seirton. Every corner of the Coal mansion is littered with artifacts and art objects, every frame crawling with worms, frogs, and reptiles. Like a Dutch still life, The Grotesque is simultaneously repellent and attractive, a painterly assemblage of morbidity and dramatic artifice. ~ Anthony Reed, Rovi
- Starring:
- Alan Bates, Theresa Russell, (more)
- 1989
- NC17
This is probably Peter Greenaway's most famous (or infamous) film, which first shocked audiences at the 1989 Cannes Film Festival and then on both sides of the Atlantic. A gang leader (Michael Gambon), accompanied by his wife (Helen Mirren) and his associates, entertains himself every night in a fancy French restaurant that he has recently bought. Having tired of her sadistic, boorish husband, the wife finds herself a lover (Alan Howard) and makes love to him in the restaurant's coziest places with the silent permission of the cook (Richard Bohringer). Though less cerebral than Greenaway's other films, featuring deadly passions reminiscent of Jacobean revenge tragedies of the early 17th century, the picture still offers the director's usual ironic and paradoxical comments on the relations between eating and sex, love and death. The film is at once funny and horrific, and those who are not used to Greenaway's peculiar style might be even disgusted or shocked; however, one might mention Sacha Vierny's brilliant camerawork, Jean-Paul Gaultier's gaudily stylized costumes, and Michael Nyman's somber, pulsating music, which will haunt the viewer long after the film's end. ~ Yuri German, Rovi
- Starring:
- Richard Bohringer, Michael Gambon, (more)
- 1987
Author Tom Sharpe's outrageous best-seller about the power struggle that emerges when the dean of a Cambridge University dies before naming his successor gets the big screen treatment in director Robert Knights' four-part comedy. Porterhouse College is an institute of higher education steeped in five hundred-years of tradition, so when the Head Master passes away and his reform-minded replacement Sir Godber Evans (Ian Richardson) arrives to take his place the staff is outraged. Head Porter Skullion (David Jason) in particular seems hell-bent on subverting Sir Evans' every decree. ~ Jason Buchanan, Rovi
- Starring:
- David Jason, Ian Richardson, (more)
- 1986
The six episodes which comprised this British sitcom largely took place in the Sun, a seedy suburban London pub. The stories dealt with the oftimes bizarre misadventures of the pub's staff and customers, à la Cheers. Most of the attention was focused upon unemployed flat-mates Moon (Robin Driscoll) and Cage (David Sibley), to whom the Sun was a second home. The "heavy" of the piece was Keith, played by Gary Olsen of Two Point Four Children fame. Wilderness Road originally aired from July 21 to August 25, 1986. ~ Hal Erickson, Rovi
- Starring:
- Leslie Sands, Robin Driscoll, (more)
