Lelia Goldoni Movies

Kirk Cameron stars in this made-for-television remake of the 1970 movie. Cameron stars as Dexter Riley, an under-average college student whose brain gets filled with the information from a super computer. He uses his newly found wisdom to sweep some college quiz tournaments, much to the chagrin of his suspicious competitors. ~ Bernadette McCallion, All Movie Guide

Actress Theresa Saldana plays herself in this gut-wrenching fact-based TV movie. The film begins with Ms. Saldana being savagely attacked by a stalking fan in her own home in 1982. Sustaining multiple stab wounds, Saldana lies near death for quite some time, but eventually pulls together physically and emotionally. But that's only the first half of the story. In the second, Saldana, determined to assuage the pain of others who've suffered from violent attacks, establishes Victims for Victims. The most sobering realization vis-a-vis Victims for Victims is the fact that Theresa Saldana's assailant may very well be paroled someday--a contingency that the actress, and her organization, has been forced to counteract ever since that fateful evening in 1982. ~ Hal Erickson, All Movie Guide

In her first TV-movie appearance, Genevieve Bujold plays Elizabeth, an attractive heiress from the North who becomes the second wife of aristocratic Creole plantation owner Charlie Beaufort (Chad Everett) in the mid-19th century. As the new "Mistress of Paradise," Elizabeth immediately finds herself fending off the amorous advances of neighboring plantation master Buckley (Anthony Andrews). Worse still, the heroine begins to suspect that the official story of the death of the first Mrs. Beaufort may not be entirely true. Brazenly borrowing story elements from both Gone With the Wind and Jane Eyre, the Mississippi-filmed Mistress of Paradise debuted October 4, 1981, on ABC. ~ Hal Erickson, All Movie Guide

Adapted from the Judith Krantz novel of the same name, the CBS miniseries Scruples zeroes in on a trendy, upscale Beverly Hills boutique. The guiding force behind the Scruples shop is beautiful Billy Ikelhorn (Lindsay Wagner), who, though born into grinding poverty, had risen to the uppermost rungs of L.A. society by virtue of her marriage to millionaire Ellis Ikelhorn (Efrem Zimbalist Jr.). When her husband dies after a long illness, Billy compensates for her grief by becoming a Boadicea of the fashion industry. Her personal and professional life is entangled with those of her closest associates, fashion photographer Spider Elliott (Barry Bostwick) and designer Valentine O'Neill (Marie-France Pisier). Originally telecast in six two-hour episodes on February 25, 26, and 28, 1980, Scruples proved popular enough to warrant a 1981 TV-movie sequel, starring Shelley Smith as Billy, Dirk Benedict as Spider and Olga Karlatos as Valentine. ~ Hal Erickson, All Movie Guide

This remake of the 1956 horror classic Invasion of the Body Snatchers moves the action from small-town USA to 1970s San Francisco and replaces at least part of the original's psychological horror with special effects. Spores rain forth, unseen, from outer space, and soon strange flowers begin popping up all over the city. After bringing one of these hybrid specimens home with her one night, biologist Elizabeth Driscoll (Brooke Adams) notices that her live-in boyfriend, Geoffrey (Art Hindle), doesn't seem like himself; he's cold and distant and somehow just not quite there. When she turns to her friend Matthew Bennell (Donald Sutherland), a colleague at the Department of Public Health, he convinces her to see his friend Dr. Kibner (Leonard Nimoy), a pop psychologist who argues that the problem is all in Elizabeth's head. Soon, though, Matthew and Elizabeth begin to notice that people all over the city are changing subtly and inexplicably. When their friend Jack Bellicec (Jeff Goldblum) and his wife Nancy (Veronica Cartwright) find a lifeless, half-formed doppelganger covered with plant fibers in the mud baths they own and operate, the group of friends finally begins to understand that a sinister transformation is sweeping their city. Kevin McCarthy and Don Siegel, respectively the star and director of the original film, have small roles in the new version, as does an unbilled Robert Duvall. ~ Brian J. Dillard, All Movie Guide

Older brother Chubby (Paul Sorvino) is a combative, booze-swilling, rough-edged construction worker, following in the footsteps of his brother Tommy (Tony Lo Bianco). Macho in the extreme, these fellows have no time for the sensitive moral quandaries which are at the heart of the two younger brothers' lives. Stony (Richard Gere), has worked with his father in the construction business, but longs to work with children. Albert (Michael Hershewe), the youngest, is a sensitive lad, the butt of his father and oldest brother's rough manner, and is constantly being harassed by his stressed-out mother (Lelia Goldoni). After a few attempts to communicate with his insensitive older brother and his parents, Stony must decide for himself if the rejection he will experience from his family on leaving the construction business is worth it; and if it is, what can be done to protect his younger brother from the rest of the family? ~ Clarke Fountain, All Movie Guide

The made-for-TV Fatal Chase stars Lee Van Cleef as taciturn U.S. marshal Ike Scanlon. Designed as the pilot for a weekly series, the film finds Scanlon escorting a mob witness (Tony Musante) to a federal trial. Since the witness is a hit man, there are plenty of people both inside and outside the Mob who'd like to see him dead. Featured in the cast are Fatal Chase's producer/writer Edward Anhalt and director Jack Starrett. Originally telecast as Nowhere to Hide on January 5, 1977, Fatal Chase has also been released as Scanlon. ~ Hal Erickson, All Movie Guide

In this WWII-era drama, Jan-Michael Vincent plays Marion Hedgepeth, a young Marine who fails out of a boot camp in 1943 and gets sent home wearing a baby blue suit to symbolize shame and dishonor. In Los Angeles, he runs into a veteran who -- eager to be discharged -- k.o.'s him and switches their uniforms. When Marion regains consciousness, he's clad in a hero's uniform. He begins hitching his way toward his home in St. Louis, dreading the prospect of confessing to his folks, but stops for a time in a small town where he's mistaken for a hero and immediately falls in love with a waitress, Rose (Glynnis O'Connor). Meanwhile, as the truth threatens to emerge and bring disgrace raining down onto his head, several residents of a Japanese internment camp escape. ~ Nathan Southern, All Movie Guide

Martin Scorsese's first Hollywood studio production also marked his first (and only) foray into a woman-centered story. Alice Hyatt (Ellen Burstyn), a resigned Southwest housewife, takes advantage of her trucker husband's sudden death to hit the road with her bratty son Tommy (Alfred Lutter) and pursue her childhood dream of a singing career. She finds a job as a lounge singer, but after a horrific encounter with an abusive new beau (Harvey Keitel), she flees and winds up taking a waitress job at Mel's Diner, run by gruff cook Mel (Vic Tayback). With her career on hold, Alice soon finds strength and self-worth through her friendship with the other waitresses, saucy Flo (Diane Ladd) and spacy Vera (Valerie Curtin). When sensitive rancher David (Kris Kristofferson) starts courting her, Alice wonders if she wants to abandon her goals for domesticity again. To contrast Alice's dream life with her reality, Scorsese created a stylized opening sequence of Alice as a child reminiscent of The Wizard of Oz, Duel in the Sun and Gone With the Wind, before shifting into the present-day atmospheric immediacy of location shooting and scenes built out of improvisations. That opening sequence alone cost over twice as much as Scorsese's debut feature, Who's That Knocking At My Door?. ~ Lucia Bozzola, All Movie Guide

Parisian murders centered around a theater seem to have a vampiric theme as police try to figure out who is behind them. Christopher Lee stars in this horror-mystery as the director of the playhouse--and the prime suspect. ~ Kristie Hassen, All Movie Guide

While visiting England, an American tourist (Robert Webber) is involved in an auto accident and suffers from amnesia. Upon his release from the hospital, he recuperates in a home paid for by a mysterious benefactor, where a dead body later appears in the shower. ~ Jason Ankeny, All Movie Guide

Shadows was John Cassavetes' first directorial effort. Like his later critically acclaimed films Faces and Husbands, Cassavetes fills the screen with probing, unflattering closeups. Unlike his other films, however, Shadows zips along at 87 minutes, avoiding the pitfall of putting the director's nonfans to sleep. The film is a straightforward account of a biracial romance (a far less common film subject in 1960 than today). Light-skinned African-American Lelia Goldoni falls in love with a white man Anthony Ray, who spurns her when he meets the rest of her family. Far from subtle, Shadows benefits from the undisciplined energy of its direction and the excellence of its individual performances. Costing a scant $40,000 (less than the average half hour TV episode of the era), Shadows won the Critic's Award at the Cannes Film Festival and led to more expensive studio assignments for John Cassavetes. ~ Hal Erickson, All Movie Guide