Whoopi Goldberg Movies
Though best known as an outspoken comedienne,
Whoopi Goldberg is also a talented dramatic actress. By virtue of her distinctive appearance and a persona that is both no-nonsense and empathic, Goldberg has emerged as one of the most recognizable celebrities of the '80s and '90s.
Born Caryn Johnson on November 13, 1955 in New York City, Goldberg began her long career when she was eight years old, performing with New York's Helena Rubenstein Children's Theater. She then went on to study with the Hudson Guild children's arts program and attended the prestigious High School for the Performing Arts. After graduating, Goldberg occasionally won small parts in Broadway productions such as
Hair,
Pippin and
Jesus Christ Superstar, but also supported herself doing odd jobs like bricklaying and serving as a funeral parlor make-up artist. In 1975, Goldberg moved West and helped found the San Diego Repertory Theater, where she appeared in a number of plays, including Brecht's
Mother Courage and
Marsha Norman's
Getting Out.
After several stints with the Spontaneous Combustion improvisational troupe and work in avant-garde productions at Berkeley's Blake Street Hawkeyes theater, Goldberg devised
The Spook Show, a one woman satirical production in which she played several characters. The show, which originated in San Francisco, eventually toured the U.S. and Europe, earning acclaim and the attention of director
Mike Nichols. Nichols went on to direct a 1984 Broadway version of the show, which earned Goldberg Drama Desk and Theatre World awards, as well as a Grammy for the album recording.
Goldberg made an auspicious Hollywood debut with her portrayal of Celie, the lead character in
Steven Spielberg's controversial 1985 adaptation of
Alice Walker's novel. Goldberg's moving performance was rewarded with an Oscar nomination and Best Actress Golden Globe, as well as instant stardom for the actress. Although Goldberg's film career looked promising, the actress unfortunately spent much of the decade's remainder appearing in terrible action comedies such as
Fatal Beauty and
Burglar (both 1987) that did not do her comic gifts justice. Her one partial success during this period was her first action comedy,
Jumpin' Jack Flash (1986), which did relatively well at the box office and gave her a certain cult status.
In 1988, Goldberg took a break from comedy with a memorable turn as a worldly Jamaican nanny in the otherwise unremarkable
Clara's Heart. She also made numerous appearances in television specials, most notably as a co-host for the annual
Comic Relief benefit for the homeless. Her attempt at sitcoms failed with the short-lived series
Bagdad Cafe, but she did find greater television success with a small but crucial recurring role as the sagacious intergalactic bartender Guinan on the syndicated Star Trek: The Next Generation. Around the same time, Goldberg's film career underwent a sharp turn-around. She won acclaim playing a selfless housekeeper opposite
Sissy Spacek in the provocative Civil Rights drama
The Long Walk Home (1989), and then played an eccentric con artist possessing unexpected psychic powers in the 1990 smash hit
Ghost. Goldberg's funny yet moving performance earned her her first Oscar and the widespread opinion that this marked her comeback performance. After a couple of missteps that had a few people rethinking this verdict, Goldberg scored again with the 1992 hit comedy
Sister Act. Nominated for Golden Globes and two NAACP awards, the film spawned mass ticket sales and an unsuccessful 1993 sequel,
Sister Act 2: Back in the Habit.
Meanwhile, Goldberg also continued her television work with a 1992 late night talk show. A laid back affair that ran for 200 episodes, it was praised by critics but failed to secure high ratings and went on permanent hiatus after only six months. However, Goldberg continued to appear on TV with her recurring role as a
Comic Relief co-host and as an MC for the Academy Awards ceremony, a role she reprised multiple times. At the same time, Goldberg continued to work in film, doing both comedy and drama and experiencing the obligatory highs and lows. Some of her more memorable roles included that of a single mother who discovers that
Ted Danson, not a black genius, fathered her daughter in
Made in America (1993), a lesbian lounge singer in
Boys on the Side (1995), a white-middle-aged corporate executive in The Associate (1996),
Angela Bassett's best friend in the 1998 hit
How Stella Got Her Groove Back, and a private detective in the drama
The Deep End of the Ocean (1999). In addition, Goldberg also appeared in two notable documentaries,
The Celluloid Closet (1995), and
Get Bruce! a piece about comedy writer
Bruce Vilanch that also featured fellow comedians such as
Robin Williams,
Billy Crystal,
Nathan Lane and
Bette Midler.
As the new decade dawned, Goldberg could be seen in supporting roles in projects like Rocky and Bullwinkle and the ensemble comedy Rat Race. Then, in 2003, she tried her hand at a starring sitcom role for the first time with Whoopi. The show found Goldberg playing an irreverent hotel owner and was met with mixed reviews before being cancelled mid-season.
In 2004, Goldberg focused her career on voice work with appearances in Doogal, The Lion King 1 1/2, and P3K: Pinocchio3000. She continued this trend in the following years with such films as Racing Stripes and Everyone's Hero. Then, in 2007, Goldberg returned to the small-screen, replacing Rosie O'Donnell on the ABC panel show The View. Goldberg lent her voice to Pixar’s Toy Story 3 in 2010, and as the narrator for 2011’s documentary Being Elmo: A Puppeteer’s Journey. ~ Sandra Brennan, Rovi

- 1992
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Like so many lonely children before her, Starfleet brat Clara Sutter (Noley Thorton) creates an imaginary friend. Imagine her delight when her invisible companion Isabella suddenly comes to life! And imagine the crew's dismay when Isabella turns out to be a deadly and destructive alien energy form. Effectively juxtaposing the innocence of childhood with the horror of alien hostility, "Imaginary Friend was scripted by Edith Swensen and Brannon Braga," from a story by Jean Louise Matthias, Ronald Wilderson and Richard Fleigel. The episode was originally telecast May 9, 1992. ~ Hal Erickson, Rovi
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- 1992
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Jonathan Del Arco guest stars as Hugh, a seriously injured Borg. Against his better judgement, Picard allows Dr. Crusher to bring the Borg on board the Enterprise for medical treatment, but not before taking the precaution of creating an impenetrable detention cell, lest the hostile alien contact his comrades. When Hugh regains his health, Picard wrestles with the notion of using the alien as a "weapon" with which to destroy the Borg menace for good. First broadcast May 16, 1992, "I, Borg" was written by Rene Echevarria. ~ Hal Erickson, Rovi
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- 1992
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The phrase "second childhood" takes a bizarre turn in this episode, which first aired November 7, 1992. As a result of a freak transformer mishap, Picard, Ro, Guinan, and Keiko are transformed into 12-year-old children. The youngsters' dilemma may prove beneficial in the long run when the Enterprise is captured by Ferengi raiders. The child actors chosen to portray the younger Picard and his associates so closely resemble their older counterparts that the effect is downright uncanny. Scripted by Alison Hock from a story by Ward Dru Botsford, Diana Dru Botsford, and Michael Piller, "Rascals" was directed by Adam Nimoy, son of Leonard Nimoy. ~ Hal Erickson, Rovi
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- 1992
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- 1992
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When Next Generation kicked off its sixth season on September 26, 1992, it was with the resolution of the fifth-season cliffhanger "Time's Arrow." A quick recap apprises the viewer that, while investigating a curious archeological discovery, Lt. Cmdr. Data was sucked into a time vortex, emerging in 19th century San Francisco. Likewise heading into the past to rescue their comrade, the crew discovers that the Earth is in danger of a devastating alien invasion. Their efforts to ward off this disaster are complicated by the presence of a snoopy reporter by the name of Samuel Clemens (Jerry Hardin). Part two of "Time's Arrow" was scripted by Jeri Taylor, from a story by Joe Menosky and Michael Piller. ~ Hal Erickson, Rovi
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- 1992
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Originally telecast June 20, 1992, this episode was the third of Next Generation's season-ending cliffhangers. Things begin on a gruesome note when, during an archaeological investigation on Earth, the excavators come across the severed head of Lt. Cmdr. Data. In as much as Data is still alive and well, it is assumed that the decapitated relic represents the remains of a shape-changing alien. While following up this theory, the Enterprise crew passes through a time vortex, catapulting Data back to 19th Century San Francisco. As before, the outcome of this two-part adventure would not be revealed until the series returned for its sixth-season opener on September 26, 1992. Both parts one and two of "Time's Arrow" were based on a story by Joe Menosky and Michael Piller, with Menosky handling the scripting chores for part one. ~ Hal Erickson, Rovi
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- 1992
- PG
This colorful, fast-paced documentary pays tribute to animator Chuck Jones on his eightieth birthday. Amidst many clips from his most famous cartoons, major stars and Hollywood figures ranging from Steven Spielburg to Ron Howard to composer Danny Elfman to film historian/critic Leonard Maltin to Whoopi Goldberg pay their respects. Highlights include clips from such cartoon classics as Bug's Bunny's The Rabbit of Seville, Daffy Duck's Duck Amuck, Jones' "Road Runner" shorts, and the classic TV holiday show How the Grinch Stole Christmas. All of these came from his Warner Brothers eras, but also shown are examples of his more experimental work done at MGM including his Oscar-winning The Dot and the Line. ~ Sandra Brennan, Rovi
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- Starring:
- Steven Spielberg, Whoopi Goldberg, (more)

- 1992
- PG13
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Whoopi Goldberg stars in this musical take on the South African struggles against Apartheid in the mid-1970s, during the imprisonment of Nelson Mandela. An adaptation of Mbongeni Ngema's popular musical, which ran on Broadway from 1988 to 1989, Sarafina! recounts the political coming of age of the title character, a high school girl involved in the Soweto student protests of 1976. At first just a petulant bundle of energy, more interested in boys than civil rights, Sarafina (Leleti Khumalo) learns of the Afrikaaner oppression through the underground lectures of her teacher, Mary Masembuko (Goldberg). Sarafina's mother, who works as a servant in a white household and never sees her children, urges Sarafina to toe the line. But she can no longer turn a blind eye when the government imprisons her teacher and slaughters her would-be boyfriend during an arson protest. Incited to rebellion, the students kill a crooked black constable, leaving Sarafina to wrestle with their decision to use violence against the government's strictures. Ever tightening its grip, the ruling regime would kill 575 blacks over eight months in an attempt to quell the civil unrest. The sober subject matter is leavened by Ngema's jubilant songs and Michael Peters' electric choreography. ~ Derek Armstrong, Rovi
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- Starring:
- Leleti Khumalo, Whoopi Goldberg, (more)

- 1992
- R
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Robert Altman takes a scalpel to Hollywood ethics in the 1990s (or the lack thereof) in his acidic satire The Player, adapted from Michael Tolkin's novel. (Tolkin also wrote the screenplay.) The film concerns a sleek and smooth Hollywood studio executive who starts receiving death threats from a disgruntled writer because he has committed the ultimate Hollywood sin -- he promised the writer he would call him back and he never did. This is particularly ironic because the studio executive, Griffin Mill (Tim Robbins), is considered "writer-friendly," spending his days listening to pitches from such noted screenwriters as Buck Henry, who is pushing "The Graduate, Part II" and Alan Rudolph, who is hawking a Bruce Willis action film described as "Ghost meets The Manchurian Candidate." But The Player finds Griffin's comfortable life style in danger of collapse. He is trying to find a way to unload his girlfriend (Cynthia Stevenson) whose independence and intelligence make her a poor candidate for a trophy wife. More importantly, it seems that Larry Levy (Peter Gallagher), a slippery executive from Twentieth Century Fox, is angling for his job. And then there are those nasty postcards and faxes from a screenwriter threatening to kill him. Altman cast over 65 stars in cameo roles as texture for his scabrous tale. ~ Paul Brenner, Rovi
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- Starring:
- Tim Robbins, Greta Scacchi, (more)

- 1992
- PG
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A sleeper hit that received a lukewarm reception from critics but was a success with audiences, Sister Act (1992) was star Whoopi Golberg's first bona fide smash after her Oscar victory for Ghost (1990). Goldberg stars as Deloris Van Cartier, a Reno lounge singer who accidentally witnesses a brutal murder carried out by her gangster boyfriend Vince (Harvey Keitel). Under the protection of a detective (Bill Nunn) who's trying to bring down Vince's criminal operation, Deloris is placed in protective custody at a San Francisco convent. Masquerading as a nun renamed Sister Mary Clarence, Deloris shakes up the established order of the sisters' lives, particularly enlivening their choral efforts. Although running constantly afoul of the Mother Superior (Maggie Smith), the new, jazzed-up musical act becomes a huge hit in the community, even drawing the attention of the Pope, but also alerting Vince to Deloris' whereabouts. Although credited to the pseudonymous Joseph Howard, Sister Act was actually written by Paul Rudnick and Carrie Fisher. The film was followed by a sequel, Sister Act 2: Back in the Habit (1993). ~ Karl Williams, Rovi
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- Starring:
- Whoopi Goldberg, Maggie Smith, (more)

- 1991
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"Rain of Terror" and "Dead Seas" are the two episodes included in this video featuring the ecology-minded superhero. ~ Kristie Hassen, Rovi
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- 1991
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An unusual sports event takes place when a new commissioner decrees that basketball will no longer be a serious sport -- and some of the greatest players in the NBA compete against an All-Star team of comedians. Actors and athletes include Whoopi Goldberg, Billy Crystal, George Wendt, Isiah Thomas, Magic Johnson, Marv Albert, Shelley Long, Stephen Wright, Bob Saget, Rich Hall, Elayne Boosler, Jim Morris, Chuck Daly, John Salley, Rick Mahorn, Shadoe Stevens, Jimmie Walker, Paul Rodriguez, Vlade Divac, and Mychal Thompson. ~ Alice Duncan, Rovi
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- 1991
- PG13
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In the comedic farce Soapdish, the behind-the-scenes lives of several soap opera actors are just as melodramatic as those of their television counterparts. Sally Field stars as Celeste Talbert, the star of a declining TV show. To make matters worse, Talbert's career is thrown into turmoil when her rival, Montana Moorehead (Cathy Moriarty), tries to persuade producer David Barnes (Robert Downey Jr.) to write Talbert off the show. Smitten by Moorehead, Barnes comes up with a scheme to get Talbert off the show by hiring her niece Lori (Elisabeth Shue) and then Jeffrey (Kevin Kline), an old flame and cast member who was written out of the show 20 years prior. Soon, mayhem rules on the set as the cast and crew tangle, culminating in a special episode, broadcast live. ~ Matthew Tobey, Rovi
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- Starring:
- Sally Field, Kevin Kline, (more)

- 1991
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Dispatched to rescue the endangered science vessel U.S.S. Britain, the crew discovers that all but one of the crew members have perished. The survivor, Andrus Hagan (John Vickery), is in a catatonic state, experiencing an acute case of dream deprivation. Before long, the Enterprise has fallen victim to the same malady, which goads its victims into acts of insanity, violence, and murder. Scripted by Pamela Douglas and Jeri Taylor from a story by Shari Goodhartz, "Night Terror" initially aired March 23, 1991. ~ Hal Erickson, Rovi
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- 1991
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Like many other Next Generation episodes, this one offers two seemingly unrelated subplots which, by fadeout time, become inextricably linked. One story strand finds Geordi getting the chance to meet the "real" version of Dr. Leah Brahms (Susan Gibney), who he had previously recreated on the Holodeck. In the other subplot, the crew becomes a collective surrogate mother to a newborn alien "energy creature" whose mother Picard was forced to destroy. Originally aired March 16, 1991, "Galaxy's Child" was scripted by Maurice Hurley from a story by Thomas Kortozian. ~ Hal Erickson, Rovi
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- 1991
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This concert and interview documentary features the racy wit of Canada and the U.S.'s most popular female comedians, including Jenny Jones, Whoopi Goldberg, Phyllis Diller, Ellen DeGeneres, and Paula Poundstone. In addition to screening their stand-up gigs and providing interviews with these funny ladies, the documentary provides some historical perspective about the origins of present-day feminine humor using clips of performances by Eve Arden, Lucille Ball and Carol Burnett. ~ Clarke Fountain, Rovi
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- Starring:
- Phyllis Diller, Whoopi Goldberg, (more)

- 1991
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Could Data be lying about the events that occured while the Enterprise crew was mysteriously rendered unconscious for 30 seconds? Captain Picard thinks so, and he wants to know why. Data won't answer his questions, but alludes to the possibility that he might be protecting the crew from something equally mysterious and horrible. Originally aired Feburary 16, 1991, "Clues" was cowritten by Bruce D. Arthurs and Joe Menonsky. ~ Hal Erickson, Rovi
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- 1991
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Michelle Forbes plays the title character in this Next Generation episode. While investigatng a Bajoran terrorist attack on a Federation colony, Captain Picard is forced to work side by side with Ro Laren, a Bajoran ensign with a reputation for troublemaking. Despite their differences, Picard and Ro manage to uncover a conspiracy fomented by an above-suspicion Federation officer. But can Ro herself be trusted? Written by Michael Piller, "Ensign Ro" first aired October 12, 1991. ~ Hal Erickson, Rovi
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- 1991
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Patrick Stewart doubled as star and director of this fourth-season Next Generation episode. The focus of the story, however, is not on Stewart's character Captain Picard, but on humanistic android Data. Hoping to experience the sensation of Love, Data dispassionately tries to develop a relationship with Ensign Jenna D'Sora (Michele Scarabelli), herself on the rebound from an unhappy romance. Responding to his by-rote advances, Jenna plays along with Data, even giving him a few courtship hints along the way, while the Enterprise crew tries to cope as best it can with a decidedly non-emotional crisis. Written by Ronald D. Moore and Joe Menosky, "In Theory" originally aired June 8, 1991. ~ Hal Erickson, Rovi
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- 1991
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Originally broadcast June 22, 1991, this was not only Next Generation's 100th episode, but also the second of the series' season-ending cliffhangers. The crisis at hand is a power struggle within the higher circles of the Klingon empire, the outcome of which may allow Lt. Worf to restore his family's tattered honor. As civil war threatens to break out among the Klingons, Worf's own loyalties are torn between his people and the crew of the Enterprise. A former Next Generation regular makes a surprise appearance in this episode, which was written by Ronald D. Moore. Part one of "Redemption" ends on a freeze-frame and the superimposed title "To Be Continued," which back in 1991 meant that loyal fans would have to wait until September for the outcome. ~ Hal Erickson, Rovi
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- 1991
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Star Trek: The Next Generation inaugurated its fifth season with the conclusion of the fourth-season cliffhanger. The situation remains the same as in part one, with the Klingon Empire on the brink of a civil war. The source of the unrest is the Duras family, who Captain Picard suspects is in cahoots with the dreaded Romulans. Risking an apocalyptic war and sorely testing his friendship with his former Klingon officer Worf, Picard orders a Federation blockade on the Klingon/Romulan border. The former Next Generation regular who appeared in part one is again on hand, this time with full screen credit. Written by Ronald D. Moore, part two of "Redemption" first aired September 28, 1991. ~ Hal Erickson, Rovi
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- 1991
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Whoopi Goldberg earned an Emmy nomination for her performance as Hillman's forensics professor Dr. Jordan, who assigns her students to write their own eulogies. Among those participating is a young girl named Josie Webb (Tisha Campbell), whose essay reveals that she has contacted AIDs. Ironically, this occurs just as Whitley (Jasmine Guy) is seriously considering going "all the way" with Dwayne (Kadeem Hardison). When originally telecast, this episode opened with a warning from producer Bill Cosby that the children in the audience should watch the show in the company of their parents. ~ Hal Erickson, Rovi
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- 1991
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- 1990
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A visit from the mercurial alien life form Q (John de Lancie) invariably means trouble for the Enterprise, and this time is no exception. As a result of his past misdeeds, Q is stripped of his powers and condemned to spend the rest of his life as a mortal. Regarding Captain Picard as his very best friend, the "reformed" Q decides to make the Enterprise his new home, with potentially disastrous results for the hapless android Data. Corbin Bernsen makes a brief appearance as another member of the Q collective. First telecast February 10, 1990, the Emmy-nominated "Deja Q" was written by Richard Danis. ~ Hal Erickson, Rovi
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- 1990
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Happy Birthday, Bugs: 50 Looney Years is a television special celebrating 50 years of Bugs Bunny cartoons, complete with testimonials from various celebrities and a terrific end-piece "50 Years of Bugs in 3 Minutes," which features a manic collection of highlights compiled by Academy Award-winner Chuck Workman (he won for his animated short, Precious Images). ~ Stephen Thomas Erlewine, Rovi
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