Enrico Glori Movies

This 1962 Biblical epic was adapted by Christopher Fry from the novel by Pär Lagerkvist. Anthony Quinn stars as Barabbas, the thief who was pardoned in place of Jesus. For the rest of his life, the guilt-ridden criminal tries to justify his existence and to determine his place in the scheme of things. Along the way he encounters the self-righteous pomposity of Pontius Pilate (Arthur Kennedy), the stoning of Sara (Katy Jurado), the gladiatorial sadism of Torvald (Jack Palance), and the burning of Rome. The film's unbilled Christ is played by Roy Magnano, the brother of Quinn's second-billed costar Silvia Mangano. Watch for the genuine solar eclipse during the Crucifixion sequence, an effect that director Richard Fleischer spent several days preparing for. ~ Hal Erickson, All Movie Guide

An uneven mix of right-on situations and two-dimensional characters or worse, La Giornata Balorda is all the more interesting because it was banned in Italy -- not because of sexual or anti-religious content, but because of its depiction of Italian society. David (Jean Sorel) is a poverty-stricken young man who has impregnated the woman he loves and now wants to marry her. The baby has already been born when David sets out to "buy" a job. His uncle, not a model of propriety, gets him introduced to a slick operator who really does not want to hire David at all. But the future employer's mistress takes one look at David and lets her lover know he just has to give him a job. Meanwhile, David is still stuck with the problem of getting the money together to "buy" his job, and he solves that in a rather creative manner. This story of networking among the non-yuppy population did not sit well with the Italian censors. ~ Eleanor Mannikka, All Movie Guide

In one of the most widely seen and acclaimed European movies of the 1960s, Federico Fellini featured Marcello Mastrioanni as gossip columnist Marcello Rubini. Having left his dreary provincial existence behind, Marcello wanders through an ultra-modern, ultra-sophisticated, ultra-decadent Rome. He yearns to write seriously, but his inconsequential newspaper pieces bring in more money, and he's too lazy to argue with this setup. He attaches himself to a bored socialite (Anouk Aimée), whose search for thrills brings them in contact with a bisexual prostitute. The next day, Marcello juggles a personal tragedy (the attempted suicide of his mistress (Yvonne Furneaux)) with the demands of his profession (an interview with none-too-deep film star Anita Ekberg). Throughout his adventures, Marcello's dreams, fantasies, and nightmares are mirrored by the hedonism around him. With a shrug, he concludes that, while his lifestyle is shallow and ultimately pointless, there's nothing he can do to change it and so he might as well enjoy it. Fellini's hallucinatory, circus-like depictions of modern life first earned the adjective "Felliniesque" in this celebrated movie, which also traded on the idea of Rome as a hotbed of sex and decadence. A huge worldwide success, La Dolce Vita won several awards, including a New York Film Critics CIrcle award for Best Foreign Film and the Palme d'Or at the Cannes Film Festival. ~ Hal Erickson, All Movie Guide

A movie of a man suspected of killing his brother who flees into the Dolomites to face work, danger and temptation. German language only. ~ All Movie Guide

La Pensionnaire was released in English-speaking countries as The Boarder. The title character is a good-hearted prostitute named Joy, played by Martine Carol. Unable to locate a cheap hotel room at a swank seaside resort, Joy settles for the only available space, which happens to be in a high-class hotel. Despite her sordid profession, the girl is befriended and protected by the hotel staff, who pay for her lodgings. Not so charitable is the local police chief, though he agrees to allow Joy to stick around if she promises to reform. This proves difficult when Joy innocently finds herself in the middle of several domestic brouhahas. La Pensionnaire might make an amusing double feature with the 1990 Julia Roberts film Pretty Woman. ~ Hal Erickson, All Movie Guide

Legendary producer David O. Selznick teamed with Italian neorealist Vittorio De Sica (The Bicycle Thief) to bring audiences this heartfelt romantic drama concerning the pain of lost love and the difficulty of saying goodbye. When a beautiful but married American woman, Mary Forbes (Jennifer Jones), meets a handsome Italian, Giovanni Doria (Montgomery Clift), while on holiday in Rome, their forbidden affair soon develops into something more for the lovelorn Giovanni. As Mary bids her heartbroken lover farewell at the train station, Giovanni cannot repress his true feelings and begs her to remain with him in Italy. With a script that credits such writers as Truman Capote, Carson McCullers, Paul Gallico, and Alberto Moravia, Indiscretion of an American Wife has endured to become a true buried treasure of romantic cinema. ~ Jason Buchanan, All Movie Guide

The official credits for the Italian-made Stranger on the Prowl read: "written and directed by Andrea Forzano." In truth, Andrea Forzano was two people: screenwriter Ben Barzman and director Joseph Losey, both of whom had been blacklisted by Hollywood and were forced to work under pseudonyms. Essentially a two-person character study, the film stars Paul Muni as a down-and-out crook on the lam. Muni befriends a young street urchin (Vittorio Mazzunchelli, billed as "Manunta" in many prints) in an Italian port city. At first amused that the boy is a sneak thief, Muni tries to deflects the kid from a life of crime. Tipped off by a woman anxious to collect the reward for Muni (who is wanted for murder), the police pursue the two lost souls. Muni sees to it that the boy manages to escape, but is himself gunned down. A weak-tea imitation of the Italian neorealist movement, Stranger on the Prowl was cut by 18 minutes for its English-language release (in Britain it was titled Encounter). The full, original 100-minute Italian version, released in 1951, was known as Imbarco a Mezzanote. ~ Hal Erickson, All Movie Guide

This Italian musical drama was released to selected English-speaking theatres as The Holy Nun. The title character is played -- or, rather, sung -- by Eva Nova. Set in Naples, the film concerns a nun who can't quite get over the romantic entanglements of her previous life. Prominent in the cast is Cesare Danova, who went on to a substantial Hollywood career. Inexpensively filmed, Monaca Santa delivers full entertainment value within its modest limits. The music, which when all is said and done is this film's reason for being, was written by Ezio Carabella and Antonio Valli. ~ Hal Erickson, All Movie Guide

Abuna Messias (Cardinal Messias) features Camillo Pilotta in the title role. Designed as propaganda to justify Italy's recent invasion of Ethiopia, the film details the efforts of the Franciscan Monks to spread Christianity among the Ethiopian Melenik tribe. On the verge of total success, Cardinal Messias is challenged by Abuna Atansio (Mario Ferrari), spiritual leader of the tribal Coptic church. Hostilities develop into open warfare, with Atansio urging Ethiopian chieftan Negus Johannes (Ippolito Silvestri) to decimate the Meleniks and their Franciscan brethren. It is perhaps not surprising that Abuna Messias was the 1940 winner of the Mussolini Cup award. ~ Hal Erickson, All Movie Guide

Originally titled Les Perles de Couronne, this Sacha Guitry historical extravaganza stars both Guitry and his wife Jacqueline Delubac. The plotline hinges on four valuable pearls, which pass from hand to hand over a period of several centuries, from the time of Britain's Henry VIII to the present. All of this is offered in flashback form, as a group of modern-day treasure hunters try to locate three of the missing pearls by tracing them back to their previous owners. Guitry shows up as King Francis I, Barras and Napoleon III, in addition to his contemporary persona of Jean Martin; Debulac is seen as Mary Queen of Scots and Empress Josephine. There isn't a scintilla of historical accuracy in the film, nor did Guitry have the slightest intention of including any; his sole purpose was to entertain the audience and serve up a superbly ironic denoument. The supporting cast is a polyglot of French, English and Italian actors, each speaking in his or her own language. The screenplay for Pearls of the Crown was cowritten by Guitry and another immensely talented filmmaker, Christian-Jaque. ~ Hal Erickson, All Movie Guide

This fascinating biography chronicles the years in which the master composer began to lose his hearing. The director's use of sound to represent Beethoven's affliction is notable. ~ Sandra Brennan, All Movie Guide