Robert Glaudini Movies

This teen comedy from Disney is based on a popular novel by Meg Cabot and directed by Garry Marshall. Mia Thermopolis (Anne Hathaway) is a teenage klutz who's openly mocked by the popular Lana Thomas (pop singer Mandy Moore). In fact, Mia's only friend at her exclusive prep school is the socially outcast Lilly (Heather Matarazzo). Mia's life takes a dramatic turn, however, when her mom announces that her late biological father was in actuality the crown prince of a small European nation, Genovia. Now Mia is the sole heir to the throne, and her grandmother, Queen Clarisse Renaldi (Julie Andrews) wants to tutor the awkward teen in royal behavior. It's a daunting task given Mia's lax table manners, poise, and hair care, but the girl perseveres with some makeover help from her grandmother's security chief Hector Elizondo) and a style expert (Larry Miller). In the meantime, Mia's romantic affections are torn between the handsome, popular Josh (Erik Von Detten) and the more appropriate Michael (Robert Schwartzman), who also happens to be Lilly's brother. The Princess Diaries is the second film from Whitney Houston's production shingle after the television version of Rodgers and Hammerstein's Cinderella (1997). ~ Karl Williams, Rovi

Director Andrei Konchalovsky comes a cropper with this mawkish road movie starring Whoopi Goldberg and James Belushi. Goldberg plays Edwina, an escaped mental patient with a brain tumor and only a month to live. Belushi is Homer, a retarded man abandoned by his parents when he was a child after a smack with a baseball bat rendered him an idiot. The two team-up when Homer takes off to Oregon to visit his parents and catch up on old times. Edwina agrees to drive him there to recover the $87 that Homer has stolen from her. As they drive down the American roadways, they bond, and Edwina is granted the shining love of Homer as she lapses into a coma. ~ Paul Brenner, Rovi

Mississippi Burning is an all-names-changed dramatization of the Ku Klux Klan's murders of three civil rights workers in 1964. Investigating the mysterious disappearances of the three activists are FBI agents Gene Hackman (older, wiser) and Willem Dafoe (younger, idealistic). A Southerner himself, Hackman charms and cajoles his way through the tight-lipped residents of a dusty Mississippi town while Dafoe acts upon the evidence gleaned by his partner. Hackman solves the case by exerting his influence upon beauty-parlor worker Frances McDormand, who wishes to exact revenge for the beatings inflicted upon her by her Klan-connected husband Brad Dourif. Many critics took the film to task for its implication that the Civil Rights movement might never have gained momentum without its white participants; nor were the critics happy that the FBI was shown to utilize tactics as brutal as the Klan's. The title Mississippi Burning is certainly appropriate: nearly half the film is taken up with scenes of smoke and flame. ~ Hal Erickson, Rovi

In this routine sports-dominated, low-budget drama, real wrestling footage with all its comic sideshow elements supplement the simple story. Lesley Uggams (Jeff Dial) is a documentary filmmaker out to do a project on a wrestler who supposedly killed himself after decapitating his opponent in the ring. Uggams suspects that the suicide was hype -- something unknown to the wrestling world, of course -- and that the killer wrestler is back in action as "The Mask." ~ Eleanor Mannikka, Rovi

"B"-movie legend Charles Band cranked out this deadly-dull black magic flick through his then-fledgling Empire Pictures company in 1980, though the film never saw widespread American distribution until its video release five years later. The main character is an ageless glassmaker (Robert Ginty) who, thanks to a feud with the evil sorcerer Delgado (Robert Glaudini) in the 19th century, is not only doomed to live forever but regularly transforms into a barely-seen, werewolf-like monster. A century later (the 1950s, for no apparent reason), Ginty meets a woman at his mountain cabin whom he believes to be the reincarnation of his dead wife (Lucinda Dooling), who was the chief catalyst for the feud in the first place. The climactic battle (sort of) between the rival wizards involves low-budget demons called up by Glaudini from a gateway to hell. Despite a decent employment of attractive woodland locations and occasional bouts of cheap but creative effects, this is a rather tedious exercise, bogged down by slow pacing, shoddy lighting and bland performances by the entire cast. ~ Cavett Binion, Rovi

American filmmaker Jon Jost enjoys tweaking the noses of those who worship at the altar of conventionalism. He is extremely popular with the art-house crowd, thanks to his reliance upon improvised dialogue and fragmented continuities. Made for $35000, Chameleon dissects the world of drug trafficking; the central character, a Los Angeles dope pusher, is played by Bob Glaudini. Every so often, Glaudini pauses long enough to elucidate his thoughts for the benefit of the audience (the actor is given co-writing credit). Highly recommended for Jon Jost's admirers, Chameleon may leave others wondering what all the shouting's about. ~ Hal Erickson, Rovi