Lawrence Taylor Movies

When Kyle LeBlanc (Jean-Claude Van Damme) is prosecuted for killing the man who murdered his wife, he is sent to the most notoriously violent prison in Eastern Europe, where brutality is an understatement. Guards force the prisoners into death matches for their own personal profit, and the already violent inmates are provoked until they're barely recognizable as human beings. Though Kyle initially holds nothing but contempt for his fellow cell mates, it isn't long before their rage takes root in his own mind. When it's his turn to fight, channeling that rage may be the only chance he has at survival. ~ Tracie Cooper, Rovi

This action drama puts a new spin on Shaft, one of the key "blaxploitation" films of the 1970s. John Shaft (Samuel L. Jackson), the namesake nephew of the legendary private eye (Richard Roundtree), is a street-smart police detective who with his partner Carmen Velez (Vanessa L. Williams) has been assigned to a racially motivated murder case, in which a black college student was killed in front of a restaurant by Walter Williams Jr. (Christian Bale), the sociopathic son of a New York construction tycoon, who then fled the country rather than face prosecution. Diane Palmieri (Toni Collette), a waitress on a smoke break, saw the murder, but she doesn't want to talk to the police. Two years later, Walter is forced to return to New York, but without Diane's testimony, the city doesn't have much of a case. Soon, Shaft, Walter Junior, and Walter Senior's goons are all looking for Diane, with Junior enlisting the help of Peoples Hernandez (Jeffrey Wright), a small-time drug dealer who will do anything to move into the big leagues. Shaft and Carmen find Diane, but discover that she had a good reason for being on the lam for the past two years. Amidst all this activity, John gets frequent advice from his uncle, with whom he ponders the idea of quitting the force and opening a detective agency. Shaft was directed by John Singleton, from a screenplay by Singleton, Richard Price, and Shane Salerno. ~ Mark Deming, Rovi

Oliver Stone takes on professional football, a sport whose grace and delicacy are a good match for his filmmaking style. Tony D'Amato (Al Pacino), the head coach of the Miami Sharks, won back-to-back championships four years ago. But new team owner Christina Pagniacci (Cameron Diaz) has little enthusiasm for the finer points of the game and is concerned only with the bottom line. The longtime strongman of Tony's team has been "Cap" Rooney (Dennis Quaid), a 39-year-old quarterback, but Christina balks at renewing his contract. When Cap is injured during a game, third-string rookie quarterback Willie Beaman (Jamie Foxx) goes on in his place and becomes a major star. But Beaman is mostly interested in fame and money, and he has little regard for Tony and his teammates. Any Given Sunday also stars James Woods as the team's doctor, LL Cool J as a star running back, Jim Brown as a former football great turned Sharks' defensive coordinator, Ann-Margret as Christina's alcoholic mother, Bill Bellamy as a wide receiver, Elizabeth Berkley as Tony's favorite prostitute, and Charlton Heston as the football commissioner. ~ Mark Deming, Rovi

Once again, Al (Ed O'Neill) shoots off his big mouth, and the result is a grudge match between his alma mater Polk High School and longtime rival Onassis High. Unfortunately, the opposing lineup includes such NFL stars as John S. "Hacksaw" Reynolds, Bubba Snith, Ken "The Snake" Stabler and Lawrence Taylor. As a result, ex-gridiron favorite Al is reduced to the status of tackling dummy--with emphasis on "dummy". ~ Hal Erickson, Rovi