Yu Bo Movies

A group of nude men walking down a winding mountain road and claiming to be from other planets in the solar system are confronted by a gang of human bullies in underground Chinese filmmaker Cui Zi'en's radical entry into the 2005 Vancouver Film Festival. When the ruffians demand to be given partial ownership of each alien visitor's respective planet, the strange visitors utilize cell phones to call their rulers -- all of whom are named Jesus -- to confer with them on the troublesome issue. Meanwhile, conflicted bully Xiao Bo (Yu Bo) begins stripping off his clothing in a show of solidarity with the peaceful, self-proclaimed extraterrestrials. ~ Jason Buchanan, Rovi

Made without the cooperation of the Chinese government or official film organizations, this drama in three parts explores the emotional, social and political ramifications of gay relationships in China over the course of three decades. Part one, "Psalm," is set in 1981, and concerns Xiao Bo (Yu Bo), a gay man sharing a home with his brother and his sister-in-law. Unwilling to disguise his lifestyle, Xiao Bo brings his lover home one evening, and soon his family is attempting to "cure" him of his homosexuality. "Proverbs," set in 1991, finds a gay man inching his way out of the closet as he leaves his wife and moves in with the man he loves. Finally, "Song of Solomon," which takes place in 2001, reintroduces Xiao Bo, who is now in a relationship with Da Jian (Zhang Jian). When Xiao Bo learns one of his former lovers has contracted AIDS, he wants to help him however he can, but Da Jian would prefer it if he kept a safe distance from his past. ~ Mark Deming, Rovi

Nannan Nunu (Men and Women) is the first underground homosexual film to come out of People's Republic of China. In the winter of 1999, Xiao Bo, a shy young man, arrives in Beijing to look for work. He is employed by an unhappily married woman, Qing Jie, who is full of maternal instincts. Qing Jie lets him sleep in her house and tries to introduce him to her girlfriend. Soon it becomes apparent that Xiao Bo is not interested in girls. Qing Jie's husband tries to rape him one day when they are alone in the house, prompting Xiao Bo to leave and seek shelter with Chong Chong, the editor of an underground magazine devoted to graffiti collected from public toilets known to be gay cruising areas. Chong Chong is living with another man, who is jealous of the new arrival. A tender love develops between Xiao Bo and Chong Chong, which has the significance of 'coming out' for Xiao Bo. In the meantime, Qing Jie has made up her mind to leave her husband and live with her girlfriend, with whom she has been having an affair. The film was shot with non-professional actors, except for the leading actor, Qing Jie, who had previously appeared in some television films. The tempo is adjusted to that of everyday life where nothing much seems to happen on the outside. People go to work, come home exhausted, and dream of vacations. The presence of Western habits -- Coca-Cola and McDonald's -- is very much in evidence in this film which tries to have a documentary approach to its subject. Most of the narrative is improvisational. Liu Bingjian considered several titles for his film, favoring something that would resemble 'Toilet Literature.' The present title, which means 'Men and Women,' was chosen to make the film sound less controversial, in the event that it one day has a chance to be released in China. Nannan Nunu received the FIPRESCI (International Federation of Film Critics) award for its non-conformist theme at the 1999 Locarno International Film Festival. ~ Gönül Dönmez-Colin, Rovi