Helen Gilbert Movies
- 1956
Girls in Prison is a typical babes-behind-bars affair, elevated by a better than usual cast. Richard Denning stars as a prison chaplain who believes inmate Joan Taylor's story that she's been framed. But Joan's cellmates, convinced that the girl has salted away several thousand dollars of stolen money, stage a breakout and force the girl to join them. Adele Jergens and Helen Gilbert do their usual "hard-boiled dame" routines as Joan's so-called friends, while Phyllis Coates forever leaves "Lois Lane" behind with a chilling portrayal of a psycho. Veteran thespians Jane Darwell, Raymond Hatton and Mae Marsh also make worthwhile contributions to the proceedings. The 1994 Girls in Prison, produced as part of the cable-TV "Rebel Highway" series, utilizes the title of the 1956 film and nothing else. ~ Hal Erickson, Rovi
- Starring:
- Richard Denning, Joan Taylor, (more)
- 1946
The titular valley is the locale for an inordinate amount of double-crosses and betrayals. Young prospector Carroll Nye thinks he's doing a good deed when he rescues heroine Rada Rae, whom he finds wandering aimlessly in the desert. Little does Nye realize that Rae is in cahoots with claim-jumping Raymond Wells, who intends to get his hands on a valuable gold mine, the location of which is known only by our hero. Upon realizing he's been duped, Nye begins to punch out the girl (a startling scene!), but comes to regret his rash behavior when it develops that Rae has been forced to betray him under threat of death. By film's end, however, it is the villainous Wells who suffers the most. Death Valley was remade, scene-for-scene, in 1946, with Helen Gilbert and Nat Pendleton in the main roles. ~ Hal Erickson, Rovi
- 1946
In this western comedy, the mis-adventures of a bumbling range rider are chronicled. ~ Sandra Brennan, Rovi
- Starring:
- Robert Lowery
- 1944
Shemp Howard and Billy Gilbert are a pair of lovable vaudeville clowns who spend most of their free time looking after the young son (Robert "Buzzy" Henry) of their boss (Paul Phillips), a nice guy who is trying desperately to hold together his second marriage. When his wife (Helen Gilbert) walks out, and he dies in an accident, Billy and Shemp are left to take care of the boy. In the course of looking for work, they meet impoverished restaurateur Slapsie Maxie Rosenbloom and manage to achieve success as entertainers when their antics prove more alluring to patrons than the food they cook up. But then their late boss' widow and the man she's taken up with turn up, trying to claim custody of the boy so that they can steal the insurance payment for his father's death. Suddenly, everything they have worked for is in jeopardy, unless Billy can get married and adopt the boy legally. But marrying off Billy Gilbert is a task easier said than done, and leads to a comical search worthy of a good Three Stooges movie (only slightly more sophisticated). The two grifters manage to fool Billy into thinking the boy would be better off with the former stepmother -- he lets the boy go, which breaks up his partnership with Shemp. Can Maxie Rosenbloom's fists and the legal system put these three back together where they belong? ~ Bruce Eder, Rovi
Sally Benson's short stories about the turn-of-the-century Smith family of St. Louis were tackled by a battalion of MGM screenwriters, who hoped to find a throughline to connect the anecdotal tales. After several false starts (one of which proposed that the eldest Smith daughter be kidnapped and held for ransom), the result was the charming valentine-card musical Meet Me in St. Louis. The plot hinges on the possibility that Alonzo Smith (Leon Ames), the family's banker father, might uproot the Smiths to New York, scuttling his daughter Esther (Judy Garland)'s romance with boy-next-door John Truett (Tom Drake) and causing similar emotional trauma for the rest of the household. In a cast that includes Mary Astor as Ames' wife, Lucille Bremer as another Ames daughter, and Marjorie Main as the housekeeper, the most fascinating character is played by 6-year-old Margaret O'Brien. As kid sister Tootie, O'Brien seems morbidly obsessed with death and murder, burying her dolls, "killing" a neighbor at Halloween (she throws flour in the flustered man's face on a dare), and maniacally bludgeoning her snowmen when Papa announces his plans to move to New York. Margaret O'Brien won a special Oscar for her remarkable performance, prompting Lionel Barrymore to grumble "Two hundred years ago, she would have been burned at the stake!" The songs are a heady combination of period tunes and newly minted numbers by Ralph Blane and Hugh Martin, the best of which are The Boy Next Door, The Trolley Song, and Have Yourself a Merry Little Christmas. As a bonus, Meet Me in St. Louis is lensed in rich Technicolor, shown to best advantage in the climactic scenes at the St. Louis World's Fair of 1904. ~ Hal Erickson, Rovi
- Starring:
- Judy Garland, Margaret O'Brien, (more)
- 1944
Musical producer Joe Pasternak moved from Universal to MGM in the early 1940s, taking his pet director Henry Koster (the two men had teamed to make a star of Deanna Durbin) with him. The Pasternak/Koster collaboration Music for Millions features child star Margaret O'Brien as a Durbin-like Miss Fix-it, who tries to help her pregnant older sister (June Allyson), who in turn is pining away for her GI husband. As it happens, the older girl is a cellist in Jose Iturbi's orchestra; thus, in keeping with the formula established by Pasternak's One Hundred Men and a Girl, many of the plot threads are knotted together in a series of concert recitals. The highlight of Music for Millions features Jimmy Durante, giving a stirring rendition of his famed nightclub piece "Umbriago." The film won an Academy Award nomination for screenwriter Myles Connelly, plus a special Oscar for moppet Margaret O'Brien. ~ Hal Erickson, Rovi
- Starring:
- Margaret O'Brien, Jimmy Durante, (more)
- 1942
It's Dorothy Lamour again, sarong and all, in the South Seas wish-dream Beyond the Blue Horizon. Lamour plays Tama, a daughter of the jungle who heads to the US to claim an inheritance. For publicity purposes, press agent Squidge (Jack Haley) tries to team Tama with his client, circus lion tamer Jakra (Richard Denning). As it turns out, Jakra is compelled to return to the South Seas with Tama to obtain positive proof that she is indeed sole heir to her family's fortune. The climax finds Jakra putting his animal-taming skills to practical use when a rogue elephant goes on a rampage. One suspects that audiences in 1942 didn't believe this one either. ~ Hal Erickson, Rovi
- Starring:
- Dorothy Lamour, Richard Denning, (more)
- 1942
The plot of the RKO Radio programmer The Falcon Takes Over will be instantly recognizable to anyone who has seen the 1944 Philip Marlowe mystery Murder My Sweet: indeed, both films were based on the same Raymond Chandler novel, Farewell My Lovely. It all begins when brutish prison escapee Moose Malloy (Ward Bond) forces nervous Broadwayite Goldie Locke (Allen Jenkins) to drive him to a posh nightclub, where Moose hopes to be reunited with his old girlfriend. Unable to find his elusive sweetheart, Moose tears the joint apart, obliging Goldie to flee for his life. As it happens, Goldie is the assisant of private eye Gay Lawrence (George Sanders), aka The Falcon, who has been hired by foppish socialite Lindsey Marriot (Hans Conried) to ransom a necklace stolen from Marriot's lady friend Diane Kenyon (Helen Gilbert). Shortly afterward, Marriot is murdered, and the Falcon discovers that there's an inextricable link between the dead man and the inimitable Moose Malloy. The rest of the film follows the plot convolutions set down by Chandler in Farewell My Lovely, carefully retailed to suit the breezy urbanity of George Sanders as the Falcon. Though Murder My Sweet is the better of the two versions of the Chandler novel, The Falcon Takes Over has a few advantages of its own, notably the casting of future Oscar winner Ann Revere as blowzy murder suspect Jessie Florian. ~ Hal Erickson, Rovi
- Starring:
- George Sanders, Lynn Bari, (more)
- 1942
By Monogram standards, the cast of Isle of Missing Men was Academy Award calibre. John Howard and Gilbert Roland head a group of prisoners who try to escape from an island prison colony. Leading lady Helen Gilbert is willing to wait for her beloved Howard, but looks askance when he participates in the breakout. As was customary in such films, several of the more contentious prisoners are redeemed by sacrificing their lives for the sake of others. Alan Mobray, Bradley Page and George Chandler co-star in this adaptation of Gina Kaus and Ladislas Fodor's White Lady, while the direction is in the hands of German pioneer filmmaker Richard Oswald. ~ Hal Erickson, Rovi
- 1940
Winfield Sheehan, former head of Fox studios, owned the only Austrian Lippizan horses in the U.S. In 1940, MGM bought the rights to the Felix Salten novel Florian, all about the Lippanzers. When the film was made, the producer was Winfield Sheehan. Coincidence? We don't think so. At any rate, the story, set in the 1880s, tells of how hero (Robert Young) and heroine (Helen Gilbert) are brought together through their love of horses. Just so we don't forget that Florian is set in Austria, Reginald Owen shows up as emperor Franz Josef. For another filmic treatment of the fabulous Lippanzer show horses, we refer you to Disney's The Miracle of the White Stallions (63). ~ Hal Erickson, Rovi
- Starring:
- Robert Young, Helen Gilbert, (more)
In this third installment of MGM's "Dr. Kildare" series, Dr. James Kildare (Lew Ayres) comes to the rescue when his supervisor/mentor Dr. Gillespie (Lionel Barrymore) nearly collapses from overwork. Gillespie is seeking a permanent cure for pneumonia, and must ask Kildare for assistance when the task proves beyond his physical ability. The older doctor eventually does collapse, and the diagnosis is cancer. Gillespie recovers, while Kildare finds his hands full in juggling both the pneumonia cure and the case of a woman (Helen Gilbert) suffering from psychosomatic blindness. But what's the "secret" of Dr. Kildare? Well...that's a secret (until you see the film). ~ Hal Erickson, Rovi
- Starring:
- Lew Ayres, Lionel Barrymore, (more)
- 1939
This sixth installment in MGM's "Andy Hardy" series is among the best, thanks in great part to the breezy direction of "Woody" Van Dyke. In this outing, teenaged Andy (Mickey Rooney) develops a crush on his high-school drama teacher Rose Meredith (Helen Gilbert). Andy's dad Judge Hardy (Lewis Stone) knows that his son is riding for a fall, but he decides to let the boy find out for himself that there's a big difference between youthful infatuation and true love. Sure enough, when Andy proposes marriage to Rose, she reveals that she already has a fiancee. It's a crushing blow for our hero-but only temporarily, since his perennial sweetheart Polly Benedict (Ann Rutherford) is waiting in the wings. Outside of the puppy-love main plot, the film is at its best when Andy writes a play as a vehicle for himself and Rose, with the expected silly results. Less than five months after the release of Andy Hardy Gets Spring Fever, Columbia Pictures "answered" the film with the zany 2-reel comedy Andy Clyde Gets Spring Chicken. ~ Hal Erickson, Rovi
- Starring:
- Mickey Rooney, Cecilia Parker, (more)
