Thomas Badek Movies

Inspired by Lawrence Durrell's collection of interrelated novels, The Alexandria Quartet, Lucas Belvaux's trilogy--the violent noir On the Run, the romantic comedy An Amazing Couple, and the melodrama After the Life, examine many of the same characters from three distinct perspectives. In On the Run, taciturn leftist revolutionary Bruno (Belvaux) escapes from prison with the help of one of his former comrades. When his partner is killed by the police, Bruno tracks down another former member of his gang, Jeanne (Catherine Frot), who is now living a quiet, respectable life as a schoolteacher, with a husband and a young son. Bruno is determined to get revenge on the powerful man who betrayed his revolution. Jeanne doesn't want to live in the past. She offers Bruno enough help to get rid of him. Trying to trap his prey, Bruno follows a drug dealer who works for the man. He meets Agnes (Dominique Blanc), a junkie who happens to be the wife of the cop, Pascal (Gilbert Melki) who's hunting Bruno. Bruno ends up helping Agnes avoid the police and cop a fix. In return, she takes him to the vacation home of her co-worker, Cecile (Ornella Muti), where he hides out. But when his plans for revenge go horribly awry, Bruno turns to Jeanne again, and she has to weigh her family's safety against her allegiance to her old friend. While On the Run focuses on Bruno and Jeanne, An Amazing Couple is centered on the paranoid Cecile, who hires Pascal to watch her husband, while After the Life deals with the damaged marriage of Agnes and Pascal. The trilogy was shown at the 2003 Tribeca Film Festival. ~ Josh Ralske, Rovi

Arthur (Mathieu Amalric) is a history teacher who lives alone in Paris after having broken up with Claire (Jeanne Balibar). He is a sensitive man, full of existential doubts and questions. He has to go to Lisbon to meet an eminent historian whose work is the subject of his thesis. Having just made up with Claire, he decides to take her along. She's an ideal travel companion and it seems their relationship has not yet exhausted its potential. But moving from Lisbon to Oporto, their fantasy of a second honeymoon clashes with the reality of a world on the verge of a nightmare. Director Jean-Claude Biette uses the three cities -- Paris, Lisbon and Porto -- for stylistic purposes. There are also three bridges in the film -- Seine, Tejo and Douro. The choice of Porto, which has a bridge constructed by Gustave Eiffel, reminds the viewer of the veteran Portuguese director Manuel Oliveira, although the bridge filmed in Porto is a different one. The figure of the old professor is a variation of a dramatic element seen in all previous films of the director. Trois Ponts sur la Riviére was screened as part of the International Forum of New Cinema section of the 49th Berlin Film Festival, 1999. ~ Gönül Dönmez-Colin, Rovi