Eli Medeiros Movies

Screen legend Catherine Deneuve stars as a grieving mother who forms an unusual relationship with the former best friend of her recently departed son in director Gaël Morel's melancholy drama. When Camille (Denuve)'s son was killed in a car accident, the devastating loss proved too much for emotionally fragile mother to bear. Now desperately clinging to any reminder of the son she held so close to her heart, Camille becomes increasingly fixated on Frank (Thomas Dumerchez) - the young man who was not only her child's best friend, but the one who was responsible for the tragic accident that took his life as well. At first, Frank is receptive to Camille's advances. It's not long, however, before the pair's scandalous relationship prompts many of Camille's friends to distance themselves from the increasingly unstable woman. Later, as Camille's obsession with Frank turns menacing, the relationship between grief-stricken mother and her guilt-ridden lover begins to take on ominous undertones. ~ Jason Buchanan, Rovi

In the working-class Paris suburb of Montreuil, Jimmy's (Bruno Solo) restaurant, the Bombay Bar, is on the verge of being closed down by creditors. Jimmy is despondent -- the fact that his wife is about to have a baby isn't helping matters -- when he and his business partner Fifi (Lorant Deutsch) find unlikely inspiration in the form of "Riches et Sympas," a TV show dedicated to the lives of the rich and famous. Figuring that getting the "right" people to frequent their business will ensure its reputation, Jimmy and Fifi persuade Jimmy's friend, the laid-back, unemployed Mike (Samuel Le Bihan), to pose as a nobleman and lure his moneyed associates to the Bombay Bar. Mike agrees, and after crashing a posh charity ball, he finds himself being taken in by the likes of society fixture Arthus de Poulignac (Lambert Wilson) and Evrard (Guillaume Gallienne), the latter of whom ensconces Mike in his private mansion. Unfortunately, Mike soon becomes a little too fond of his newly-acquired lifestyle, leaving Jimmy to wonder what to do with the monster he unwittingly created. ~ Rebecca Flint Marx, Rovi

The story of this gay comedy reminds one of the fashionable boulevard theatre of 1950's Paris whose major theme was bourgeois adultery. A couple would invite another couple to dinner, and half way through the second course it would be revealed that the husband was having an affair with his best friend's wife. Pourquoi pas Moi? also starts off with a dinner party, but today revelations come with a difference -- and it is no big deal. Nico, Eva and Ariane are gay and just about to confess it to their parents. Camille, who lives with Ariane, has already told her mother. ~ Gönül Dönmez-Colin, Rovi