Kate Ashfield Movies

An aging couple clash in the way they respond to the realization that their golden years are just around the corner in this romantic comedy about the joys and challenges of growing old together. Adam (William Hurt) and Mary (Isabella Rossellini) have been married for decades. They've both got rewarding careers, a supportive circle of friends, and gorgeous grandchildren. Living a rich and active life has kept them both young at heart, so upon realizing they will soon become senior citizens, Adam goes into full denial while Mary embraces her maternal instincts. But the harder Adam clings to his youth, the faster it seems to slip away. Meanwhile, Mary's plan to prepare for the inevitable begins raising serious concerns among her friends and family. ~ Jason Buchanan, Rovi

Professional hit man Milo (Damian Lewis) flees the city after failing to carry out a contract, and gets mistaken for a baker while hiding out in the country. But just as Milo begins to embrace his leisurely new lifestyle and strike up a romance with local veterinarian Rhiannon (Kate Ashfield), his secret gets out, and the locals start asking for much more than specialty cakes. ~ Jason Buchanan, Rovi

Shaun of the Dead star Kate Ashfield headlines this tightly-wound psychological thriller adapted from author Nicci French's novel about romance gone wrong, and the devastating repercussions that follow. For Miranda Cotton (Ashfield) it was just a brief fling, but for Brendan Block (David Tennant) it was so much more. When Miranda broke up with Brendan she figured he would eventually move on. Three weeks later Miranda's younger sister Kerry announces that she has just landed a new boyfriend, and his name is Brendan Block. Now, all of Miranda's friends are dying, and she's convinced that Brendan is the killer. Realizing that the only way to beat her manipulative ex-lover at his own game is to somehow turn the tables on him, Miranda puts her life on the line to prove that Brendan is killer the police are searching for. Should her plan backfire Miranda will most certainly die, and should she fail her sister will pay the ultimate price. ~ Jason Buchanan, Rovi

An elegant con-man adept at pulling off small-time swindles gets in over his head when a simple truck job inadvertently gets his crew involved in the black market immigrant trade in this stylish caper comedy that takes it's title from a British slang term for one who earns their keep through underhand dealings. Jack Pike (Ken Scott) can grift with the best of them. A lifelong criminal who gets by with a little help from his aimless brother-in-law Goat (Dominic Monaghan) and his faithful right-hand man Steve (Nick Moran), Pike has established himself as a virtual underworld aristocrat. When he agrees to partake in what appears to be a by-the-books truck job with his alluring rival Jenny (Kate Ashfield) and ends up with two Albanian children on his hands, however, double cons turn to triple crosses in a deadly game where survival, not money, is the only true sign of success. ~ Jason Buchanan, Rovi

Saddled with a £50,000 which he has only four days to pay off before suffering grievous bodily harm, a petty London criminal attempts to carry out an ingenious art scam in director Richard Janes' spirited caper comedy. Nick Blake (Matthew Rhys) owes smooth-operating crime lord Foster Wright (Art Malik) a sizable dept, and if he doesn't cough up the cash in four days the situation promises to turn nasty. Desperate to find a means of raising the cash but unable to carry out the kind of heist that could get him out of his peculiar jam, Nick believes that he has found a solution to his problem when he discovers a lost sketch by revered Italian artist Antonio Fraccini. Nick's plan hits a hitch, however, when he discovers that the sketch is only worth £15,000. Now, with the clock ticking down and mere hours to go before Art sends his thugs out to collect, desperate Nick will enlist the aid of his cynical friend Eve and her talented artist brother Tony in forging the sketch and selling copies to five different Mayfair galleries in the short span of one hour. Should Tony and his partners in crime successfully execute their carefully planned ruse, the galleries won't even realize they've been swindled until it's too late. If the plan goes awry, on the other hand, Tony will be a wanted man on both sides of the law. ~ Jason Buchanan, Rovi

Fyodor Dostoyevsky's evergreen psychological novel Crime and Punishment was given an up-close-and-personal treatment in this two-part British miniseries version, first telecast over the BBC in 2002. John Simm starred as Dostoyevsky's idealistic antihero Raskolnikov, who, secure in his belief that he was a superior being ungoverned by emotions, murdered a hateful pawnbroker and impassively watched as the ensuing criminal investigation unfolded before his very eyes. Police inspector Porfiry (Ian McDiarmid) was fairly confident that Raskolnikov was the guilty party, but rather than immediately moving in for his kill, Porfiry calmly waited for the killer's latent conscience to get the better of him. There was more to the story, of course, and Tony Marchant's teleplay admirably telescoped the Dostoyevsky original into a neat four-hour television package. Eschewing the straightforward approach taken by earlier adaptations of Crime and Punishment, director Julian Jarrold trafficked in tight, uncomfortable close-ups and vertigo-inducing camera angles, virtually forcing the viewer to become as neurotic and unraveled as Raskolnikov. Filmed on location in St. Petersburg in the former Soviet Union, Crime and Punishment was first seen in the U.S. over the Bravo cable network on January 28 and 29, 2003. ~ Hal Erickson, Rovi

In between the big-budget Blade and The League of Extraordinary Gentlemen, British filmmaker Stephen Norrington directs the straight-to-video crime drama The Last Minute. Told in flashback, the story follows the rise and fall of Billy Byrne (Max Beesley). With a determined goal to be famous, he lands his first big show with the help of his slick agent, Walsh (Anthony Higgins). Fame comes quickly as he travels the globe and gets invited to hip clubs, becoming the darling of the London art scene. Due to his excessive, self-centered behavior, his girlfriend Janey (Kate Ashfield) leaves him. His fame fades away and he falls into a life of crime, drugs, and gangsters led by Grimshanks (Tom Bell), where he meets Anna (Emily Corrie). ~ Andrea LeVasseur, Rovi

Four friends compare notes on their romantic problems -- which in time become quite interesting indeed -- in this sharp comedy from Great Britain. Sean (Luke De Woolfson), Lenny (Enzo Cilenti), Vincent (James Lance), and Jody (Kate Ashfield) are four pals who meet every evening for dinner at the same neighborhood restaurant. Sean works the night shift at a hospital, and one night he makes a date with Susie (Sienna Guillory), a woman who is visiting her unconscious boyfriend; Sean soon discovers the woman's sexual appetite exceeds his own, and they can't get out of the hospital before taking things to the horizontal level. Lenny is a directory assistance operator for the telephone company and is infatuated with one of his co-workers, Gail (Shauna MacDonald), though his attempts to set up a date end in disaster. Vincent, a supermarket stock clerk, is a notorious womanizer who has a personal policy of never sleeping with the same woman more than three times. And Jody works in computer assembly and offers sarcastic advice to her three mates, especially Sean, whose problems with women she finds especially amusing. Vincent makes the acquaintance of a lonely woman from abroad named Madeline Zozzocolovich (Heike Makatash), and romance soon rears its head, but after Vincent informs her of his three-strikes-and-you're-out rule, Madeline is crushed and disappears, and soon the foursome are scouring a small resort community, hoping to find her before she tries something drastic. Late Night Shopping was the first feature from director Saul Metzstein and screenwriter Jack Lothian; the film won the C.I.C.A.E. Award at the 2001 Berlin Film Festival. ~ Mark Deming, Rovi

Noted actor Tim Roth made his directorial debut with this powerful drama about a family in crisis. Tom (Freddie Cunliffe) is an awkward and troubled 15-year-old boy whose isolation increases when his family moves from London to a remote community in the Devon countryside. Tom, his 18-year-old sister Jessie (Lara Belmont), his father (Ray Winstone), and his pregnant mother (Tilda Swinton) live in close quarters in a small cottage; they sometimes bathe in the kitchen, and they have grown used to casual nudity around the house. But one day, Tom sees his father in a sexual embrace with Jessie. He tries to discuss what he's seen with her, but she refuses to talk about it. Unable to stand the tension in the household after his mother takes the seriously ill baby to the hospital, Tom confronts his father, who angrily denies the truth. Tom is finally forced to take drastic action to stop his vengeful and violent father. Written by Alexander Stuart from his own novel, The War Zone received an enthusiastic response at the 1999 Sundance Film Festival and was named Best New British Feature at the 1999 Edinburgh International Film Festival. ~ Mark Deming, Rovi