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Juan Carlos Gené Movies

2003  
 
Luis Manzo's The Archangel's Feather is based on a novel by Arturo Uslar Pietri. A small village notes the passing of the town telegraph operator. Gabriel Vilano (Ivan Tamayo) appears from nowhere and lets people know that he is the new operator. Gabriel is shown the ropes by Lazarillo (Roque Valero) who explains that two never-seen leaders ("The Governer" and "The Supreme Chief") control the town. Lazarillo is in love with Fina (Elaiza Gil), but her pregnancy is causing a scandal. Gabriel attempts to right some of the town's wrongs. The Archangel's Feather was screened at the Palm Springs Film Festival. ~ Perry Seibert, Rovi

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Starring:
Ivan TamayoRoque Valero, (more)
 
1993  
 
This Venezuelian film closely follows Juan Carlos Gene's two act play. The picture set, in an unnamed South American country, is an emotional examination of two courageous nuns who provide refuge to a rebel soldier. Ana and Ursula are nuns belonging to an order that believes clergy and lay people to be equal. When a rebel soldier, considered an enemy of the state, suddenly appears at their small home, they readily take him in. In time, the nuns arouse the suspicions of Mayor Cerone. Because they are nuns, paragons of the Church, and because he has been having recent difficulties with the Church, Cerone accepts their word and does not search their home. Cerone is concerned about the reputation of his town. The forceful military captain cares nothing for Cerone's town politics and violently searches the nun's house. The rebel is found and shot and both Cerone and Ana must face the consequences. For Ana, they could mean death. ~ Sandra Brennan, Rovi

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Starring:
Veronica OddoElba Escobar, (more)
 
1984  
 
In this talkative story about the elite of Uruguay, a wealthy patriarch is troubled by his workers and especially by one son Ramón (Victor Laplace). Ramón and his wife do not get along well, nor does Ramón like his brother very much; he is also having an affair and has some sort of special relationship going on with his father's mistress -- no wonder Ramon's life is spinning out of control, like the film in some ways. Characters tend to be a bit shallow, making it difficult to become involved with the autocratic father and his family. ~ Eleanor Mannikka, Rovi

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Starring:
Lautaro MurúaVictor Laplace, (more)
 
1982  
R  
Inspired by a real crime in Caracas, Venezuela, this is a fictional story about a kidnap victim who was murdered but whose case was not pressed through to the end. It turns out that his kidnappers belonged to influential families that had the power to buy off or bully the police and the legal system. When a police detective (Miguelangel Landa) gets close to an indictment in the case, he is stopped from revealing who the perpetrators are -- and he agonizes over the cover-up, at odds with his own conscience. ~ Eleanor Mannikka, Rovi

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Starring:
Miguel Angel Landa
 
1974  
 
In this tragicomedy, La Raulito (Marilina Ross) is a young woman who has been an outcast all her life. She has adopted the guise of a young man, calls herself Raul, and seeks acceptance in that form. After escaping from the latest institution to imprison her, she takes refuge with a doctor and his family until she understands that she is viewed by them as a "case." As adventures follow one after the other, it becomes clear that there is no place for her in the only world she knows. ~ Clarke Fountain, Rovi

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Starring:
Marilina RossDuilio Marzio, (more)
 
1973  
 
The rapacious exploitation of South American resources by foreign companies is not a new phenomenon; it began with Christopher Columbus and continues today. However, the cynicism, greed and inhumanity of a 19th-century British company in exploiting the quebracho forests of the Chaco in northern Argentina has rarely been equalled. This drama shows how the corporation, with the cooperation of authorities, enslaved the local population to harvest every one of the tannin-producing (but slow-growing) quebracho trees, leaving behind a decimated and impoverished population and a wasteland with no quebracho trees. The film also shows how the resistance of the local people was brutally suppressed so that the lucrative trade could continue. ~ Clarke Fountain, Rovi

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1969  
 
In this drama, Daniel is a typical golden-boy type, handsome, magnetic, good at lying and callous about the broken hearts he leaves behind him. He lives in a kind of dream world made possible by his incredible ease of manner, and even the necessity to steal occasionally to get by doesn't wake him from his conscious slumber. However, eventually he gets a wake-up call from life and begins to consider the consequences of his actions. ~ Clarke Fountain, Rovi

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1969  
 
This film version of the classic Argentine novel by Ricardo Guiraldes features Don Segundo Sombra as the heroic gaucho who rides the treeless pampas of his native land. The author's nephew Adolfo Guiraldes, an expert on Argentine folk stories, was chosen to play the title role. The director used the book instead of a script, as he faithfully shot scenes page-by-page to insure the authenticity demanded by the writer's heirs. A handful of professional actors augment the largely local cast of this slice of Argentine life from the beginning of the 20th century. ~ Dan Pavlides, Rovi

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Starring:
Juan Carballido
 
1968  
 
When three commercial designers hear rumors of corporate downsizing, each man positions himself to avoid being laid off. The man with the most seniority fears his age and slowly failing eyesight will make him the logical candidate to be fired. The youngest member fears he will be let go due to his lack of tenure, and he goes to the boss to complain of the older man's vision problems. Each man feels the pressure at work and at home from their concerned wives as they scramble for position to insure their continued employment. ~ Dan Pavlides, Rovi

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Starring:
Pepe SorianoJuan Carlos Gené, (more)