Robin Askwith Movies

This dark comedy charts the chaos that results when the panicked staff of a major English hospital attempts to prepare for a visit by the Queen Mother, only to face every problem imaginable. Britannia Hospital clearly attempts to recapture the anarchic bite of director Lindsay Anderson's previous satires If... and O Lucky Man, but fails to achieve the same combination of intelligent political critique, comic lunacy, and skillful filmmaking. (Indeed, the three films are often considered a loosely linked trilogy, largely due to the presence in all three of lead Malcolm McDowell). The film does make a valiant effort, but its commentary on the poor, labor disputes, and the inhumanity of bureaucratic institutions mixes uneasily with the film's broader elements, like the experiments of a cartoonish mad scientist. The result is often quite entertaining on a scene-by-scene basis, but the film never reaches the level of delirious, farcical energy or satirical sharpness to which it clearly aspires. ~ Judd Blaise, All Movie Guide

In this comedy, two soldiers stationed in Singapore set off in pursuit of the fairer sex instead of carrying out their orders. Soon after their arrival on the exotic island, the two visit a local brothel and there encounter a pair of lusty nurses who have also come in for a bit of erotic R&R. ~ Sandra Brennan, All Movie Guide

This comedy was the final episode in the "Confessions of.." trio. This time the characters from the previous films are cast as dreadfully untalented entertainers working in a resort. Slapstick ensues. ~ Sandra Brennan, All Movie Guide

In this ribald erotic comedy, brothers team up to promote a rock band. Even though the musicians are remarkably untalented and one of the brothers is an incredible klutz, somehow they manage to succeed. Unfortunately, the band's fall to the bottom is nearly as quick as its rise to the top, for the boys find themselves unable to resist the temptations of several, seductive and large-breasted women. ~ Sandra Brennan, All Movie Guide

The "Carry On" gang returns with Sidney Fiddler (Sid James) conning the local council into running a beauty pageant to promote their community. He's thrilled with the prospect of entertaining all the lovely young contestants, but his girlfriend has a different plan in mind. Soon, a women's liberation group invades the premises and takes over -- promptly ruining everything. ~ All Movie Guide

Bless This House is a feature-length spinoff of the British TV sitcom of the same name. The episodic nature of the film suggests that it was cobbled together from various half hours of the original series. Sidney James and Diana Coupland play the nonplussed owners of a "money pit" new home. Their misadventures involve fire, water, homemade booze, and angry neighbors. Most American viewers got their first chance to savor Bless This House when the featurized version was made available to cable TV in the early 1980s. ~ Hal Erickson, All Movie Guide

This gory low-budget British outing involves a team of archaeologists landing on fog-shrouded Snape Island -- recently the site of a hideous double murder -- in search of the tomb of a Phoenician chief and subsequently falling victim to an unseen maniac. Accompanying the shore party is a private detective (Bryant Halliday), hired by the family of the young woman suspected of the crimes (Candace Glendenning), who is determined to get to the bottom of the mysterious murders. Though it is eventually determined that the real killer is still at large, the archaeologists stubbornly refuse to abort their dig...and summarily suffer the consequences. Released originally in 1972, this crass, exploitative potboiler (based on a story by horror author George Baxt) found its way to American theaters in 1981 as Beyond the Fog in an attempt to cash in on John Carpenter's 1980 film. Released later to video and cable as Tower of Evil. ~ Cavett Binion, All Movie Guide

In this children's movie, a young boy is tempted to follow in his imprisoned father's footsteps until he joins a motorbike club and learns important life lessons along with the rules-of-the-road. He puts his new outlook to the test when he must face-down a pair of car thieves. ~ Sandra Brennan, All Movie Guide

Gerald Arthur Otley (Tom Courtenay) is a British secret agent called in to investigate the murder of a suspected influence pedlar and document smuggler. He trails double agents and double martinis at a posh cocktail party before discovering the villains have the cooperation of top government officials in Parliament. Otley is pegged to masquerade as a possible defector to oust the criminal mastermind who plans to sell some stolen documents vital to national security to any enemy agent with the most money. Murder, blackmail and auto chases dominate the action as the femme fatale Imogen (Romy Schneider) first has Otley beaten up by her thugs before combining forces to go after the real villains in this confusing and sometimes funny spy yarn. ~ Dan Pavlides, All Movie Guide

Rebellious students at an English private school plan a violent revolt against their repressive environment in director Lindsay Anderson's highly acclaimed but extremely controversial drama. Centering on a small group of non-conformists led by Mick Travis (Malcolm McDowell), the film paints a distinctly negative picture of the British school system and, by extension, English society. Seeing the powers-that-be as humorless, bureaucratic, and needlessly restrictive, Mick and his cohorts indulge in small acts of rebellion, including sneaking into town to romance a local waitress. Their actions are discovered and punished with harsh beatings, leading the students to plot revenge. This effort culminates in the film's most famous sequence, a surrealistic depiction of a bloody uprising by the students against the adult world. Daring and unpredictable in content and form, If... mixes color and black-and-white cinematography as easily as it mingles satire with dark fantasy. The film's ambiguous attitude toward violence caused controversy at the time, as many commentators saw the film as a potential incitement to violence. It became a great success among younger, counter-culture audiences who appreciated the audacious shock tactics and embraced the satirical, anti-establishment message. Often compared to Jean Vigo's French classic Zéro de conduite, which also featured surrealistic boarding-school rebellion, If... has become a high point in the cinema of youth rebellion. Anderson and McDowell later collaborated on O Lucky Man! (1973), Look Back in Anger (1980), and Britannia Hospital (1982). ~ Judd Blaise, All Movie Guide