Michael Vincente Gazzo Movies

This urban drama set in a working-class New Jersey suburb, chronicles the complex relationship between three young men, Ray, Mike and Butchie who have been lifelong friends. One day in the past, when they were children, the boys witnessed the public arrest of Ray's father for illicit gambling. Ray was traumatized and swore that he would never let such a thing happen to him. Now he is a hard-working shoe salesman who dreams of being a prominent businessman. He is planning to marry his childhood love, Joanne. Mike is a college student who works part-time in his father's bar. Butch is the troubled one. He works as a delivery boy and has little ambition. Despite Ray's dreams, he is irresponsible and to get more money borrows a large sum from the local mob loan shark, Donny. Unfortunately, he loses it in Atlantic City casinos. Meanwhile, after Mikes father suffers a heart attack, Mike and Joanne have sex. When Donny's thugs catch up with the three, they cruelly torture the youths until someone interrupts them. ~ Sandra Brennan, All Movie Guide

Directed by Susan Seidelman and written by Alice Arlen and Nora Ephron, Cookie comes across as an inconsequential piece of fluff, bolstered by a quirky performance by Emily Lloyd. Lloyd is Cookie Capisco, the daughter of mobster Dino Capisco (Peter Falk), who has just finished thirteen years in prison. Dino wants to get out of jail, settle some old scores, and make up for lost time with his daughter. His illegitimate daughter, that is -- since Cookie's mother, Lenore (Dianne Wiest), has been Dino's longtime mistress. Dino's actual wife Bunny (Brenda Vaccaro) has, he thinks, been kept in the dark about Dino's mistress and his daughter. Dino decides that the best way to get to know Cookie is to hire her as his chauffeur. With her ears attuned to the conspiracies floating around Dino, she quickly discovers that her father's old crony, Carmine (Michael V. Gazzo), has been swindling him and that Dino's life is in jeopardy. ~ Paul Brenner, All Movie Guide

To paraphrase 1930s wit Wilson Mizner, Fear City is like a trip through a sewer in a glass-bottom boat. In exploitation-flick fashion, the film exposes the seedy "nether world" of contemporary Manhattan. Unsavory Matt (Tom Berenger) and Nick (Jack Scalia) run a topless bar/booking agency, in direct competition with equally scuzzy Goldstein (Jan Murray). It's hard to imagine anyone lower than these low-lives until we're apprised of a serial killer who dutifully keeps a record of his murders in a diary. The killer's victims are all exotic dancers and hookers, prompting Matt to suspect that Goldstein is behind the crimes, and vice versa. Once they've decided that it's better to unite against a common enemy than to throw volleys at each other, Matt and Goldstein arrange between themselves to insure the safety of the women in their employ. Meanwhile, Matt's ex-girlfriend Loretta (Melanie Griffith), saddened by the murder of her lesbian lover Leila (Rae Dawn Chong), resumes her drug habit, while a dispirited Matt begins harking back to his own sordid past. The one redeeming aspect of Fear City is the ultimate triumph over the odds by Loretta, who by process of elimination emerges as the most likeable character in the bunch. For a film of this nature, Fear City boasts an unexpectedly strong cast, including the aforementioned actors and Billy Dee Williams, Rosanno Brazzi, Joe Santos and Michael V. Gazzo. ~ Hal Erickson, All Movie Guide

Michael de Guzman scripted this prettified TV-movie adaptation of John Steinbeck's gloomy 1961 novel The Winter of Our Discontent. Donald Sutherland stars as Ethan Hawkley, a solid citizen loved and respected by his family and by the citizens of his town. Ethan's loyalty and ethics will be tested to the snapping point by a huge bank loan, and by "other woman" Tuesday Weld. Hawkley eventually redeems himself, but it's a tight squeeze. Teri Garr costars in Winter of Our Discontent as Ethan's steadfast wife Mary. ~ Hal Erickson, All Movie Guide

In this fourth installment of the Dirty Harry series, Harry has been banished temporarily from San Francisco because his superiors are uncomfortable about his feud with a local crime boss. He goes to an oceanside small town for a little rest and recuperation but finds the town has been traumatized by a series of brutal murders. Harry meets and falls in love with Jennifer Spencer (Sandra Locke), a young artist. Jennifer and her sister were brutally raped a few years previously by a group of men, leaving her sister catatonic and Jennifer filled with a rage that is expressed in her disturbing artworks. Harry investigates the killings and the rapes, and one by one he dispatches Jennifer's rapists, one of whom is the son of the local police chief (which explains why the police have done little investigating). Finally, Harry finds out that Jennifer also dispenses her own brand of justice because she cannot rely on the criminal justice system. ~ Michael Betzold, All Movie Guide

Higgins (John Hillerman "volunteers" Magnum (Tom Selleck) to act as bodyguard for "Sir Algernon Farnsworth", a disagreeable terrier owned by wealthy Gloria Marston (Kathleen Nolan). Though the last thing Magnum wants to be in the world is a dog-sitter, he agrees to the assignment in exhange for a year's free use of the tennis courts at a ritzy private club. But he may not live long enough to enjoy this perk: the dog's previous owner, an ill-tempered gangster named DiGiorgio (Michael Gazzo), is determined to reclaim the mutt--even if he has to kill a few people to meet his goal. The episode's climax finds DiGiorgio and his goons chasing Magnum and animal regulations officer Sharon Karns (Shawn Hoskins) through an old banana field. . .which turns out to be reaping some rather strange "fruit." ~ Hal Erickson, All Movie Guide

A medical student decides to enter the world of boxing and dives into a life of superficial values and corruption in this remake of the 1947 classic. ~ Kristie Hassen, All Movie Guide

Lewis Teague directed this sly horror-comedy from a script by John Sayles, which plays off the old urban legend about the dangers of flushing one's pet alligator down the toilet. One such unlucky reptile is "Ramon," who survives in the subterranean cesspool by feeding on the steroid-saturated carcasses of dogs dumped there by chemical company researchers and eventually bulks up to the size of a Winnebago. When assorted sewage workers start disappearing into Ramon's massive maw, hard-boiled cop David Madison (Robert Forster), who has a history of unlucky partners, reveals a strong personal interest in the case. Deemed a jinx and a nutcase by his superiors, he's kicked off the force and must go underground (literally) to destroy the beast with the help of young reptile-expert Marion (Robin Riker). The witty screenplay is filled with clever references, eccentric characters and in-jokes aplenty (a style reflective of Joe Dante's Piranha and The Howling, both of which Sayles also scripted), which combines with decent effects and a good amount of suspense (particularly in the sewer scenes) to make this an entertaining romp overall. Highlights include Henry Silva's over-the-top performance as a misplaced big-game hunter who recruits urban "native guides" in his back-alley search for the elusive Ramon. ~ Cavett Binion, All Movie Guide

The original title of this film was The Border. It tells the story of one border guard's desire to put an end to the practice of hauling truck loads of illegal Mexican workers across the border and into California where they are forced to work for a mere pittance. Mexico provided the background for the outdoor shots. ~ Sandra Brennan, All Movie Guide

Beggarman, Thief is the 4-hour sequel to the ratings-busting miniseries Rich Man, Poor Man; both productions were based on the works of novelist Irwin Shaw. For the purposes of the sequel, a new member of the Jordache clan is introduced: filmmaker Gretchen Jordache Burke, played by Jean Simmons. It is Gretchen's task to keep the family together after the murder of her brother Tom (played by Nick Nolte in Rich Man, Poor Man) and the recent disappearance of her other brother Rudy (Peter Strauss, re-creating his RMPM role). Originally presented in two parts, Beggarman, Thief was first telecast November 26 and 27, 1979. ~ Hal Erickson, All Movie Guide

Robin Strand stars as a female narcotics cop transferred to an all-male police squad assigned to patrol the California beaches. Strand's assignment ends almost before it begins when she is targeted for assassination by the Mob. First telecast April 30, 1979, Beach Patrol was supposed to have been the first episode of a weekly series. It wasn't. ~ Hal Erickson, All Movie Guide

Not surprisingly, this fascinating dissection of Gypsy life in America was vilified by several ethnic special-interest groups, who'd previously delivered their mimeoed missives to novelist Peter Maas, on whose book the film was based. Sterling Hayden is the "king" of a New York-based gypsy tribe, who on his deathbed passes his crown to his reluctant grandson, Eric Roberts. Roberts' scuzzy father Judd Hirsch, envious that he's been passed over, begins plotting the demise of his own son. It appears at first that the boy, a thoroughly assimilated Manhattanite, would be more than willing to give up his invisible throne to Hirsch, but there's something about his heritage that always draws him back to his own people. Several genuine gypsies took part in the film as extras, bit players and technical advisers; reportedly, they also spent much of the shooting time trying to cadge a few dishonest dollars from cast and crew. ~ Hal Erickson, All Movie Guide

Alice sees an episode of 60 Minutes about a famous mobster who dropped out of sight three decades ago. Shortly thereafter, an oldster named Gino (Michael V. Gazzo) makes another of his regular drop-ins at the diner. Taking a closer look at the elderly Gino than she ever has before, Alice is convinced that the old man and the missing mobster are one and the same. This episode was originally slated to air on October 30, 1977. ~ Hal Erickson, All Movie Guide