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Na Moon-heui Movies

2007  
 
First time feature filmmaker Lee Jeong-beom paints an intimate portrait of self-destruction with this unconventionally restrained gangster drama set in a remote village where life has come to a standstill. Jae-mun (Seol Gyeong-Gu) is a fearsome gangster whose lifelong pal was recently murdered by Dae-sik - a knife-wielding baddie who never thought twice about slaying his street rival. Now Jae-mun is out for revenge, and in order to personally ensure that Dae-sik pay for his crime Jae-mun recruits the gang's newest recruit - a young tae kwon do expert named Chi-guk - and heads to the misbegotten hamlet from which his target hails. Upon arriving at his destination, Jae-mun comes into contact with a strong willed village girl and strikes up a warm friendship with a feisty restaurant owner who bears a striking resemblance to his mother. As the days wear on and the duo patiently awaits the appearance of Dae-sik, violent gangster and lifelong city-dweller Jae-mun actually finds himself growing accustomed to life in the country. Later, when Jae-mun discovers that the restaurant owner whom he has warmed up to is in fact Dae-sik's mother, he begins to experience a crisis of conscience that could jeopardize the entire mission. ~ Jason Buchanan, Rovi

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Starring:
Seol Gyeong-guJo Han-seon, (more)
 
2005  
 
A call girl changes her life for love, only to discover she did so too late in this drama from South Korean writer and director Park Jin-pyo. Eun-ha (Jeon Do-yeon) grew up in a farming community and came to the big city to make something of herself. Sadly, her dreams have led her to a coffee bar that's a front for a prostitution ring, where she turns tricks under the guise of making deliveries. Seok-jung (Hwang Jeong-min) is a sweet but slightly dim guy who falls in love with Eun-ha, not realizing what she does for a living. Seok-jung follows Eun-ha everywhere she goes, and while she seems him as an easy mark at first, in time she grows tired of his wide-eyed attentions. However, when a beating from a client puts Eun-ha in the hospital, Seok-jung loyally stays by her side; touched by his devotion, Eun-ha decides to give up prostitution and wed Seok-jung. At first Eun-ha is perfectly happy to look after Seok-jung and be a housewife, but when a former client pays her a visit, Eun-ha makes a shocking discovery -- she's HIV Positive, and she's probably passed the virus on to her husband. ~ Mark Deming, Rovi

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Starring:
Jeon Do-yeonHwang Jeong-min, (more)
 
2005  
 
After the success of the modern-day comic martial arts epic Arahan, writer/director Ryu Seung-wan changed gears and again teamed up with his brother, actor Ryu Seung-beom, to produce Crying Fist, a much more serious boxing drama. Actor Ryu plays Yu Sang-hwan, a street thug who rejects the life of his hard-working, struggling father for a life of petty crime and run-ins with the law. He winds up in a juvenile detention center, where he responds to some bullying by flying at the bully, Roc (Kim Su-hyeon), and biting his ear off. Yu is then taken under the wing of the prison's boxing trainer, and he learns a bit of self-discipline through boxing, gradually recognizing his own strengths, and eventually acknowledging the support of his caring family. Meanwhile, 40-year-old Kang Tae-shik (Choi Min-sik of Oldboy), is a washed up former champion whose home and professional life have completely fallen apart. His wife leaves him, taking their young son. Besieged by creditors, Kang earns a meager living by charging people on the street for the privilege of punching him out. In danger of losing his son forever, his own health deteriorating rapidly, Kang decides to enter one last boxing competition, the same one which the equally desperate Yu has chosen to show his mettle. Crying Fist won a FIPRESCI Award at the 2005 Cannes Film Festival, and had its North American premiere at Subway Cinema's 2005 New York Asian Film Festival, with director Ryu in attendance. ~ Josh Ralske, Rovi

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Starring:
Choi Min-SikRyoo Seung-beom, (more)
 
2004  
 
 
1998  
 
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Rejecting current trends in mainstream genres and the conventions of commercial cinema, Choyonnghan-Kajok, an experimental black comedy, follows an eccentric story line with some surprise attacks on the audience. Comedy and horror elements are used intermittently to create a thriller in a family setting. The events are seen through the eyes of seventeen-year-old Mi-na, daughter of the Kang family, who decide to run Mt. Lodge in the suburbs of Seoul after the father is dismissed from his company. Contrary to expectations, there are no guests lining up at the door, and the youngest daughter is upset by a strange noise she hears at night. After two weeks, the first guest appears, but he is found dead the next day. The family buries him in a hurry to avoid bad publicity. Then a couple arrives and commits double suicide and they have to bury them, too. By the time they get used to digging, it's announced a road construction will pass beside their property. The set of the film, Mt. Lodge, was created in real size by a set specialist and architect large enough for camera equipment to move around. Although the subtexts are not labored, the sanctity of family solidarity and the capacity for sudden violence in the very conservative Korean society are some of the themes the audience is left to reflect. Choyonnghan-Kajok was screened as part of the International Forum of Young Cinema at the 49th International Berlin Film Festival, 1999. ~ Gönül Dönmez-Colin, Rovi

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Starring:
Song Kang-hoPark In-hwan, (more)