Jimmy Gardner Movies

Popular Italian comedian Leonardo Pieraccioni shfts gears to take on the traditions of the American Western in this family-focused drama. In Il Mio West, Pieraccioni plays Doc, a physician in a small town in the American West. Doc is a peaceful man opposed to hunting, ecological waste and eating meat; he heals the community's ills and lends a voice of reason when personal differences threaten to become violent. The community's peace is shattered when Doc's father, Johnny Lowen (Harvey Keitel) comes home, 20 years after he abandoned his family. As one might expect, Doc has issues with his father, and it doesn't help that Dad was a famous gunslinger whose presence attracts Jack Sikora (David Bowie), an vicious outlaw who has sworn to kill Johnny. Il Mio West was filmmed on location in the Tuscan mountains; in the original Italian language version, Keitel's voice was dubbed by Giancarlo Giannini. ~ Mark Deming, All Movie Guide

Combining elements of A Christmas Carol and Rain Man (1988), this modern-day parable of greed and redemption was crafted with generous helpings of sentimentality by director Mike Nicholas. Harrison Ford stars as Henry Turner, a slick, ruthless corporate attorney willing to spin any falsehood to win a case. A bully to his teenage daughter Rachel (Mikki Allen), Henry also cheats on his wife Sarah (Annette Bening) and treats everyone from the maid to his assistant with cruel selfishness. Stepping out to a local mini-market for a pack of cigarettes late one night, Henry accidentally interrupts a burglary and is shot in the head by a stick-up artist. After a long coma, Henry survives only to find that he has no memory and must re-learn everything from reading to tying his shoes. Reborn as a friendly, childlike innocent, Henry charms his therapist (Bill Nunn) and reconnects with his wife and daughter, only to uncover some secrets about how truly appalling he once was. ~ Karl Williams, All Movie Guide

Director Bob Rafelson fulfilled a lifelong dream when he finally received backing to complete Mountains of the Moon. The film recreates the exploratory adventures of 19th century visionaries Sir Richard Burton (Patrick Bergin) and John Henning Speke (Iain Glen). The heart of the film is the effort by Burton and Speke to discover the true source of the Nile river. This occurs well into the film, after several torturous scenes involving the injuries sustained by the protagonists during other expeditions and their growing friendship (which, the film intimates, goes far beyond friendship). Rafaelson's fascination with this story, and his insistence upon painstaking historical accuracy, unfortunately compromises his ability to make an interesting film. There are so many starts and stops during the first half that we sincerely hope Burton and Speke will chuck it all and set up a pub in Bristol or something. What saves Mountains of the Moon is the rapport between its stars and the brilliant, epic-like cinematography of Roger Deakins. ~ Hal Erickson, All Movie Guide

Anthony Burgess translated and adapted this staging of Edmond Rostand's 19th century theatrical classic. Derek Jacobi (of I Claudius) fame stars as Cyrano de Bergerac, the ski-nosed poet, philosopher and swordsman. Believing that the beautiful Roxanne will shrink from his ugliness, Cyrano woos her by proxy, feeding the handsome but empty-headed Christian the honey'd words of love that will win the lady's heart. Jacobi is given powerhouse support by the Royal Shakespeare Company, including the exquisite Sinead Cusack as Roxanne. Videotaped for British television, Cyrano de Bergerac was telecast in America on selected PBS and cable-TV outlets. ~ Hal Erickson, All Movie Guide

Perhaps inspired by the success of PBS' Shakespeare Plays series, Bard Productions Ltd. Came out with this diverting if not very cinematic adaptation of the Shakespeare's Antony and Cleopatra. Timothy Dalton plays Marc Antony, while Lynn Redgrave is uncharacteristically alluring as Queen Cleopatra. The all-TV cast includes Nichelle Nichols, Anthony Geary, Walter Koenig, and Brian Kerwin. Also making a cameo appearance is John Carradine, giving his all to the brief part of the Soothsayer. At three hours, Antony and Cleopatra has some trouble getting bookings outside the "art" houses. ~ Hal Erickson, All Movie Guide

British glam rock superstars Slade made their collective acting debut in this downbeat drama about a pop group's struggles with success. In the late '60s, Barry (Dave Hill), Paul (Jim Lea), and Charlie (Don Powell) are musicians who are barely making a living playing pub dates, weddings, and socials backing up egocentric vocalist Jack Daniels (Alan Lake). One night, the boys find themselves opening for a ghoulish show band called The Undertakers, and a prank played on their lead vocalist, Stoker (Noddy Holder), backfires and leads to a car chase which lands both groups in jail for the night. After a long night of thinking, Barry, Paul, and Charlie decide that they have no future with Daniels, and bring new pal Stoker aboard as their singer. Calling themselves Iron Rod, the new quartet clicks musically, but manager Ron Harding (Johnny Shannon) doesn't care for their new style and stops booking the group. Robert Seymour (Tom Conti), a marketing man from a wealthy family who thinks there's quick money in pop music, enters the picture and informs the band that he can make them major stars. Wary of Seymour but eager for success, the group signs a new management deal, and after Seymour changes their name to Flame and gives them an image makeover, the band scores a hit record and is soon playing a series of sold-out shows. But as fame beckons, tensions rise between the musicians and is not at all helped when Harding reenters the picture. Slade members Jim Lea and Noddy Holder wrote a set of original songs for the film, two of which ("Far Far Away" and "How Does It Feel") became hit singles in the U.K. ~ Mark Deming, All Movie Guide

In this musical, a restaurant tries to establish itself by advertising a new hamburger. The owner is helped out by an amiable bank manager. ~ Sandra Brennan, All Movie Guide

Alfred Hitchcock entered the 1970s with his commercial reputation virtually in tatters, a far cry from his stature at the start of the 1960s. Then, he'd been in the middle of the massively successful trio of movies, North by Northwest, Psycho, and The Birds, and was a ubiquitous presence on television thanks to his anthology series Alfred Hitchcock Presents -- but the series ended, and he'd suffered three expensive box-office failures in a row, Marnie, Torn Curtain, and Topaz, in the second half of the 1960s. He redeemed himself with Frenzy, however, which marked his return not only to England for the first time in 20 years but also to the subject matter with which he'd started his career in thrillers back in 1926 -- murder, and a hunt for a serial killer in London. As the latest female victim of the "Necktie Murderer" is found in the Thames, raped and strangled, we meet Richard Blaney (Jon Finch), a bitter, belligerent ex-Royal Air Force officer who can't seem to find his way in life. He drinks too much and holds grudges too easily, and has an explosive temper, which is very near the surface as he's just lost his job. We also meet his girlfriend, a barmaid (Anna Massey); his ex-wife, a professional matchmaker (Barbara Leigh-Hunt); and his best friend, Covent Garden fruit seller Bob Rusk (Barry Foster). Their connection to the necktie murders will be clear to us in the first 30 minutes of the movie and, not coincidentally, completely misinterpreted by the police, as Chief Inspector Oxford (Alec McCowan) and his men tighten a circle around the wrong man, who rapidly runs out of options and allies.

The chase and suspense are classic Hitchcock, favorably recalling a dozen of his earlier movies, from The Lodger and The 39 Steps through Saboteur and Spellbound to Dial M for Murder and North by Northwest, with some new twists and the added energy afforded by the extensive use of actual London locations. There's also a good deal more sex and nudity here than Hitchcock was ever allowed to use in his earlier movies, owing to the relaxation of "decency" standards that had taken place in the years leading up to this production. The suspense derives from multiple interlocking and overlapping layers of uncertainty -- when will each of the two men, suspect and murderer, slip? (And which will slip first?) When and how will the police realize their mistake, and will it be in time to save the innocent man? Amid the straightforward storytelling and thriller elements, Hitchcock manages to slip in a few bravura cinematic moments, the best of them a pullback shot down a flight of stairs into a busy street as the killer invites his next victim into his home, as well as a scene aboard a truck, with a murderer desperately wrestling with a corpse hidden in a sack of potatoes. Frenzy was adapted from Arthur La Bern's novel Goodbye Picadilly, Farewell Leicester Square by mystery aficionado Anthony Shaffer, but for all of that and its decidedly modern trappings of sex and violence, it bears the indelible stylistic stamp of Alfred Hitchcock. ~ Bruce Eder, All Movie Guide

10 Rillington Place is the true story of British mass murderer John Reginald Christie, played with chilling "normality" by Richard Attenborough. Throughout the late '40s, Christie lures middle-aged women to his London flat promising to cure their ailments with nitrous oxide, then kills them, assaults their dead bodies, and buries them. One of his victims is Beryl Evans (Judy Geeson), who misguidedly comes to Christie seeking an abortion -- and in the process, not only loses her own life, but sets in motion a horrid sequence of events that threatens to endanger her husband as well. ~ Hal Erickson, All Movie Guide

Accused of treason, an agent cannot rely upon the sole witness to his innocence, who insists upon contradicting every one of his previous statements. The cause of this phenomenon is a chemically altered form of milk, which induces people to lie uncontrollably. Steed and Tara attempt to neutralize the effects of the spiked milk -- and to turn the tables on the villains. Written by frequent Avengers guest star Jeremy Burnham, "False Witness" was first seen in England on November 6, 1968, and was first shown on American TV 19 days later. ~ Hal Erickson, All Movie Guide

Tom Bell stars in this tight little British thriller as a mercurial cat burglar. So long as things are going his way, Bell is calm and collected. Let anything upset his equilibrium, and he's an accident waiting to happen. Bell's one chance at redemption is his romance with pretty social-worker Judi Dench. When she rejects him, Bell returns to his crime spree, telling Dench to get lost when she offers to give him a second chance. ~ Hal Erickson, All Movie Guide

This cheap, but colorful British period horror piece follows an ill-fated archaeological expedition to the cursed tomb of the pharaoh, Ra-Antef, whose sarcophagus the team's leader opts to sell to a smooth-talking American promoter who intends to set it up as part of an exploitive side-show attraction. No sooner has the tomb reached the States than the foul-tempered pharaoh is released; he then begins stalking and strangling all those who have desecrated his resting place. The bandaged one's vendetta doesn't stop there; he also has a score to settle with the reincarnation of a man who betrayed him eons ago. This rather dull mummy muddle was originally double-billed with Hammer Studio's superior chiller The Gorgon. ~ Cavett Binion, All Movie Guide