Renée Ashershon Movies

Archibald Belaney was a British man who grew up fascinated with Native American culture -- so much so that in the early 1900s he left the United Kingdom for Canada, where he reinvented himself as Archie Grey Owl and lived in the wild as a North American Indian trapper. He eventually became an environmental activist after renouncing trapping and hunting. Grey Owl is based on Belaney's true story, starring Pierce Brosnan in the title role. In 1934, Archie was living a largely solitary life when he met a young woman named Anahareo (Annie Galipeau), an Ojibway Indian nicknamed Pony. Pony is fascinated by Archie, largely because she wants to know about her people's heritage. Her father, Jim (Graham Greene), is a businessman who wears a suit to work and has little concern for his history; in Archie, Pony sees a link to her past that she can't find in her family. Archie has little use for Pony at first, but in time the two begin to bond, and it's Pony who convinces Archie to give up trapping and work to protect animals. She also encourages Archie to write a book about wilderness life in Canada. The book becomes a huge success and makes Archie something of a celebrity, but with recognition come nagging questions about Archie's true heritage. (In reality, Archie Grey Owl's true idenity did not become public knowledge until after his death.) ~ Mark Deming, All Movie Guide

Based on a novel by Muriel Spark (The Prime of Miss Jean Brodie), the British TV drama Memento Mori boasts an impressive cast of veterans, including Maurice Denham, Cyril Cusack, Sir Michael Hordern, Renee Ashershon, and Maggie Smith. The story concerns an eccentric group of senior citizens who are being plagued by a cryptic phone caller. The mystery man (or woman) says only "Remember, you must die!" before hanging up. For a while, it seems as though the domineering Ms. Smith is the instigator of the crank calls, but don't be too sure. Memento Muri premiered in the US as a two-part installment of Masterpiece Theatre, telecast October 25 and November 1, 1992. ~ Hal Erickson, All Movie Guide

Joan Hickson stars as Miss Jane Marple in this made-for-TV adaptation of one of Agatha Christie's classic murder mystery tales. An odd advertisement appears in the Chipping Cleghorne Gazette, which announces that a murder will take place on October 5 at 7 p.m. at a cottage in Little Paddocks. While the neighbors and assembled curiosity seekers who show up are expecting some sort of a stunt, it turns out the advertiser was good to their word, and three shots ring out, leaving a man dead. So who is the killer, and why did they commit such a bizarre crime? Could it be retiree Mrs. Blacklock (Ursula Howells), her cousins Julia (Samantha Bond) or Patrick (Simon Shepherd), her close friend Miss Bunner (Renee Asherson), or gardener Mrs. Haymes (Nicola King), all of whom happened to be living at the scene of the crime? ~ Mark Deming, All Movie Guide

Though we never see him, Edwin is the pivotal character in this British comedy. Alec Guinness stars as a retired British barrister Sir Fennimore Truscott, who discovers that his wife Renee Ashershon has been cheating on him. This is embarrassment enough: even worse is the fact that Renee's affair with neighbor Paul Rogers has apparently been going on for years. The question: who's the real father of Sir Fennimore's son Edwin? Played out with the sort of dry wit that only the British ever seem to get completely right, Edwin was produced for television; it enjoyed its widest American exposure via cable and public TV. Guiding the mirthsome proceedings is director Rodney Bennett, of Rumpole of the Bailey fame. ~ Hal Erickson, All Movie Guide

Nicki (Madeline Hinde) is a troubled teenage girl who feels guilty about her father's death. Her mother Anne (Renee Asherson) is a lonely woman who falls for opportunistic loafer Harry (Patrick Mower). When Harry tries to rape Nicki, she stabs him with a pair of scissors. Nicki is sent to a home for wayward girls where she becomes even more withdrawn. She is seduced by a lesbian and the two manage to escape the facility. They take temporary refuge with an old boyfriend and remain wanted criminals in this routine melodrama. ~ Dan Pavlides, All Movie Guide

Despite its come-on title, The Day the Earth Caught Fire is an intelligent, disturbing piece of speculative fiction. Through the eyes of British reporter Peter Stenning (Edward Judd), we learn that both the U.S. and the U.S.S.R. have simultaneously set off nuclear explosions to test their efficiency. The twin blasts have caused the Earth to go off its axis. The result is a disastrous upheaval in the balance of nature; floods and fires being the principal plagues. With the end of the world staring everyone in the face, chaos reigns. The only hope lies in another massive nuclear explosion, which will hopefully rebalance the Earth. The film ends ambiguously, with viewers allowed to decide for themselves whether or not the world has been saved. In the original prints of The Day the Earth Caught Fire, the opening and closing reels were tinted yellow, representing the scorching heat beating down on the frightened populace. ~ Hal Erickson, All Movie Guide

This film offers a trio suspenseful dramas. In the first, an unhappy wife refuses to mourn the death of her husband, a miner who was trapped in a mining accident. Instead, she gets herself a new lover. Unfortunately, the husband survived. In the second episode, one sister saves the other, who has been betrothed by locking the groom away. Unfortunately, she has locked away the wrong man. In the final vignette, a saboteur plants a bomb in a factory and must escape before it goes off. Unfortunately, just as he thinks he is home free, a helpful coworker returns the lunchbox he left behind in his haste to leave. ~ Sandra Brennan, All Movie Guide

The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, All Movie Guide

In this actioner, a young British factory worker living in the 1930s chucks his job in favor of motorcycle racing. He is quite successful, becomes an egomaniac, loses his wife, and learns his lesson. ~ Sandra Brennan, All Movie Guide

In 1948, "The Archers" -- the writing and directing team of Michael Powell and Emeric Pressburger -- had completed The Red Shoes, one of their greatest international successes, but it had yet to be released when the Rank Organization, doubting the commercial appeal of the picture, severed ties with the team and Powell and Pressburger signed a new deal with Alexander Korda's London Films. Their first project for Korda, The Small Back Room, was a dramatic change of pace, a thriller set in London in the midst of World War II. Sammy Rice (David Farrar) is explosives expert who works with British military intelligence as part of a ragtag munitions research team studying new ways to defuse enemy weapons and improve allied arms. While he's brilliant on the job, Rice is a troubled man with an artificial leg that causes him chronic pain and an appetite for alcohol that stands between him and those around him, especially his girlfriend and secretary Susan (Kathleen Byron). Rice's latest project is finding a way to defuse a new German bomb that's cleverly disguised as a children's toy, but Rice finds himself battling his superiors when Waring (Jack Hawkins), an unscrupulous businessman who has been pressed into service with the explosives team, and his colleague Professor Mair (Milton Rosmer) begin lobbying the Army to purchase a new weapon that Rice feels is both ineffective and dangerous. Despite excellent reviews and a fine cast that includes Cyril Cusack, Sidney James and Robert Morley in a cameo appearance, The Small Back Room was a box office disappointment on its original release, and it appeared in edited form in the United States under the title Hour of Glory, though later video releases allowed Americans to see the film in its original British cut. ~ Mark Deming, All Movie Guide

George Bernard Shaw adapted his own play for the screen in this blithe film version of the romance between Caesar (Claude Rains) and Cleopatra (Vivien Leigh). Shaw's Caesar and Cleopatra are merely Henry Higgins and Eliza Doolittle cast back into ancient times with Caesar doting with admiration and burgeoning love upon Cleopatra and expostulating, "You have been growing up since the Sphinx introduced us the other night." The story is a simple one concerning Caesar instructing Cleopatra on how to act like a queen. But Cleopatra is left cold by Caesar and his blatherings. ~ Paul Brenner, All Movie Guide