Maureen Arthur Movies

Laverne's widowed dad Frank (Phil Foster) has fallen head over heels in love with a flashy blonde named Veronica (Maureen Arthur). Laverne (Penny Marshall) and Shirley (Cindy Williams) aren't cool with this, deducing (correctly) that sweet Veronica is actually a conniving golddigger. Hoping to scare the vixen away, the girls persuade Lenny (Michael McKean), Squiggy (David L. Lander) and Carmine (Eddie Mekka) to pose as tough-talking mobsters--while Laverne and Shirley pretend to be scared-witless "victims". This episode was directed by comic actor Howard Morris, who'd previously helmed such classic sitcoms as The Andy Griffith Show and The Dick Van Dyke Show. ~ Hal Erickson, Rovi

Harry and Walter Go to New York was born of the theory that, the more stars and money that you throw into a film, the better the film will be. The theory has seldom been proven true, and it certainly wasn't in this case. Harry (James Caan) and Walter (Elliot Gould) are a third-rate vaudeville team, playing tank towns in turn-of-the-century USA. Thrown into the hoosegow on a petty-theft charge, our heroes make the acquaintance of big-time crook Adam Worth (Michael Caine). Once they're sprung, Harry and Walter follow Worth to New York, with the intention of pulling off a huge bank robbery. Lissa Chestnut (Diane Keaton), a bird-brained suffragette, is also mixed up in the proceedings though she never seems certain of who or what her character is from one scene to the next. The film's one tangible asset is its meticulous re-creation of 1890s New York, courtesy of art director Harry Horner. ~ Hal Erickson, Rovi

Based on the novel The Love Machine, by Jacqueline Susann, this movie concerns the machinations, in the boardroom and in the bedroom, of a group of people--from the chairman of the board down--who are involved in network television. Through his own guile and the sponsorship of his mistress (Dyan Cannon), the wife of the chairman of the board, a lowly television newsman (John Phillip Law) becomes the head of the network in a very short time. He leaves behind very few friends on his climb to the top, however, and he will need some. ~ Clarke Fountain, Rovi

Frank Benson (Bob Hope) and his wife, Elaine (Jane Wyman), decide to end their marriage after 20 years. Their daughter, Nancy (Joanna Cameron), announces she wishes to marry her college sweetheart, David Poe (Tim Matheson). David's father, Oliver (Jackie Gleason), is against the union and tries to sabotage the relationship. Nancy ends up pregnant and puts the baby up for adoption. Frank and Elaine become the foster parents to their grandchild. Frank poses as the young couple's guru to get them to raise the child themselves. Leslie Nielsen plays Phil, a divorced man who dates Elaine, while Frank takes up with Lois (Maureen Arthur). Comedy ensues when, at Oliver's urging, Frank and Elaine join the rock group the Comfortable Chair. Another sequence has a chimpanzee beating a frustrated Frank easily in a game of golf. ~ Dan Pavlides, Rovi

The fast-paced world of stock-car racing provides the backdrop for this drama that centers upon a driver who is forced to retire after a blackout causes the death of another driver. He then begins working at a "Thrill Circus" as a stunt driver. There he meets the proprietor's daughter, who also drives there, and her lover. The professional driver is bored by his new job and so begins training the girl's beau to be a professional. The training is good and the young man wins his first race. This causes the banished driver's gold-digging ex-girl friend to try to steal the hot young driver away from the daughter which creates some problems between the younger and the older drivers. They reconcile when they are paired up during a crucial 500-mile race. In the midst of the race, the older pro feels another blackout coming on. By the end of the film, he realizes that the fainting spells are a psychological reaction to a childhood trauma. ~ Sandra Brennan, Rovi

Robert Morse recreated his Tony-winning stage role in this 1967 film version of Frank Loesser's Pulitzer Prize-winning Broadway musical. A humble window washer at the New York offices of World Wide Wickets, J. Pierpont Finch applies the lessons he's learned from a book called How to Succeed in Business Without Really Trying to wangle his way to the top of the executive heap. Though advised by the mailroom supervisor (Sammy Smith) to keep a low profile and play things "The Company Way," Finch follows his own skewed set of rules, endearing himself to bombastic company president J. B. Biggely (Rudy Vallee) by posing as a graduate of Grand Old Ivy, Biggely's alma mater. As he climbs to the top, Finch manages to dispose of an over-amorous rival by arranging a tryst between that rival and curvaceous secretary Hedy LaRue (Maureen Arthur)--who happens to be Biggely's live-in girlfriend. Finch also gets rid of the troublesome Mr. Ovington (Murray Matheson) by exposing the latter as an alumnus of Old Ivy's hated rival university. Graduating to vice-president, Finch feels secure enough to sing the show's one genuine love song "I Believe In You"--to himself! Actually, he's really in love with true-blue secretary Rosemary (Michele Lee), but won't admit to this until he suffers a career setback. Most of Loesser's songs survived the transition from stage to screen, with the exception of "Paris Original," which is heard merely as background music. ~ Hal Erickson, Rovi

Maureen Arthur guest stars as Bobbye Starr, the girlfriend of Chicago mobster Al Caine (Herb Edelman). Much to the discomfort of the nuns, Bobbye takes refuge in Convent San Tanco, not out of fear of her boyfriend, but out of frustration over his refusal to marry her. Sr. Bertrille takes a hand in matters, as she always does. Written by Richard DeRoy, "Ah Love, Could You and I Conspire" first aired on October 26, 1967. ~ Hal Erickson, Rovi

Lola Albright makes the first of three Branded appearances in the role of feisty newspaper publisher Ann Williams. When refuses to endorse the election of ruthless town boss Paul Mandell (Kevin Hagen), Ann is targeted for persecution--and ultimate extermination. Needless to say, Ann's fellow "outcast" Jason McCord (Chuck Connors) is eager and willing to champion her cause. ~ Hal Erickson, Rovi

In this youthful drama, a young nephew is forced to live a highly restricted lifestyle by his two spinster aunts who will only bequeath him their fortune if he behaves like a proper gentleman. His aunts would have apoplexy if they new that their "perfect gentleman" had created a hot-rod club behind their backs. To make matters worse, he bankrolls his hobby by singing (in disguise) in Vincent's rock'n'roll band. He takes the money he earns to enter his car in a national race. Songs include: "Dance in the Street," "Dance to the Bop," "Baby Blue," and "Lovely Loretta." ~ Sandra Brennan, Rovi