Rita Raave Movies

In the tradition of such acclaimed films as Careful, He Might Hear You, The Children Are Watching Us and A Nos Amours, Kadri Kõussar's childhood drama Magnus (2007) (her first picture) sings a poignant elegy to a damaged youth - and reflects at length on the degree to which parents can unwittingly destroy a child's well-being. At the center of the picture is the title character (Ruuben Rekkor): a young boy whose parents aren't exactly role models of suburban perfection. While his father Mart Laisk indulges in recreational drugs and recruits innocent girls for German hard-core pornography, Magnus's mother shrieks and wails admonitions at the boy that go altogether ignored. Predicted by doctors not to live past the age of 16, Magnus begins to "test fate"; he plays lethal games with life and death and establishes a series of superstitious rituals designed to prolong his life. During adolescence, Magnus rebels, drifting into aberrant behavior - wanton promiscuity, drugs, booze. The combined effect of those experiences - and the emptiness that they yield - propels Magnus ever closer to death and yields two suicide attempts. Following the second attempt, Magnus's father states that he sees the error of his ways and does his best to intervene - but his idea of a 180 entails involving Magnus in his own drug use and wild sex life with women. Meanwhile, Magnus continues to ponder suicide and gives some thought to his own spiritual well-being. As a somewhat unusual aspect of the story - given its subject matter - Kõussar peppers the film with liberal doses of humor and endearingly eccentric characters to offset the pathos. ~ Nathan Southern, Rovi

This inventive, tongue-in-cheek comedy-drama not only reveals the charms of the Estonian countryside, but something of director Kaljo Kiisk's sense of amusement as well. The hero of the title, Toomas Nipernaadi (Tonu Kark) is first seen roaming the rural landscape, going from village to village looking for the woman of his dreams. He wears a bedraggled white suit but generously pays for any lodging he needs or in one case, even buys a farm. Nipernaadi has a way with words and enchants those he meets with his wild stories about himself. Women find him appealing and the men are entertained as he moves from one locale to the next. But his idyll looks like it will end -- at least for awhile -- when his wife shows up in an expensive car and explains exactly what has been going on. ~ Eleanor Mannikka, Rovi