Chloe Franks Movies

The classic adventure novel by Sir Walter Scott, which covers the same ground as the various Robin Hood legends, becomes this impressive television production, boasting a well-heeled British cast, a robust pace, and solid production values. Wilfred of Ivanhoe (Anthony Andrews) is a young Saxon knight of 12th century England. Returning home from fighting in the Crusades alongside King Richard the Lionheart (Julian Glover), Ivanhoe finds that the nation is now under the dictatorial thumb of the king's brother, Prince John (Ronald Pickup) and the prince's thuggish Norman cohorts. He is also dismayed to learn that his longtime love, Lady Rowena (Lysette Anthony), has been betrothed to another man. Determined to restore throne and country to Richard, the courageous Ivanhoe has soon run afoul of those in power, though a few rebellious types like Robin Hood (David Robb) are on his side. Ivanhoe also finds love again, with the lovely Jewish girl Rebecca (Olivia Hussey), though she and her wise father Isaac of York (James Mason) face Norman persecution for their religious faith. Ivanhoe also finds a deadly rival in the cynically twisted knight Brian de Bois-Guilbert (Sam Neill). ~ Karl Williams, Rovi

Beginning its several incarnations as an Ingmar Bergman film named Smiles of a Summer Night, the story was adapted by composer/lyricist Stephen Sondheim into a successful Broadway musical directed by Harold Prince. This film, also directed by Prince, is adapted from the stage musical. In the movie, in the early 1900s, a group of friends bound together by complicated romantic entanglements, have come together for an elegant dinner at a country estate. The men present are the current, previous, or prospective lovers of the beautiful actress, Desiree (Elizabeth Taylor), and the other women are all united by their jealousy of her. Sadly, Desiree herself wants to simplify things and settle down -- she envies the wives. The adapted score later won an Oscar. The musical's well-known songs include Every Day a Little Death, A Weekend in the Country, and You Must Meet My Wife. The most famous song from the musical, Send in the Clowns, is sung here by Elizabeth Taylor. ~ Clarke Fountain, Rovi

The phenomenon of Tales from the Crypt seems to have no endings, only changes. This successful pun-filled style of presenting ironic horror tales had its beginnings in William Gaine's E.C. comic series. At one time, outlandish E.C. Comics were at the heart of a national furor over the "evils" of comic books, which were thought to lead to moral degeneracy. The big comic-book publishers were frightened into freezing E.C. out of their distribution network, which killed the business. This British movie was based on the Tales from the Crypt series, which spawned several subsequent movies (and many imitators), at least one television series, and a whole new wave of comic books. Released in 1972, this movie has five episodes based on Gaines' stories, each introduced by Sir Ralph Richardson as the eerily cheery Crypt Keeper. His comedic approach to the role was misunderstood at the time, as reviewers expected a more solemn approach to horror. In "All Through the House," Santa Claus is someone to avoid. In "Reflection of Death" it takes some people a while to realize the truth about themselves. In "Poetic Justice" death cannot prevent one man's revenge. The episode "Blind Alley" demonstrates a new use for razor blades. "Wish You Were Here" cautions against taking native artifacts lightly (among other things). Among the stars featured are Peter Cushing, Joan Collins and Patrick Magee. ~ Clarke Fountain, Rovi

In this English film, a group of orphans visiting the home of a wealthy, retired singer (Shelley Winters) discover that the woman is hiding a disturbing secret. ~ Iotis Erlewine, Rovi

Sam Peckinpah examines the instinctual capacity for violence in his controversial 1971 film, loosely based on the novel The Siege of Trencher's Farm. To avoid the Vietnam-era social chaos in the U.S., American mathematician David Sumner (Dustin Hoffman) moves with his British wife, Amy (Susan George), to the isolated Cornish town where she grew up, but their presence provokes antagonism among the village's men. As the hostilities escalate from routine bullying to the gang rape of his wife, David finds his pacifistic self backed into a corner. When the hooligans attack his house, David finally resorts to the gruesome violence that he abhors. ~ Lucia Bozzola, Rovi