Rimma Markova Movies
The apocalyptic sci-fi thriller Day Watch (aka Dvevnoy Dozor, 2006) constitutes the second installment in a planned supernatural trilogy by Russian director Timur Bekmambetov. As preceded by 2004's blockbuster Night Watch and followed by Twilight Watch, this sophomore film picks up on the byzantine tale of a world where, centuries ago, the powers of light (representing goodness) and the powers of darkness (representing evil) called a truce. Each side set up a law-enforcement team to guard and monitor the other's activities -- the powers of darkness established and controlled the Day Watch, while the powers of light established and controlled the Night Watch. Day Watch opens in the 14th century, when Tamerlane, a Mongol warrior, acquires an implement called "The Chalk of Destiny," that can be used to guide the course of history. Eons later (in the present day), the Day Watch and the Night Watch are ongoing. Two Warriors of Light, Anton Gorodetsky (Konstantin Khabensky) and his protégé/partner-in-training, Svetlana (Maria Poroshina), quietly develop feelings for one another as they patrol the Night Watch together. As the story progresses, the pair must respond to a distress call from an octogenarian victim of a vampiric attack -- an attack committed (as it turns out) by Anton's 12-year-old son, Yegor (Dima Martynov) -- now a Warrior of Darkness. Anton must suddenly wrestle with two conflicting desires -- the need to protect his offspring by destroying incriminating evidence, and his own desire to remain loyal to the Night Watch. Several additional subplots then unfold concurrently, including that of Yegor learning to practice evil from his mentor, Zavulon (Viktor Verzhbitsky), that of Anton "body swapping" with associate Olga (Galina Tyunina), and that of the relationship between a vampiric child, Kostya (Aleksei Chadov), and his dad (Valery Zolotukhin), who works as a butcher. ~ Nathan Southern, All Movie Guide
- Starring:
- Konstantin Khabensky, Maria Poroshina, (more)
Two bands of warriors, one good and one evil, battle to keep the peace in Moscow in this cat's cradle thriller from Russia. In 1342, the Warriors of Light (led by Gesser, Lord of Light) and the Warriors of Darkness (led by Zavulon, General of Darkness) declare a truce under which each side will form a law enforcement team to monitor the other side's activities. The Warriors of Light, who enforce the powers of good, patrol the Night Watch, while the Warriors of Darkness, who openly embrace evil, staff the Day Watch. Each watch group also contains "Others," mortals with supernatural powers from both sides that include vampires, shapeshifters, witches, and the like. Prophecy suggests that one day, a Great One will surface and permanently extinguish the threat of an apocalyptic war between the two sides by upsetting the balance, lending greater power to either good or evil (depending on his or her choice) and thus determining the future of mankind forever.
In 1992, Night Watch member and Warrior of Light Anton Gordesky (Konstantin Khabensky) discovers he's an "other" amid a sting on a witch. Cut to twelve years later. In 2004, Anton still works the Night Watch, but now he's a vampiric warrior who drinks blood. One night, while on patrol, he rescues a young boy named Egor (Dima Martinov) from a handful of Dark Warriors, but in the process, he encounters Svetlana (Maria Poroshina), a woman who acts as a "funnel" -- a conduit for the powers of evil. Anton reflects on the prophecy regarding "The Great One," and begins to suspect that Svetlana and Egor may be harbingers of this fateful event. As the first installment in a Russian trilogy, Night Watch (aka Nochnoj Dozor) was a massive box-office success in its native Russia, and is followed by the second installment, Day Watch; it was released in the U.S. with a heavy prologue and epilogue, and animated subtitles that alternately scuttle across the screen, dissolve, shudder, and explode.
20th Century Fox not only purchased United States distribution rights for the film, but also announced plans for a Westernized remake. ~ Mark Deming, All Movie Guide
- Starring:
- Konstantin Khabensky, Vladimir Menshov, (more)
Pyotr Lutsik's first film Okraina is an allegorical piece that contemplates capitalism run wild, as well as the increasing Westernization of contemporary Russian filmmaking. The title is taken from the classic 1933 film by the Soviet filmmaker Boris Barnet, in which the beginning of the farm collectivization era is depicted. In Pyotr Lutsik's version, the hero is an ordinary farmer, Philip Safronov, whose peaceful life is aggressively interrupted when his land is appropriated by a mysterious group to exploit its oil resources. The toughest farmers unite and track down the offenders one by one. The murderous path they leave behind them culminates in the film's apocalyptic finale. The director's style is minimalist, with heavy use of symbols. The humor is very bitter. The use of black and white and orchestral music from 1930's Soviet films gives a nostalgic aura without obstructing the impact of the main theme of the film, which seems to be "regimes come and go, but exploitation of the poor remains." Okraina was screened as part of the International Forum of New Cinema section of the 49th Berlin Film Festival, 1999. ~ Gönül Dönmez-Colin, All Movie Guide
- Starring:
- Yuri Dubrovin, Nikolai Olyalin, (more)
- 1977
This comic melodrama follows a gentle, simple and sweet woman, played by Natalia Gundareva, as she seeks to live a decent life. Though she has a couple of passionate lovers, and has had a son, she has been unable to pair up with anyone in order to experience the domestic side of life as a couple. Aside from a weakness for chocolates (she works in a candy factory), she has no overwhelming vices, and is only slightly overweight. As she grows into middle age, however, she is beginning to feel quite lonely and isolated. This growing sense of melancholy is highlighted during her trip back to her provincial home to bury her mother. ~ Clarke Fountain, All Movie Guide
- Starring:
- Natalya Gundareva, Svetlana Karpinskaya, (more)
