Huckleberry Fox Movies

Neil Patrick Harris and Matthew Lillard star in writer/director Craig Singer's violent tale of rehabilitation gone horribly awry. When high school student Arnold Mosk (Neil Patrick Harris) is busted for using drugs, he's immediately placed in an experimental isolation program known as "The Animal Room." "The Animal Room" is a rehabilitation center where the rules of normal society don't apply, a kind-of lawless clubhouse inhabited by the most dangerous and disturbed youth imaginable. When Arnold shows up in "The Animal Room," sadistic gang leader Doug Van Housen (Lillard) immediately targets the frightened newcomer for torment. Doug is the kind of kid who's just too far gone to care what society thinks of him, and he places precious little value on human life. Should Arnold remain in "The Animal Room" he will almost certainly die. Now, it's up to Arnold's childhood friend Gary - a popular student and talented athlete - to break his old pal out of the controversial treatment program before the situation turns deadly. ~ Jason Buchanan, All Movie Guide

Made for television, A Winner Never Quits is the true story of one-armed baseball player Pete Gray. Having lost his arm in a childhood accident, Pete (played by Steve Rees as a child, Keith Carradine as an adult) still insists upon pursuing an athletic career in emulation of his older brother Whitey (Ed O'Neill). When Whitey suffers permanent brain damage in a boxing match, Pete takes up the cudgel and enters the world of professional sports. Hired in 1943 as a "freak attraction" and wartime morale-booster by the Memphis Chicks, Class-A minor league ball club, Gray attains a batting average of .333 and a stolen-base record of 63; as a result, he is appointed his league's MVP. Though a success, Pete maintains a tough, defensive veneer, which is softened only by the love of his wife Annie (Mare Winningham) and the adulation of baseball fan Nelson Gary Jr. (Huckleberry Fox), who has also lost an arm (and who would, in real life, become a top minor-league ballplayer himself). With the war depleting big-league baseball's manpower in 1945, Pete Gray finally achieves his goal of entering the Majors when he is hired by the St. Louis Browns. Dennis Weaver and Fionnulla Flanagan costar as Pete's immigrant parents. Burt Prelutsky's screenplay wisely avoids pathos and sentiment throughout; though humanized by his relationships with friends and family, Pete Gray is accurately portrayed as a brusque, temperamental soul, who neither asks for nor tolerates sympathy from anyone. A Winner Never Quits first aired in April of 1986. ~ Hal Erickson, All Movie Guide

Directed by Nell Cox, Konrad centers around a strange, technology dominated method of placing children in appropriate foster homes. When a computer error sends Konrad (Huckleberry Fox), a seemingly ideal child, to an eccentric woman whose many quirks qualify her as a definite reject by the mysterious "birth factory's" standards, no one is prepared for the resulting chaos. The film also features Ned Beatty, Polly Holliday, and Max Wright. ~ Tracie Cooper, All Movie Guide

In Misunderstood, Henry Thomas ("Elliot" in E.T.) co-stars with Gene Hackman as a son-and-father duo who through no fault of their own fail to communicate their mutual affection. Ned (Hackman) is a shipping magnate living with his family in a villa in Tunisia when he suffers through the death of his wife Lilly (Susan Anspach). It is an agony for him to tell his older son Andrew (Thomas) that his mother has died, and from that moment on, he is so overcome by his own grief -- drowning it in work -- that he unwittingly hurts the feelings of the two boys. He was always inept in relating to them, and now it is even more difficult. The two brothers compensate by inventing their own pastimes, though a visiting relative chides Ned for expecting his sons to handle themselves like adults. So just as Ned begins to realize what he has been doing, the sons try harder to keep up a good facade -- and then Andrew has a serious accident, causing all the undercurrents to suddenly emerge on the surface. Loosely based on a 1967 Italian film, Incompreso, this story first emerged as a turn-of-the-20th-century novel by Florence Montgomery and is here told by director Jerry Schatzberg, but the dialogue and plot do not reach the level set by the good interpretations of the lead actors, who transform a predictable story into an emotional experience. ~ Eleanor Mannikka, All Movie Guide