Flea Movies

Inevitably recalling the shenanigans of Tom Green and Sasha Baron Cohen's Ali G, Canadian comedian Nardwuar the Human Serviette is essentially a provocateur who built his career out of shocking and offending politicians, actors, musicians, and other noteworthy public figures by pummeling them with outrageous and bizarre questions. Nardwuar particularly specializes in skewering anyone with an aura of self-righteous dignity or importance. Like Green, he rose to celebrity through the tunnels of public access television; the release Nardwuar the Human Serviette: Welcome to My Castle presents a "best of" compilation of interview footage from Nardwuar's 1990s local access series, in which he does Q&A with such guests as Pierre Eliot Trudeau, Ron Jeremy, Timothy Leary, Gerald Ford, Nirvana, Tony Robbins and many others. ~ Nathan Southern, Rovi

The lost subculture of America's rebellious, Reagan-era hardcore set is explored in filmmaker Paul Rachman's cinematic adaptation of Steven Blush's book. Disillusioned by politics, angered by greedy record labels, and bound together by a powerful antiestablishment sentiment, bands such as Minor Threat, Black Flag, Dead Kennedys, and Bad Brains paved the way for such later bands as Nirvana and Pearl Jam by fearlessly questioning -- and frequently mocking -- the status quo, and proving that you don't need radio play to reach an audience. Whether working for a real change or simply attempting to shake things up in the music scene, these bands gave a voice to the legions of youthful fans who felt their opinions had been neglected in mainstream society. In this documentary, concert footage combines with interviews to offer a comprehensive look at the musical revolution that defined an era. ~ Jason Buchanan, Rovi

Two of the most popular animated series on the children's cable network Nickelodeon get wrapped up in one big-screen package in this comedy-adventure, featuring the characters from Rugrats and The Wild Thornberrys. Drew and Didi Pickles (voices of Michael Bell and Melanie Chartoff) decide to take a special vacation with their children, Tommy (voice of Elizabeth Daily) and Angelica (voice of Cheryl Chase), with their friends (both grown-ups and toddlers) coming along for the ride. However, the ship Drew has chartered isn't especially seaworthy, and their party ends up stranded on an uncharted island in the Pacific. The kids figure the day is saved when they discover that famous explorer and television personality Sir Nigel Tornberry (voice of Tim Curry) is also on the island with his family, but after he gets a world-class knock on the head from a coconut, Nigel's upper intellectual register gets knocked out of commission. The Rugrats are then forced to turn to Nigel's daughter, Eliza (voice of Lacey Chabert), who not only knows the wilds, but can talk to animals, which comes as quite a surprise to Spike (voice of Bruce Willis), the Pickles' family pooch. Rugrats Go Wild also features the voice talents of LL Cool J, Cree Summer, Nancy Cartwright, Jack Riley, and Flea. ~ Mark Deming, Rovi

In 1995, guitarist Warren Haynes and bassist Allen Woody left the Allman Brothers Band to form Gov't Mule, a power trio who blended the jam-friendly boogie of Southern rock with the high-powered blues influences of bands such as Cream and Canned Heat. After three studio albums and two live sets, Gov't Mule had won a loyal and growing cult following when Woody died of a drug overdose in the summer of 2000. The band had been working on material for their next album when Woody passed on, and guitarist Haynes and drummer Matt Abts decided to move forth with the project as a tribute to their late bandmate, calling in a number of well-known bass players to sit in on various tracks. One of those contacted was Mike Gordon of Phish, and Gordon decided to make a film about the historic sessions in tribute to Woody, as well as his surviving bandmates and the many musicians who stepped in to assist with the project. Gov't Mule: Rising Low is a documentary about the sessions which produced The Deep End; among the guest musicians are Phil Lesh of the Grateful Dead, Les Claypool of Primus, Jack Casady of Jefferson Airplane, Jason Newsted of Metallica, Billy Cox of Jimi Hendrix's Band of Gypsies, Chris Squire of Yes, and many more. ~ Mark Deming, Rovi

In Linda Kandel's comedy-drama Mascara, three friends find themselves dealing with the not always enjoyable prospect of turning 30 at a time when their lives are already unstable. Rebecca (Ione Skye) has trouble holding a steady job and has gone though a long series of affairs with older men. Her latest boyfriend, Nick (Steve Jones), is a middle-aged photographer who shows a less than wholesome interest in his ripening teenage daughter. Laura (Lumi Cavazos) has just ended a seven-month marriage with Donnie (Steve Schub), who helpfully maxed out all her credit cards before she dumped him. Laura works as a therapist, but she doesn't have much patience with other people's problems at the moment. And Jennifer (Amanda de Cadenet) has separated from her husband after discovering he had a mistress for a short time. Jennifer's response is to throw herself into a series of one-night stands with casual acquaintances and relative strangers -- one of whom she beats when their lovemaking gets too rough for Jennifer's liking. Mascara also features a supporting performance from Karen Black as Rebecca's Aunt Eloise, who has a habit of telling her what she either already knows or doesn't want to hear. ~ Mark Deming, Rovi

Murder, revenge, and sex are at the center of this two-fisted suspense thriller by young writer/director Jeff Santo. The film opens in Cancun, Mexico, with a quintet of shady characters soaking in the sun by the pool. The group's ringleader is Jack (Richard Tyson), a crooked used-car dealer who has a penchant for roughing up children. Others in the group include Freddie (Flea), Jack's thick-skulled sidekick; geeky Art the accountant; Niko, the group's muscle bound meathead; and finally the unassuming Vic. Much of the film focuses around Creed, Vic's club where Jack invested a quarter of a million dollars as a not-so-silent partner. Art is sent by Jack to Creed to check out the books, but the accountant instead ends up in an alley bleeding to death. Vic quickly disposes of the body with a hacksaw and a blowtorch. Meanwhile, Niko and Jack are vying for the attention of Rebecca, a well-endowed floozy, at the same time as Jack's desperate wife looks to exact her own revenge. Scheming and intrigue eventually boils over into a bloody confrontation. ~ Jonathan Crow, Rovi

This Nickelodeon series follows an eccentric family throughout the rainforests and wilds of the world as Nigel, the patriarch, films his travels for a future nature documentary. Unbeknownst to him, Nigel's 12-year-old daughter Eliza (voiced by former Party of Five star Lacey Chabert) is the one with the inside scoop on the wild kingdom at hand -- she can quite literally talk with any animal that crosses her path, most notably Darwin, her pet chimpanzee. Eliza's travels inevitably lead her into trouble; in each episode she is faced with saving her family and a host of wild animals from various terrible fates. Complicating the matter is Eliza's pact not to tell anyone of her mysterious gift, lest she lose her abilities. The series includes some interesting voices -- besides Chabert, Tim Curry, Flea, Marisa Tomei, and Lynn Redgrave have lent their vocal chords to the long-running Nick toon. ~ Tracie Cooper, Rovi

Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson's alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of "gonzo journalism." Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. "This is not a good town for psychedelic drugs," says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether "you can actually watch yourself behaving this terrible way, but you can't control it." The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko's Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke's intro to the drug scene jump back to love-Haight relationships in San Francisco's Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson's book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

This high-speed action comedy stars Charlie Sheen as Jack Hammond, who has been given a life sentence for a bank robbery that he didn't commit. Hammond manages to escape, and while trying to avoid capture at a gas station, he ends up kidnapping Natalie Voss (Kristy Swanson); he threatens her with what she thinks is a gun, although it turns out to be a candy bar. Jack and Natalie take off in her BMW, with Jack unaware that his "victim" is actually Dalton Voss (Ray Wise), one of California's richest and most powerful land barons. Soon half the state's law enforcement officers and every member of the media is on Jack's tail as he races down the highway; in the meantime, Natalie and Jack get to know each other, and while she doesn't much care for him at first (as you might imagine), before long her attitude has softened quite a bit. Alternative rock fans might want to keep an eye peeled for Henry Rollins, playing a policeman, and Anthony Kiedis and Flea from The Red Hot Chili Peppers as a pair of yahoos with a very large truck. ~ Mark Deming, Rovi

Screenwriter/electrician Abbe Wool makes her directorial debut with the offbeat road movie Roadside Prophets. Brooding factory worker Joe (X front man John Doe) takes a road trip in order to scatter the ashes of his co-worker Dave Coleman (David Anthony Marshall). Riding his vintage Harley Davidson, Joe leaves Los Angeles and heads for a small Nevada town called El Dorado to fulfill Dave's final wish. His journey is complicated by a small fry named Sam (the Beastie Boys' Adam Horovitz), a wannabe biker who continually lights off fireworks and nurtures an odd obsession with Motel 9. Joe also has to cope with making daily phone calls to Angie (voice of Sonna Chavez), his co-worker back in L.A. who is giving him sick days in exchange for the promise of a hot date. While traveling through the desert, Joe and Sam meet various eccentric characters played by the likes of David Carradine, John Cusack, Timothy Leary, and Arlo Guthrie. They eventually end up at their destination, which turns out to be a washed-up gambling town called Jackpot. ~ Andrea LeVasseur, Rovi

Gus Van Sant's dreamtime riff on Shakespeare's "Henry IV, Parts I and II" features River Phoenix as Mike Waters, a narcoleptic male hustler who is first seen drifting on a stretch of highway in Idaho. Mike shifts from Seattle to Portland, where he has taken up with Scott Favor (Keanu Reeves), who is also a hustler. The difference between them is Mike's sleepy state betrays an uncertain future, while Scott is ready to inherit a fortune from his father within a week. Mike feels a real affection for Scott, but Scott does not believe men can really love each other. Besides, Scott is mostly hustling as a means of slumming and killing time before he inherits his money. Mike, however, delusionally thinks Scott will continue with his life as a drifter after receiving his inheritance. Mike's belief is shared by the dregs of Portland, who live out of an abandoned hotel with their spiritual leader Bob (film director William Richert). They're convinced Scott's fortune will benefit them all, when in reality Scott has other plans. ~ Paul Brenner, Rovi

The final installment in the Back to the Future trilogy picks up where the second film left off, but it casts off the dizzying time travel of the first two films for mostly routine comedy set in the Old West. Marty McFly (Michael J. Fox) receives a 70-year-old letter from his inventor friend, Doc Brown (Christopher Lloyd), who tells Marty that he has retreated a century in time to live out a relatively quiet life in the Old West. Doc Brown reveals that he hid his DeLorean car/time machine in an abandoned mine outside town, and when Marty does some research and discovers that the Doc died shortly after writing the letter, he decides to find the car, travel back in time, and warn the Doc about his demise. Meanwhile, the Doc, who has fallen in love with a local woman (Mary Steenburgen), realizes he can't hide in the past from the problems he has caused to the time flow in the previous two adventures. He reluctantly decides to return to the present with Marty, but first, they have to find a way to get the DeLorean up to time-travel velocity with a broken fuel line and no gasoline. ~ Don Kaye, Rovi

In exchange for staying out of jail, down-and-out bounty hunter Vince Holloway (Dylan McDermott) agrees to work for corrupt IRS agents Vera (Tovah Feldshuh) and Strick (Dean Stockwell). Holloway travels to Diablo, a country run by criminals, to intercept a transfer of funds between crooked banker Cora (Jessica Harper) and gangster Reno (James Russo). Using a plot structure derived from Dashiell Hammett's novel Red Harvest, as well as from Akira Kurosawa's Yojimbo and Sergio Leone's A Fistful of Dollars, Holloway forms competing alliances with all parties to steal the money. As expected, everyone tries to double-cross everyone else. A would-be parody of film noir and westerns, John Lafia's The Blue Iguana unfolds more like a cartoon or a pinball game. ~ Steve Press, Rovi