Nelly Arno Movies

A U.S. military officer is motivated by love and compassion to begin a life of crime in this action adventure story. Sgt. Joe Lawrence (Richard Widmark) is an American Army officer who, while stationed in Berlin shortly after the end of WWII, falls in love with Maria (Mai Zetterling), a refugee trying to raise enough money to move a group of German orphans to South America, where they can start life anew. Joe wants to help her, and with his buddies Sgt. Roger Morris (George Cole) and Brian Hammell (Nigel Patrick), Joe plans a daring robbery. A fortune in gold is being transferred from England to Germany via military transport, and Joe, Roger, and Brian intend to hijack the plane and grab the treasure. While the robbery goes off as planned, the three participants soon have second thoughts about what to do with their ill-gotten gains. Seven years later, leading lady Mai Zetterling would commence a distinguished career as a director with her film Wargame. ~ Mark Deming, Rovi

This British crime drama is set in a supposedly haunted London theater and centers upon a producer who rents the building from its female owner to put on a show. She does so on the condition that no one unlock the dressing room where her husband was murdered years before. Later, the woman's son is murdered on stage. The police find clues that lead them to the mysterious locked room. ~ Sandra Brennan, Rovi

The Lost People is a pedantic British drama set in a large, abandoned German theatre just after the War. A disparate group of homeless refugees huddle together within the structure. As they get to know each other, old wounds are opened, social and religious clashes break out, recriminations melt into reconciliations, and the theatre threatens to become a metaphor for the World At Large. In fact, it's not a threat but a foregone conclusion. The Lost People is based on Cockpit, a play by Bridget Boland. ~ Hal Erickson, Rovi

In this Cold War spy classic, Holly Martins (Joseph Cotten), a third-rate American pulp novelist, arrives in postwar Vienna, where he has been promised a job by his old friend Harry Lime (Orson Welles). Upon his arrival, Martins discovers that Lime has been killed in a traffic accident, and that his funeral is taking place immediately. At the graveside, Martins meets outwardly affable Major Calloway (Trevor Howard) and actress Anna Schmidt (Alida Valli), who is weeping copiously. When Calloway tells Martins that the late Harry Lime was a thief and murderer, the loyal Martins is at first outraged. Gradually, he discovers not only that Calloway was right but also that the man lying in the coffin in the film's early scenes was not Harry Lime at all--and that Lime is still very much alive (he was the mysterious "third man" at the scene of the fatal accident). Thus the stage is set for the movie's famous climactic confrontation in the sewers of Vienna--and the even more famous final shot, in which Martins pays emotionally for doing "the right thing." Written by Graham Greene, The Third Man is an essential classic, made even more so by the insistent zither music of Anton Karas. The film is currently available in both an American and British release version; the American print, with an introduction by Joseph Cotten, is slightly shorter than the British version, which is narrated by director Carol Reed. Nominated for several Academy Awards, The Third Man won Best Cinematography for Robert Krasker. ~ Hal Erickson, Rovi