Peter Finch Movies

This 1977 documentary feature closely examines the person, views and life of Norwegian actress Liv Ullman, perhaps best known for her many appearances in the famed Swedish director Ingmar Bergman's films. Clips of her films are included, as well as numerous interviews granted by her especially for this film, which was released shortly after her autobiography Changing was published. This documentary is subtitled: "Norway's Live Ullman/Liv Ullmann's Norway." ~ Clarke Fountain, All Movie Guide

A trenchant satire of "trash TV," Network seems to grow only more relevant with each passing year. Howard Beale (Peter Finch), the dean of newscasters at the United Broadcasting System, is put out to pasture because he "skews old." Network executive Max Schumacher (William Holden), Howard's best friend, is forced to deliver the bad news. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. Network head Frank Hackett (Robert Duvall) is all for kicking Beale out then and there, but when it looks as though the UBS is going to have its greatest ratings ever on the night of Beale's self-destruction, ambitious programming exec Diana Christensen (Faye Dunaway) talks Hackett into treating that fateful final telecast as a special event. Naturally, Beale doesn't go through with it -- but he does begin rambling about the horrible state of the world in general and television in particular. He concludes his tirade by admonishing his viewers to "Go to the window and shout as loud as you can: 'I'm mad as hell and I'm not going to take it anymore!'" With that, Howard Beale becomes the hottest TV personality in America, and Diana becomes the network's fair-haired girl. She draws up plans to treat the nightly news broadcast as garish entertainment (complete with a psychic), all built around the rants of Beale, billed as "The Mad Prophet of the Airwaves." Network won Oscars for Paddy Chayefsky's screenplay as well as for three of four acting categories -- Dunaway for Best Actress, Peter Finch for Best Actor (in the only posthumous Oscar yet awarded), and Beatrice Straight for Best Supporting Actress, in one of the shortest-screen-time performances ever to win an Oscar. ~ Hal Erickson, All Movie Guide

James Hilton's beloved fantasy novel about the land of Shangri-La was given an awkward musical treatment in this extravagantly produced flop. Larry Kramer's screenplay stays close to the 1937 Frank Capra original, as a plane fleeing China crashes in the Himalayas and a mixed group of survivors discovers the magical, peaceful land of Shangri-La. Here the film becomes a full-fledged musical, with songs by Burt Bacharach and Hal David illustrating the distant realm's nature and the conflict that happiness causes amongst the survivors. Curiosity-seekers may be intrigued by the film's reputation as a notorious dud, but fans of the story would be better served by the classic original, despite a cast of well-respected names, including Peter Finch (in the Ronald Colman role), John Gielgud, Liv Ullmann, and Charles Boyer. ~ Judd Blaise, All Movie Guide

Based on a novel by Graham Greene that uses the rise of Nazi Germany as its backdrop, this drama stars Michael York as Anthony Farrant, an idealistic young British businessman. On his way home after a trip to the Far East, Anthony takes a friend up on her advice and makes a stop in Germany, where he calls upon Erich Krogh (Peter Finch), a highly successful financier. While Anthony was taught to value fairness and decency, he soon falls under Erich's spell, in which opportunism, corruption, and decadence hold sway. England Made Me was filmed in Yugoslavia, doubling for both Germany and France; Tony Wollard's art direction was nominated for a British BAFTA Award. ~ Mark Deming, All Movie Guide

This British film examines the choices individuals must make when confronted with a romantic relationship which is rewarding but does not offer them everything they want. In this sympathetic and psychologically precise drama, Alexandra Greville (Glenda Jackson), "Alex" to her friends, has a younger man as her sometime lover, the young sculptor Bob Elkin (Murray Head). Elkin is completely open about the fact that he is also the lover of her acquaintance, Dr. Daniel Hirsch (Peter Finch). These relationships continue in some kind of equilibrium until Alex and Bob agree to house-sit the children of a couple known to the three of them. In their roles, neither Head nor Finch "swished," or otherwise catered to homosexual stereotypes, and theirs was considered to be a groundbreaking, sympathetic portrayal of this kind of relationship, not condescending in any way. One highlight of the film is a scene in which Dr. Hirsch attends the Bar Mitzvah of his nephew. This critically well-received movie was unexpectedly successful at the box office. The film's director and screenwriter, as well as Jackson and Finch, were nominated for Academy Awards. ~ Clarke Fountain, All Movie Guide

Film star Lylah Clare is dead, but her legend lives on. Movie-producer Barney Sheean (Ernest Borgnine) hires Elsa Brinkmann (Kim Novak), the living image of the late Lylah, to star in a film based on Ms. Clare's life. Barney hires director Lewis Zarkan (Peter Finch), Lylah's former husband, to transform the talentless Elsa into a facsimile of the deceased screen queen. Elsa not only learns to imitate Lylah but, at crucial junctures, becomes the dead woman. While restaging the accident that killed Lylah, the obsessed Zarkan deliberately drives Elsa to her doom -- and in so doing reveals his complicity in the death of his wife. The film ends with Lylah's onetime housekeeper (Rosella Falk), gun in hand, lying in wait for Zarkan to return home while her TV blasts forth a grotesque (and possibly symbolic) dog-food commercial. A trash masterpiece, Legend of Lylah Claire works so hard at vilifying the Old Hollywood (there's even a vicious Hedda Hopper caricature) that it's a wonder the actors could keep a straight face. The film was based on a 1962 Dupont Show of the Week TV drama co-written by Wild in the Streets creator Robert Thom. ~ Hal Erickson, All Movie Guide

Passion, whether sex or violence, is the root of conflict in this film which follows as the alcoholic Mercouri and her husband Finch travel with their daughter and Schneider across Spain. Being married does not stop Finch from fooling around with other women, however, and an affair flares up between him and Schneider. But it doesn't just stop between these two--things start warming up between Mercouri and Schneider as well. ~ All Movie Guide

A woman seeks justice for herself, her family, and her people in this emotional drama. Judith (Sophia Loren) is a survivor of a Nazi concentration camp; she was once married to Gustav Schiller (Hans Verner), a German, but with the onset of WWII, he threw his support behind the ruling Nazi party, and when his marriage to Judith went sour, he turned her in as a Jew, along with their son. While Judith made it out of the camp alive, she has no idea what happened to her son. In 1947, Palestine, still under British rule, is being torn apart by fighting between Jewish and Arab forces, and Gustav, now wanted as a war criminal, has re-appeared there, leading a squadron of Arab terrorists. Aaron Stein (Peter Finch), is the head of an underground Jewish battalion called Haganah, and he needs help in ferreting out Gustav and learning what he's planning. He enlists the aid of Judith, who is just as eager as Stein to see Gustav put out of commission, as she seeks revenge for what he did to her and their child. Judith also features Jack Hawkins as Major Lawton. ~ Mark Deming, All Movie Guide

Anne Bancroft stars as a restless, twice-married British woman with six children, whose third husband is a fledgling screenwriter (Peter Finch). When success spins Finch's head around, he begins to dally with women other than his wife. Meanwhile, Bancroft is forced to stay home and play "domestic goddess", a role for which she is utterly unsuited. After suffering a nervous breakdown, Bancroft wanders the streets of London in a vain search for a sympathetic ear. She eventually comes to grips with the situation at hand--but as in most of playwright Harold Pinter's works, the characters of The Pumpkin Eater are just as unfulfilled in the last scene as they were in the first. Anne Bancroft won a Cannes Film Festival award for her performance in this film. ~ Hal Erickson, All Movie Guide

Dr. Susan Hayward makes a tragic mistake when she leaves her Canadian practice to follow her ailing, married lover to England. Dying slowly and in great pain, her love begs her to help him die quickly. With great compassion, she does so with a large morphine injection. Unfortunately, her mercy lands her in court where she must face the ruthless and ambitious prosecuting attorney Peter Finch. Hayward ends up serving two years in prison. Afterward, her medical practitioner's license is revoked and she is left destitute and desperately alone until an anonymous party contacts her and invites her to take a job caring for the man's mentally ill wife. She goes to check out the situation and discovers the man to be Finch. Apparently his wife, Diane Cliento went mad after her father accidentally died. She accepts the position and soon finds herself deeply involved in a complicated situation where nothing is quite as it seems and where a death again leads her to stand trial in court for a crime she did not commit. ~ Sandra Brennan, All Movie Guide

Disney produced this historical adventure of old Scotland, based on the classic novel by Robert Louis Stevenson. James MacArthur stars as David Balfour, a wealthy lad cheated out of his inheritance and sold into servitude by his duplicitous and greedy uncle, Ebenezer (John Laurie). Aboard the ship where he's been made cabin boy, David meets Alan Breck Stewart (Peter Finch), a Jacobite loyalist who thinks the vessel's skipper (Bernard Lee) is transporting him back to Scotland. When David learns otherwise, he and Alan become a team, escaping the ship and taking off across the Highlands. Accused falsely of murder, the pair must clear their names, evade redcoat troops, and restore David's fortunes. Although director Robert Stevenson was no relation to the famed author, the studio claimed otherwise at the time of the film's release, for publicity purposes. ~ Karl Williams, All Movie Guide

Peter Finch plays Johnnie Byrne, a British member of parliament. When Johnnie loses out on an important cabinet post, he's hardly surprised; he's been a loser so long that it's par for the course. Treated shabbily by his communistic wife Rosalie Crutchley, Johnnie begins an affair with fashion-model Mary Peach. His ardor causes him to miss an important House of Commons meeting, which subsequently leads to his disgrace in the eyes of his leftist political associates. A chance at a reconciliation with his wife is scuttled when Johnnie finds that he will lose a much-coveted cabinet seat if he does not sever his communist ties, both professional and personal. No Love for Johnnie was based on a novel by Wilfred Fienburgh, himself a Socialist MP who evidently knew whereof he spoke. ~ Hal Erickson, All Movie Guide

One of the covert operations at the beginning of World War II is enacted in this fast-paced docudrama about a government-approved diamond heist. A Major from the British army (Tony Britton) joins up with a Dutch diamond expert (Alexander Knox) and another adventurous Dutchman (Peter Finch) to steal a fortune in diamonds from a bank vault in Amsterdam before the Nazis completely close off the city. The trio are launched under the covering fire of a British battleship in the harbor and then chauffeured into Amsterdam by Anna (Eva Bartok), one of many people they encounter who could be either friend or foe. There is no time to waste in emptying the bank vault because it is estimated that the city will be overrun by the Nazi army in just fourteen hours. Meanwhile, the war is intensifying all around them, and the Nazi soldiers already on patrol are a continual threat. ~ Eleanor Mannikka, All Movie Guide