William Campbell Movies

2007  
 
A common teenage ritual gets a new interpretation in this short comedy. Two high-school age guys pull up to the same stop light, and after plenty of engine revving and high-attitude staring, they agree to meet the next day for a drag race. However, what happens twenty-four hours later has nothing to do with hot rods. The Drag Race was directed by Will Campbell, who was then a student at Trinity High School in Euless, Texas. The film was an official selection at the 2007 South by Southwest Film Festival in a special program of works by Texas student filmmakers. ~ Mark Deming, All Movie Guide

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Starring:
Patrick LedwigJosh Bowe, (more)
1994  
 
Three aging Klingon Warriors arrive on Deep Space Nine to makes certain that a blood oath made 80 years earlier by Curzon Dax be fulfilled. Though startled to learn that Curzon Dax has metamorphosed into Jadzia Dax, the Klingons insist that she honor the oath. As a result, Dax is torn between honor and duty, a not uncommon dilemma on DS9. Though heavily disguised by the makeup staff, the Klingons are played by three highly recognizable character actors: John Colicos, Michael Ansara and William Campbell. First telecast March 26, 1994, "Blood Oath" was written by Peter Allan Fields. ~ Hal Erickson, All Movie Guide

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1992  
 
Add Waylon Jennings: Renegade. Outlaw. Legend. to QueueAdd Waylon Jennings: Renegade. Outlaw. Legend. to top of Queue
A documentary that covers the life of country legend Waylon Jennings, from his beginnings to his breakthrough in the '70s. ~ All Movie Guide

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1983  
 
In the conclusion of a two-part story (originally telecast as a single two-hour episode), it looks like the wedding of Quincy (Jack Klugman) and Emily (Anita Gillette) will have to be postponed definitely. After all, Quincy cannot be bothered with mundane domestic details while he is busily investigating the possibility that elderly nursing-home resident Edna Brackett (Jeannette Nolan) murdered her husband after being given psychotronic drugs. Finally, the exasperated Emily issues an ultimatum to Quincy: get out of the lab immediately, or the wedding is off. (Incidentally, if you think that Quincy will at long last reveal his first name during the ceremony...think again). ~ Hal Erickson, All Movie Guide

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1983  
 
In the first episode of a two-part story (originally telecast as a single, two hour "very special" episode), Quincy (Jack Klugman) and his fiancee Emily (Anita Gillette) are at last prepared to march down the aisle and tie the knot. While Emily is busily discussing details with wedding planner Winslow (Carole Cook), Quincy (Jack Klugman) is sidetracked by the autopsy of an old man (John McIntire) who apparently died of natural causes in a nursing home. Alas, it looks like the wedding will have to be put on hold when the dead man's widow (Jeannette Nolan) comes forward, insisting that she murdered her husband. (Trivia note: guest stars Nolan and McIntire were married in real life). ~ Hal Erickson, All Movie Guide

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1976  
 
Officer Dan Segal (Robert Drivas) makes it his mission in life to avenge the death of his gambler brother (Harry Davis), who was murdered by a professional hit man. In order to expose the "brains" behind the murder, Segal goes undercover, posing as a bookie and infiltrating an unusually nasty gambling ring. Featured in the cast is the late Claudia Jennings, the well-proportioned leading lady of many an R-rated action flick of the 1970s. ~ Hal Erickson, All Movie Guide

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1974  
 
Signe Hasso guest stars as Madame Vasiliev, a self-styled psychic operating out of her own "Chapel of the Mind." Though Stone (Karl Malden) and Keller (Michael Douglas) suspect that Madame Vasiliev is a phony, they cannot deny that most of her prognostications have come true--and thus the two cops are forced to work alongside the Madame in hopes of locating a kidnapped girl. Cast as the victim's mother is Diana Douglas, the real-life mother of series costar Michael Douglas. ~ Hal Erickson, All Movie Guide

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1974  
 
Surrounded by the authorities after a bungled attempt to break through a police checkpoint, five terrorists take several people hostage. Unless they are given safe passage out of San Francisco, the terrorists will detonate a bomb, killing themselves and their prisoners. Making the situation personal for investigating detective Mike Stone (Karl Malden) is that one of the hostages is his own partner Steve Keller (Michael Douglas). ~ Hal Erickson, All Movie Guide

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1974  
PG  
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Three outlaws hit the road until the road hits back in this supercharged action thriller. Larry (Peter Fonda) is a stock car driver whose reckless nature has caused him a long run of bad luck. Larry and his friend and mechanic Deke (Adam Roarke) need money if they're to get a new car and get back in competition, so they map out a plan to hold up a grocery store after 150,000 dollars has been dropped off for payroll and working cash. The heist goes as planned, except for one little hitch -- Larry spent the night before with his occasional girlfriend Mary (Susan George), and she has planted herself in Larry's car and isn't about to budge. With Mary along for the ride, Larry and Deke try to outrun the cops and make their way to freedom, though lawman Franklin (Vic Morrow) is determined to shut them down. Much loved by both gearheads and action film fans for its hair-raising stunt work and solid performances from the leading cast, Dirty Mary, Crazy Larry was a surprise box-office hit in 1974, grossing nearly 30 million dollars in its initial release. Roddy McDowall appears uncredited as the manager of the supermarket. ~ Mark Deming, All Movie Guide

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Starring:
Peter FondaSusan George, (more)
1974  
 
Singer Bobby Sherman appears as Kenny Donaldson Jr., an arrogant young intern who makes a near-fatal diagnosis of a man who was injured in a chimney explosion. Dr. Brackett (Robert Fuller) figures out a suitable "punishment" for Donaldson, designed to teach the man a lesson and to improve his future performance. Elsewhere, the Ramparts emergency team encounters a pair of medical crises at an oil refinery tower...and a mailbox. ~ Hal Erickson, All Movie Guide

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1974  
 
Officer Pete Malloy (Martin Milner) doesn't know whether to be flattered or annoyed when he becomes the subject of an article written by his partner Jim Reed (Kent McCord). Back on the job, the two cops are assigned to the North Hollywood Division, with assignments ranging from breaking up a family quarrel and pursuing a holdup suspect. And in one of the evening's odder moments, a woman calls headquarters to report that she's heard the sound of a roaring lion. Among the featured players is one of the stalwarts of the Jack Webb production family, Vic Perrin. ~ Hal Erickson, All Movie Guide

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1972  
 
Fireman Chet Kelly (Tim Donnelly) is determined to learn more about the Native American "roots" of his coworker John Gage (played by Randolph Mantooth, a real-life descendant of the Seminole tribe). Chet's efforts are momentarily abandoned as the emergency staff tackles a huge work load, including such crises as a residential water supply contaminated with a flammable liquid, a child trapped in a wrecked car by a drunk driver, and a construction worker shot down by a sniper--to say nothing of lesser dilemmas involving a too-tight girdle and a gumball machine. This episode marks one of the first TV appearances of the now-familiar rescue apparatus "Jaws of Life". ~ Hal Erickson, All Movie Guide

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1972  
 
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This violent blaxploitation film stars Jim Brown as the owner of a Los Angeles nightclub. When his brother, a Vietnam veteran, is murdered by gangsters, Brown gathers some of his brother's fellow veterans and an assortment of ex-convicts to get brutal revenge. Martin Landau, Luciana Paluzzi, and Jeannie Bell head the cast, along with genre regulars Bruce Glover, Bernie Casey, and Gary Conway. Director Robert Hartford-Davis is best known for horror films like Incense of the Damned and Corruption, while Brown went on to more successful genre fare in Slaughter and Slaughter's Big Rip-Off. ~ Robert Firsching, All Movie Guide

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1972  
 
In the conclusion of a two-part story (originally telecast as a single two-hour episode), Ironside (Raymond Burr) works in concert with attorney Ken Klaven (Cameron Mitchell) to secure the release of Walter Booth (William Campbell), whom the Chief had sent to prison on a manslaughter charge seven years before. Though now convinced of Booth's innocence, Ironside encounters a great deal of trouble persuading the DA's office. The Chief's only hope is to force a young woman to come forward with testimony she'd withheld during the original trial--but there are mysterious forces who are determined to silence both Ironside and his witness for keeps! Prominent in the supporting cast is Geraldine Brooks, who had played the sniper responsible for the Chief's confinement to a wheelchair in the original 1967 Ironside pilot film. ~ Hal Erickson, All Movie Guide

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1972  
 
In the first half of a two-part story (originally telecast as a single two-hour episode), Ironside (Raymond Burr) begins to question his judgment in a manslaughter case which occurred seven years ago. At the time, the Chief rammed through the conviction of chief suspect Walter Booth (William Campbell). Now armed with new evidence, Ironside works hand and glove with Booth's attorney Ken Klaven (Cameron Mitchell) to secure the man's release--despite the formidable opposition of the DA's office, which is determined to keep Booth behind bars. ~ Hal Erickson, All Movie Guide

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1971  
R  
Ocean View High is an upscale suburban school in an otherwise unidentified community. It's 1971, the point when the sexual revolution started moving into full swing and even a lot of Middle America, at least on the two coasts, admitted the existence of same revolution. It seems like the guys and girls at Ocean View are all loving pretty freely, and that extends to the school's resident faculty hero, football coach/guidance counselor "Tiger" McDrew (Rock Hudson), who -- despite his being married, with a child -- has been bedding many of the prettiest girls at the school. The only kid seemingly not "getting any" is Ponce de Leon Harper (John David Carson), who is starting to get neurotic and suffer academically, so much so that he seeks advice from McDrew, especially where his new substitute teacher, Miss Smith (Angie Dickinson), is concerned. But then various girls start turning up at the school dead, in various states of undress, with cryptic notes pinned to intimate parts of their anatomy. The lunkhead county sheriff (Keenan Wynn) is forced to defer to a state police investigator (Telly Savalas), who starts nosing around the school and uncovers more than he bargained for in terms of libidinous students, among other problems. Meanwhile, Ponce finds his problem taken care of by Miss Smith, at McDrew's request. But there's still a killer stalking the school.

If the plot and ambience of this movie seems shocking today, that's because it would be. Made at the outset of the sexual revolution, this was MGM's desperate attempt to run with the times, in terms of depicting a high school where sexual relations between students are considered routine and even those between faculty and students are accepted as long as they're kept quiet. Anyone trying to make such a movie in 2006 would face threats of prosecution, investigation, etc., and probably find it impossible to get the movie booked into theaters; MGM didn't have that easy a time in 1971, though (amazingly) the movie has been shown on television. Precisely what director Roger Vadim brought to Gene Roddenberry's screenplay (based on a novel by Francis Pollini) is difficult to tell, though he at least makes the sleazy and tawdry, smirky sex scenes and leering camera shots flow smoothly -- screenplay, director, and cameraman alike are fixated on the female anatomy throughout, though not in as distinctive a manner as Russ Meyer and his attachment to breasts. The presence of a couple of Star Trek co-stars and supporting villains, James Doohan and William Campbell, also makes this especially weird to watch. ~ Bruce Eder, All Movie Guide

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Starring:
Rock HudsonAngie Dickinson, (more)
1971  
 
Officers Pete Malloy (Martin Milner) and Jim Reed (Kent McCord) are assigned to escort criminal Charlie Shanks (William Campbell) to jail. While shuffling their prisoner through Malibu Canyon, the two cops are ambushed by a pair of hired killers who are determined to prevent Shanks from ever testifying in court. The situation worsens when the killers take Jim hostage, offering to exchange his life for Shanks'. ~ Hal Erickson, All Movie Guide

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1968  
 
Ben Cartwright is determined to block the gubernatorial bid of John Faraday (Simon Scott), the corrupt stooge of crooked tycoon Sam Endicott (Sidney Blackmer). When Ben is shot by one of Endicott's henchmen, he decides to "play dead" until the convention, then expose both Endicott and Faraday as murderous scoundrels. But a monkey wrench is thrown into the works when an innocent man is arrested for Ben's "murder." Portions of David Rose's background music were later incorporated into the themes of the subsequent Michael Landon series Little House on the Prairie). Among the supporting players is George Gaynes, best known to latter-day viewers for his hilarious performances in the theatrical features Tootsie and Police Academy. First shown on March 3, 1968, "The Late Ben Cartwright" was written by Walter Black. ~ Hal Erickson, All Movie Guide

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Starring:
Lorne GreeneMichael Landon, (more)
1967  
 
Traveling through supposedly empty space, the Enterprise finds itself caught in the orbit of a previously uncharted planet with one rather bizarre inhabitant in this installment of the original Star Trek television series. Unable to free the ship, Kirk leads an expedition to the surface to investigate. There, the Enterprise crew encounters Trelane, an annoyingly chipper alien who dresses and lives as a 17th-century European squire. But despite his foppish appearance and immature actions, Trelane proves to be remarkably powerful when challenged, and he soon holds the crew members at his mercy. Unable to defeat him with brute force, Kirk and the others must play along and find another method of escape, or else become Trelane's playthings for the rest of their lives. ~ Judd Blaise, All Movie Guide

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1967  
 
While the Enterprise is stopped at a space station to provide security for a valuable shipment of grain, Lt. Uhura purchases a new pet from ethically questionable station trader Cyrano Jones: a "tribble," which is basically a lovable, cooing ball of fur. The animals have some unexpected drawbacks, however; they have a ravenous appetite, and whenever they eat, they multiply themselves. Soon enough, the crew of the Enterprise finds themselves up to their necks in the furry creatures. This comes at about the worst possible time for the Enterprise, since a Klingon vessel has also arrived at the station, and the enemy crews are soon getting into barroom brawls. The tribble problem doesn't help the Enterprise's diplomatic effort much either, especially since the creatures don't like Klingons very much, and emit a high-pitched squawk whenever one comes near. This episode of the original Star Trek television series is particularly beloved for its charming humor; the tribbles themselves are so popular amongst Trek fans that they have reappeared in episodes of the animated series and Star Trek: Deep Space Nine. ~ Judd Blaise, All Movie Guide

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1967  
 
Kirby (Jack Hogan) and Littlejohn (Dick Peabody) volunteer as relief drivers for a "Red Ball Express" squadron headed by an overbearing sergeant (Claude Akins). In an extended sequence reminiscent of the French "new wave" classic The Wages of Fear, the two soldiers find themselves maneuvering a truck loaded with explosives through a gauntlet of German snipers. (Incidentally, the fact that many of the Red Ball Express drivers in WW2 were African-American is barely touched upon in this episode). ~ Hal Erickson, All Movie Guide

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1966  
 
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In this bizarre drama set in Venice, California, a professional thief and a crazed artist conspire to steal a valuable Titian painting. Unfortunately, they are thwarted by a courageous stripper who is almost killed in the process. ~ Sandra Brennan, All Movie Guide

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1966  
 
In this well-regarded film noir thriller, Joe Barron (Glenn Ford) is a police detective whose wife Lisa (Elke Sommer) has inherited a stock portfolio from her father. Joe and Lisa go on a spending spree, but when their new holdings fail to pay dividends, Joe finds himself deep in debt. Dr. Horace Van Tilden (Joseph Cotten), a rich doctor who caters to high-society clientele, shoots an intruder in his home, and Joe is assigned to investigate; Joe discovers that Van Tilden has a lucrative sideline selling drugs, and that the shooting victim was actually an addict looking for dope. When Joe learns that Van Tilden keeps his drug money in a safe at home, he sees a way to finally pay off his debts, but his partner, Pete Delanos (Ricardo Montalban), gets wind of Joe's scheme and demands a cut of the action. Matters become more complicated for Joe when he learns that the man Van Tilden shot was married to Rosalie (Rita Hayworth), whom he loved many years ago. The Money Trap was directed by Burt Kennedy, who was best known for his witty and unconventional westerns. ~ Mark Deming, All Movie Guide

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Starring:
Glenn FordElke Sommer, (more)
1966  
 
This low-budget vampire quickie is distinguished mainly by the presence of director Stephanie Rothman, who emerged from Roger Corman's New World Pictures (for whom she directed the exploitation classic The Student Nurses) to become an acclaimed feminist filmmaker. The piecework story incorporates footage shot by original director Jack Hill, combined with incongruent elements from a Yugoslavian supernatural thriller titled Operation Titian which Corman obtained for a song, tied loosely together by new vampire material shot by Rothman. This may partially explain why the ancient Slavic vampire featured in the film decides to possess the body of a cheesecake photographer in California, who then murders his models in the name of Art. As one might imagine, this is pretty difficult to follow, but there are some good performances -- particularly from William Campbell as the haunted shutterbug -- and some fairly suspenseful scenes. ~ Cavett Binion, All Movie Guide

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