J. Don Ferguson Movies

It's Big Momma's House on the three-point line in this broad farce, which marks the leading man/woman debut of longtime character actor Miguel A. Nunez. Nunez stars as Jamal Jefferies, a hotheaded pro basketball player whose on-court antics and quick temper get him booted from the league altogether. Faster than you can say Dennis Rodman, Jamal has transformed himself into the busty Juwanna Mann in order to be a forward for a high-intensity team in the WUBA league, the Charlotte Banshees. Behind the doors of the womens' lockerroom, Jamal unexpectedly falls for Michelle Langford (Vivica A. Fox), the team's no-nonsense captain. But prosthetic breasts and false eyelashes aren't the only thing preventing Jamal from finding true love with Michelle: there's also the problem of her aggressive, two-timing boyfriend, Romeo (Ginuwine), not to mention the unwanted advances Juwanna gets from a skanky rapper named Puff Smokey Smoke (Tom Davidson). ~ Michael Hastings, All Movie Guide

In this comedy, a basketball fan figures she could be a better coach than the guy getting paid millions to do the job -- and then gets the chance to prove it. Edwina "Eddie" Franklin (Whoopi Goldberg) is a limousine dispatcher and sometime driver who is a passionate New York Knicks fan; she loyally follows their every move, attending as many home games as possible from the cheap seats and radioing game updates to her drivers when they play during her working hours. The Knicks are purchased by eccentric Southern millionaire Wild Bill Burgess (Frank Langella) in the middle of a long losing streak; when Wild Bill calls for a limo, Eddie arranges to drive him herself, and gives him a piece of her mind about the sad state of the team. Impressed, Wild Bill makes Eddie an honorary coach for the night, and her spitfire attitude and encouragement of the players impresses her. However, Wild Bill thinks putting on a show to boost attendance is more important than having a winning team, and eventually Knicks coach Bailey (Dennis Farina) quits in disgust. Wild Bill gets the bright idea of hiring Eddie as the team's new head coach; she considers it an honor, and at only $50,000 a year, he considers it a bargain. While Eddie is hardly an experienced leader, she soon learns how to motivate her team, and against all odds she helps pull the Knicks out of their losing streak -- but now has to face Wild Bill, who is losing interest in the team and wants to sell. Several real-life NBA stars make cameo appearances, including Dennis Rodman, John Salley, Rick Fox, and Mark Jackson, while prominent New Yorkers David Letterman and Donald Trump play themselves. ~ Mark Deming, All Movie Guide

A blend of screwball farce and whodunit murder mystery, this madcap period piece was the brainchild of executive producer George Lucas. In 1939, Penny Henderson (Mary Stuart Masterson) is the harried general secretary and de facto manager of a new fourth radio network, WBN. On the night that the Chicago station goes live on the air, a mysterious voice interrupts, and a series of murders soon follows, each one described by the same sonorous phantom. While Penny and her staff desperately try to keep WBN's roster of shows afloat during the unfolding crisis, her estranged husband Roger (Brian Benben), a staff writer, becomes the chief suspect. Roger is forced to dodge a detective, Lieutenant Cross (Michael Lerner), find the real killer, win Penny back, and perform last-minute script rewrites for an unhappy sponsor. As the backstage hysteria reaches a fever pitch, the show goes on with real-life radio-era pros such as George Burns and Rosemary Clooney. Although never explicitly pointed out in the film, Radioland Murders (1994) was a pseudo-prequel to an earlier Lucas feature -- Roger and Penny are the future parents of Curt Henderson (Richard Dreyfuss) from American Graffiti (1973). ~ Karl Williams, All Movie Guide

"Her charms deceived him. Her evil betrayed him. Now only the truth can free him." The ad copy for the made-for-cable Linda only scratched the surface, but it did capture the gist of the story. Richard Thomas plays a nebbish who takes a Florida vacation with his restless wife Virginia Madsen. Before they can slap on the sun block, Thomas and Madsen becomes involved with another couple, played by Ted McGinley and Laura Harrington. A murder ensues, and Thomas is fingered as the most likely suspect. There's many a James M. Cain-ish plot twist before Thomas -- and the audience -- learn which end is up. Linda debuted October 8, 1993, on the USA cable network. ~ Hal Erickson, All Movie Guide

Geoff Murphy directed this time-travel chase movie. Emilio Estevez stars as Alex Furlong, a racecar driver from 1991, who is just about to experience a deadly crash in his Formula Atlantic. But at the last moment Alex finds himself transported to the streets of New York in 2009. He is saved from certain death and zapped into the future by 21st-century bounty hunter Vacendak (Mick Jagger), who wants to take over Alex's body. Alex escapes Vacendak's clutches and decides to look up an old girlfriend. When he locates Julie (Rene Russo), he enlists her support to help him from being captured by Vacendak. Much to Alex's surprise, he discovers that Julie now works as a top executive for a giant corporation presided over by McCandless (Anthony Hopkins). Julie, separated from Alex for almost twenty years, must decide whether to renew their relationship. But there is not much time for thought by either party, since Vacendak is still coming after Alex. ~ Paul Brenner, All Movie Guide

After his partner is killed, a police officer's vow of vengeance threatens to expose a cocaine dynasty. ~ All Movie Guide

The second In the Line of Duty fact-based TV movie of the 1990-1991 season, In the Line of Duty: Manhunt in the Dakotas stars Michael Gross as an urban FBI agent. His quarry is Gordon Kahl (Rod Steiger), leader of a right-wing extremist movement whose battle against authority has led to murder. Charged with killing two federal marshals, Kahl holes up in the Dakota hills, with his fanatical followers running interference as the feds close in. Though the film takes no sides, it details the sort of financial and social pressures that might bring forth a charismatic madman like Gordon Kahl. ~ Hal Erickson, All Movie Guide

A beautiful horticulturist visits her stepfather to discover the mystery behind her mother's untimely death. Her stepfather wants to kill her to create his immortality serum, but the Swamp Thing comes to her rescue. The two become an unlikely couple, hunted by the insane Dr. Arcane. ~ All Movie Guide

John Lithgow sets aside his patented drooling villainy to play the sympathetic title character in Traveling Man. Beset by business and marital problems, salesman Lithgow feels as though he's at the end of his rope. But it's at this point that he avoids the Willy Loman syndrome by realizing that there's more to life than a smile and a shoeshine. Fade-out salvation arrives in the lovely form of Margaret Colin. Jonathan Silverman co-stars as Lithgow's eager-beaver assistant, while John Glover is slime personified as the sales manager. Written for television by David Taylor, Traveling Man debuted June 24, 1989, over the HBO Cable service. ~ Hal Erickson, All Movie Guide

Windmills of the Gods was adapted for television by John Gay from a best-selling novel by Sidney Sheldon. Jaclyn Smith plays an American college professor, appointed US ambassador to Romania. While attending a peace conference, Jaclyn's life is placed in jeopardy by an all-powerful secret organization. Whom can she trust: American president Michael Moriarty, Rumanian top dog Franco Nero, fellow scholar David Ackroyd, or confrence chairman Ian McKellan? Or none of the above? This wide-ranging romantic adventure was lensed in several exotic locales, from Bucharest to Chile. Originally presented in two parts, Windmills of the Gods debuted February 7, 1988, directly opposite the ratings-busting TV-movie Elvis and Me. ~ Hal Erickson, All Movie Guide

Writer-director Stephen King falls short in his debut at the helm with Maximum Overdrive, an absurd tale about a radiation storm that somehow animates machines across the world, causing them to turn on their makers. The film focuses on a group of survivors held captive at the Dixie Boy Diner by a group of bad-tempered semis. Led by Emilio Estevez, the diner-goers do their impression of Ten Little Indians, waiting their turn until each gets bumped off one by one. There are holes in the plot big enough for the semis to drive through; for example, why don't the trucks run over the diner at the start of the film rather than wait for ninety minutes? Maximum Overdrive's only distinction is that it is, without question, one of the worst films released in the '80s. ~ Jeremy Beday, All Movie Guide

Prominently displaying red-white-and-blue title colors, this subtly patriotic fact-based movie about kids who succeed is dated by the fact that all these daring youngsters are white, without any discernible ethnicity. Dickie (Scott Schwartz) is an enterprising kid on a ranch in southern California who puts his business tendencies to practical use in several successful ventures, aided and abetted by his siblings and other friends. When Dickie & Co. become too successful, they are taken to court by their adult business rivals, but they refuse a lawyer and defend themselves. The kids win their case against their adult competitors and their lawyers, leaving the courtroom to cheers and upraised fists from a sea of youngsters outside. Three years of law school at exorbitant costs, plus a two-year internship and years of moving up a densely-runged ladder -- just to lose to an 11-year old, amazing. ~ Eleanor Mannikka, All Movie Guide