Edwige Fenech Movies

Three American students studying art in Rome are drawn into a grim world of torture and suffering in director Eli Roth's blackly comic sequel to the horror hit that shocked the world. Beth (Lauren German), Whitney (Bijou Phillips), and Lorna (Heather Matarazzo) have ventured outside of their stateside surroundings in order to get a more worldly appreciation of the arts. But sketching nudes all day can take its toll on even the most talented artist, and when class is over the three girls jump at the opportunity to experience Europe firsthand. As they set out on the train for an impromptu weekend trip, however, the coeds are surprised to cross paths with the beautiful model they had just been sketching. It appears that she, too, is preparing for a vacation that promises to be both relaxing and rejuvenating, and a generous invitation to join her at a remote hostel surrounded by soothing hot springs ultimately proves too tempting for the adventurous Americans to pass up. Unfortunately for the unsuspecting students, one person's idea of relaxing can be another's worst nightmare. Now on an unavoidable collision course with two American businessmen who long to get an edge on their competition by experiencing the thrill of the kill and a scythe-wielding woman who maintains her youthful visage using the Elizabeth Bathory method, these unsuspecting students are about to fall into a trap that remains one of the sadistic and wealthy elite's most well-guarded secrets. ~ Jason Buchanan, Rovi

The life and times of Italy's King Ferdinand are played for laughs in this comic historical piece directed by Lina Wertmuller. Set in the 18th century, Ferdinando E Carolina opens with the aging Ferdinand falling ill and being taken to his bed, with his life story told in flashback. A naturally rambunctious and impetuous child, Ferdinand grows to young adulthood and is poised to take over the crown at 16. The powers behind the throne have arranged a marriage with a princess from Austria (despite the fact that Ferdinand has already taken a lover), but she dies of smallpox before the wedding can take place; her sister is next proposed as a fitting mate, but then she dies as well. When a third sister, Maria Carolina, is presented, Ferdinand is decidedly unenthusiastic, given the family's track record on the path to the altar. But when Ferdinand's advisors (and Carolina's mother) start to lean on him, he agrees, and he soon discovers on their honeymoon that he and Carolina get along famously in the bedroom, if nowhere else. While Ferdinand is never quite cured of his roving eye, Carolina soon has the King under her spell, and her political power soon rivals his own. While much of the cast of Ferdinando E Carolina (aka Ferdinand and Carolina) are newcomers, veteran Italian film stars Silvana De Santis and Mario Scaccia appear in supporting roles. ~ Mark Deming, Rovi

This clichéd view of the U.S. from the window of an Italian boys' academy tour bus is meant to be a comic romp of a travelogue with potential sexual situations -- but the sex and the comedy never quite materialize. A young priest (Christian De Sica) is chaperoning the tour, and he almost ends up in bed with Mrs. De Romanis (Edwige Fenech) -- by accident, Peo (Jerry Calà) almost ends up in bed with an American -- by intention, and Antonella (Antonella Interlenghi) almost beds down Alessio (Claudio Amendola), but not quite. These near-misses were meant to raise the rating out of "restricted to 18 and above." ~ Eleanor Mannikka, Rovi

Voluptuous screen siren Edwige Fenech headlines this bawdy comedy about an Italian policewoman recruited to help take down a powerful crime boss. Try as they might, the authorities just can't seem to slap Italian crime boss Big John (Aldo Maccione) with any charges that stick. Leave it to American FBI Agent Maccarone to notice that Italian policewoman Gianna (Fenech) and her assistant Alvaro Tarallo (Alvaro Vitali) bear an uncanny resemblance to Big John's girlfriend Pupa and his bodyguard Joe Dodiciomicidi. Now, in order to bust Big John for good, Agent Maccarone recruits Gianna and Alvaro to infiltrate the organization and gather evidence. Little does Agent Maccarone realize that his ingenious plan has one fatal flaw; his trusty doubles have a penchant for getting into trouble, and by the time their mission is finished New York City will never be the same again. ~ Jason Buchanan, Rovi

Just as a man (Aldo Maccione) is enjoying his fantasies of being another "Agent 007" in bed with a voluptuous, intelligent co-spy, the unsuspecting dreamer is mistaken for a real spy and shipped off to Tunisia where he has to carry out a true-life mission. Unfortunately, the real spy is a flamboyant homosexual (Aldo Maccione again) and the confusion between the two characters adds up to some slapstick moments in this 007 spoof. ~ Eleanor Mannikka, Rovi

Director Dino Risi's guns seem to misfire in this long and cliched diatribe at the filmmaking industry. Antonio (Renato Pozzetto) is an average aspiring thespian from a remote area of Italy who heads to Rome and the film studios to seek both fame and fortune. Instead, he ends up bilked by an unscrupulous agent, exploited by gorgeous actress Cinzia (Edwige Fenech), and regularly hit on by a gay acting coach. Antonio does get some bit parts in several films but that does not necessarily guarantee his future. His misfortunes carry commonly held stereotypes to the limit, and they are just the beginning. ~ Eleanor Mannikka, Rovi

This Italian anthology uses the standard sex comedy format but lacks the subtle social commentary present in its predecessors. In the "Saturday" episode, a modest accountant is sent by his boss to entertain a visiting Japanese engineer who turns out to be a pretty woman (Edwige Fenech). In the "Sunday" episode, a truck driver (Michele Placido) has to help his suicidal neighbor (Barbara Bouchet) by posing as her husband when her Sicilian parents come visiting. In the "Friday" episode, a variety show owner (Adriano Celentano) tries to get back his star dancer who decided to marry a notorious gangster. ~ Yuri German, Rovi

The American prints of Battle Force credit the direction to one Humphrey Longan, but in fact the man behind the megaphone of this European war flick was Umberto Lenzi. Orson Welles narrates this crazy-quilt of stock battle footage and hapharzardly staged new scenes. A lot of potent acting talent -- Henry Fonda, Stacy Keach, Helmut Berger, Samantha Eggar -- is squandered herein. Since we know who won the war, it serves no purpose to offer a random series of events leading up to the victory if they aren't going to be interestingly presented. Originally titled Il Grande Attaco, this one was also shipped out as La Battaglia di Mareth, The Biggest Battle and The Great Battle. ~ Hal Erickson, Rovi