Catherine Lloyd Burns Movies

A man with a "doormat" personality tries standing up for himself for a change in this comedy. Mild mannered tax accountant Elliot Sherman (Michael Showalter) is what he calls a "Baxter": the kind of calm, unexciting fellow who "wears sock garters" and "enjoys raking leaves." Loved by bosses and parents, Elliot is a perfectly nice guy. And that's his problem -- he's safe and pleasant, but not very interesting, so as a consequence he hasn't had much luck with long-term relationships, and more than one woman has abandoned him for someone more exciting. Elliot believes his luck has finally changed for the better when he becomes engaged to Caroline Swann (Elizabeth Banks), a smart and attractive editor at a successful magazine. However, a few weeks before the wedding, who should come back into Caroline's life but Bradley Lake (Justin Theroux), her high school sweetheart and, according to many, the great love of her life. Bradley quickly makes it clear that he wants to win Caroline back, and generally in such circumstances Elliot would politely step aside, but just this once Elliot decides to fight for the woman he loves. Elliot gains an unexpected champion in Cecil Mills (Michelle Williams), a frumpy but adorable temp employee at his office who encourages Elliot to develop a take-charge attitude, though the results aren't quite what he expects. The Baxter was written and directed by Michael Showalter, who also plays Elliot; Showalter was a member of the sketch comedy troupe the State, and also works with the comedy performance trio Stella, whose other members, Michael Ian Black and David Wain, also appear in the movie. ~ Mark Deming, Rovi

Marc Forster directs this chilling psychological drama about a young mother trying to come to terms with the loss of her first born. Angie (Radha Mitchell) and her husband Russ (Justin Louis) live a quiet suburban life. At the film's opening, Angie, along with her best friends Judith (Catherine Lloyd Burns) and Barbie (Megan Mullally), who also happen to be pregnant, gleefully discuss morning sickness and baby showers. After her textbook delivery to a healthy boy, the doctor pulls Russ aside and whispers something in his ear. Angie's worst fears are confirmed when she learns that her child suddenly died, a victim of sudden infant death syndrome. In spite of loving support from her husband and friends, Angie quickly spirals into a deep depression and begins developing morbid obsessions, such as going to morgue to examine her baby, visiting the place where her child's toys are buried, and watching children at play in the park. Shot on digital video, the film features an intense emotionally immediacy. This film was screened at the 2000 Sundance Film Festival. ~ Jonathan Crow, Rovi

There are angels among us, and they like lots of sugar in their coffee, in writer-director Nora Ephron's comic fantasy Michael. Vartan Malt (Bob Hoskins) is the editor of a tabloid called the National Mirror that specializes in unlikely stories about celebrities and frankly unbelievable tales about ordinary folks. When Malt gets word that a woman is supposedly harboring an angel in a small town in Iowa, he figures that this might be right up the Mirror's alley, so he sends out three people to get the story -- Frank Quinlan (William Hurt), a reporter whose career has hit the skids; Huey Discoll (Robert Pastorelli), a photographer on the verge of losing his job (even though he owns the Mirror's mascot, Sparky The Wonder Dog); and Dorothy Winters (Andie MacDowell), a self-styled "angel expert." They arrive at the rooming house of Patsy Millband (Jean Stapleton), who informs them that she does indeed have an angel for a tenant, and introduces them to Michael (John Travolta). Michael has wings like an angel, but the resemblance ends there; Michael loves cigarettes, has an uncontrollable sweet tooth (and a pot belly to match), tends to use a large number of non-angelic phrases, is not much on personal hygiene, and likes to hang out with the ladies. Michael informs his visitors that in Heaven, an angel is allowed a certain number of "vacations" on Earth, and he's in the midst of one now; trouble is, this is the last one he's entitled to, and he wants to make the most of it. Frank and Huey then stumble on a great story idea -- if Michael wants to have some fun, why not take him to Chicago, where he can really kick up his heels? Michael was written in part by Jim Quinlan, himself a one-time reporter, though with a much more respectable tabloid than the Mirror -- he wrote for the Chicago Sun-Times. ~ Mark Deming, Rovi

A double homicide yields two likely suspects: Melanie Cullen (Shirley Knight), widow of the male victim, and Douglas Phillips (David Lansbury), the obsessive ex-boyfriend of the female victim. The key to the case ultimately rests in the hands of Melanie's son, James (Geoffrey Nauffts). Jerry Orbach, who would later join the series' regular cast as detective Lennie Briscoe, is here seen in the adversarial role of the Cullens' defense attorney, Frank Lehrman. ~ Hal Erickson, Rovi