Daniel Zacapa Movies

The most famed and well-regarded collaboration between New German Cinema director Werner Herzog and his frequent leading man, Klaus Kinski, this epic historical drama was legendary for the arduousness of its on-location filming and the convincing zealous obsession employed by Kinski in playing the title role. Exhausted and near to admitting failure in its quest for riches, the 1650-51 expedition of Spanish conquistador Gonzalo Pizarro (Alejandro Repulles) bogs down in the impenetrable jungles of Peru. As a last-ditch effort to locate treasure, Pizarro orders a party to scout ahead for signs of El Dorado, the fabled seven cities of gold. In command are a trio of nobles, Pedro de Ursua (Ruy Guerra), Fernando de Guzman (Peter Berling), and Lope de Aguirre (Kinski). Traveling by river raft, the explorers are besieged by hostile natives, disease, starvation and treacherous waters. Crazed with greed and mad with power, Aguirre takes over the enterprise, slaughtering any that oppose him. Nature and Aguirre's own unquenchable thirst for glory ultimately render him insane, in charge of nothing but a raft of corpses and chattering monkeys. Aguirre, der Zorn Gottes (1973) was based on the real-life journals of a priest, Brother Gaspar de Carvajal (played in the film by Del Negro), who accompanied Pizarro on his ill-fated mission. ~ Karl Williams, Rovi

Chuck Barris is best known to most Americans as the guy who used to host The Gong Show. He was also the creator and producer of The Dating Game, The Newlywed Game, and a handful of other successful game shows in the 1960s and 1970s. But was he also a hired killer working with the CIA? That's the take-it-or-leave-it premise of Confessions of a Dangerous Mind, based on the memoir of the same name by Chuck Barris. Barris (Sam Rockwell) grows up dreaming of success in show biz and winning the hearts of beautiful women, but early on, he meets with plenty of resistance from both women and the television industry, despite writing the hit tune "Palisades Park" and scoring a job with Dick Clark on American Bandstand. The 1960s proves more fortunate for Barris; he meets the love of his life, Penny (Drew Barrymore), and sells ABC on the idea of The Dating Game. However, after the show has made him wealthy and successful, Barris is approached by the mysterious Jim Byrd (George Clooney), a CIA agent who wants to recruit Barris as a covert operative. Barris finds the notion of playing spy games intriguing and agrees, but soon discovers what Byrd and his partners really want is for Barris to assassinate uncooperative figures around the world. Soon, Barris finds that his life has been all but taken over by Byrd and another CIA agent, the mysterious and sexy Patricia (Julia Roberts). As he hops the globe, killing people in the name of American security (using his status as a Dating Game chaperone as a cover), Barris learns that the KGB has discovered his not-so-little secret and that his own life is in great danger. Confessions of a Dangerous Mind marked the directorial debut of actor George Clooney, working from a screenplay adapted by Charlie Kaufman from Barris' book. Dick Clark, Dating Game host Jim Lange, frequent Gong Show panelist Jaye P. Morgan, and Gene Gene Patton appear as themselves. ~ Mark Deming, Rovi

Just before taking medical leave, Gibson (John F. O'Donohue) arranges for Andy (Dennis Franz) to moonlight as the bodyguard for a wealthy -- and very dotty -- old woman named Mrs. Hornby (Elmarie Wendel). In other developments, gay cop John Irvin (Bill Brochtrup) makes a new friend while investigating the theft of some valuable English bulldog puppies, and the squad investigates reports of recent INS screw-ups. Jacqueline Obradors joins the cast as Det. Rita Ortiz, the wife of Assistant DA Don Harrison, who at her husband's insistence is transferred out of Vice and into the 15th precinct, where she is immediately partnered with Det. Connie McDowell (Charlotte Ross) on a missing persons case. ~ Hal Erickson, Rovi

In part one of this episode, a freak accident transported Sisko, Bashir, and Dax back to San Francisco in the year 2024. Their visit occurs a few days before the Bell Riots, the outcome of which will profoundly effect the future, specifically, their future. When legendary homeless advocate Gabriel Bell, in whose honor the riot will occur, dies ahead of schedule, Sisko is forced to assume Bell's identity, and, possibly, to be martyred for Bell's cause. Scripted by Ira Steven Behr and Rene Echevarria from a story by Behr and Robert Hewitt Wolfe, part two of "Past Tense" first aired January 9, 1995. ~ Hal Erickson, Rovi

The Sandlot is sparsely narrated by the main character (now an adult) who occasionally drops in on the action to comment on events or help move the story along. Tom Guiry plays Scotty Smalls, the shy new kid on the block who wants to join the rowdy pickup baseball team that plays every day in the neighborhood sandlot. But he doesn't know how to catch a baseball, and his stepfather (Dennis Leary) is too busy to teach him. He tries out for the sandlot gang anyway, and though he isn't very good, it turns out he's lucky: there happen to be only eight of them, and nine makes a team. The summer passes blissfully as Scotty learns to play ball under the wing of Benny Rodriguez (Mike Vitar), the oldest and best player, as well as Ham, Squints, Repeat, and the rest of the kid-eccentrics. The skies darken, however, when Benny literally knocks the stuffing out of the team's only baseball, a sign of impending doom, or worse, bad luck. Wanting to set things right, Scotty returns home and "borrows" his stepfather's ball, which he promptly uses to hit his first home run, knocking the ball clear out of the sandlot into mean old Mr. Mertle (James Earl Jones)'s junkyard, home to Mertle's legendary guard dog The Beast. Scotty admits that he took the ball without asking, and he naively explains that his stepfather will want it back since it had a woman's name written on it: some lady named Babe Ruth. Horror-stricken, the sandlot gang mobilizes to fetch the autographed ball from the clutches of The Beast, building a series of mechanical ball-retrieval machines which get progressively more complicated and preposterous as The Beast's size grows in their imaginations. ~ Anthony Reed, Rovi