Vincent Tulli Movies

The brief love affair between two 20th century icons is dramatized in this period drama from director Jan Kounen. Igor Stravinsky (Mads Mikkelsen) was one of Europe's most promising new composers when in 1913 he premiered his ballet Le Sacre du Printemps (aka The Rite of Spring); the piece proved to be wildly controversial, and the audience at the Paris debut was vocal in their disgust, ruining Stravinsky's reputation for years. One patron who did like the performance was Coco Chanel (Anna Mouglalis), who was already among Europe's most celebrated fashion designers. Seven years later, Chanel encounters Stravinsky at a party, and learns that the composer is penniless and without a place to live. Chanel befriends him, and allows him to move into her summer home in the country along with his wife, Catherine (Elena Morozova), and their four children. Chanel is nursing a broken heart after the recent death of her boyfriend, and what began as an act of compassion for a fellow artist turns into an affair of the heart as Chanel and Stravinsky become lovers, much to the chagrin of the sickly Catherine. Coco Chanel & Igor Stravinsky was the second film about the fashion icon released in 2009, following Anne Fontaine's Coco Before Chanel. ~ Mark Deming, Rovi

Twenty acclaimed filmmakers from around the world look at love in the City of Lights in this omnibus feature. Paris, Je T'Aime features 18 short stories, each set in a different part of Paris and each featuring a different cast and director (two segments were produced by two filmmakers in collaboration). In "Faubourg Saint-Denis," Tom Tykwer directs Natalie Portman as an American actress who is the object of affection for a blind student (Melchior Belson). Christopher Doyle's "Porte de Choisy" follows a salesman (Barbet Schroeder) as he tries to pitch beauty aids in Chinatown. Nick Nolte and Ludivine Sagnier are father and daughter in "Parc Monceau" from Alfonso Cuarón. Animator Sylvain Chomet turns his eye to a pair of living, breathing mimes in "Tour Eiffel." An interracial romance in France is offered by Gurinder Chadha in "Quais de Seine." In "Le Marais" from Gus Van Sant, a man (Gaspard Ulliel) finds himself falling for a handsome gent (Elias McConnell) who works in a print shop. Isabel Coixet tells the tale of a man (Sergio Castellitto) who is making his final choice between his wife (Miranda Richardson) and his lover (Leonor Watling) in "Bastille." Juliette Binoche plays a grieving mother in Nobuhiro Suwa's "Place des Victoires," in which she's greeted by a spectral cowboy (Willem Dafoe). Richard LaGravanese's "Pigalle" finds a long-married man (Bob Hoskins) turning to a prostitute for advice on pleasing his wife (Fanny Ardant). Gérard Depardieu and Frédéric Auburtin direct Gena Rowlands and Ben Gazzara as longtime marrieds meeting for one final pre-divorce encounter in "Quartier Latin." Steve Buscemi learns a lesson about local etiquette in the Paris Metro in "Tuileries" from Joel and Ethan Coen. In "Loin du 16ème" by Walter Salles, a housekeeper (Catalina Sandino Moreno) longs for her own child as she tends to the infant of her wealthy employer. Elijah Wood stars in "Quartier de la Madeleine," a vampire tale from Vincenzo Natali. Wes Craven presents another fantasy in "Père-Lachaise," in which an engaged young man (Rufus Sewell) receives romantic advice from the spirit of Oscar Wilde (Alex Payne). A postal worker from Colorado (Margo Martindale) shares her thoughts on her visit to Paris in mangled French in Alexander Payne's witty "14th Arrondissement." Other segments include "Place des Fêtes" from Oliver Schmitz, Bruno Podalydès' "Montmartre," and "Quartier des Enfants Rouges" by Olivier Assayas, which stars Maggie Gyllenhaal. Paris, Je T'Aime received its world premiere at the 2006 Cannes Film Festival. ~ Mark Deming, Rovi

Two women try to pass along what they've learned about life, love and work to a handful of kids with unexpected results in this French comedy. For years, Blanche (Josiane Balasko) and her husband ran a diner in a small village in France, with their daughter Louise (Sylvie Testud) coming aboard to help once she was grown. After Blanche's husband passes on, she and Louise decide to keep the place open, though a rival eatery owned by Lucie Chevrier (Catherine Hiegel) sees an opportunity to finally get the edge on their competition. Good-hearted Blanche and Louise hear that a group of foster children in need of parents have been left with nowhere to stay, and they agree to take in the kids. Blanche and her daughter go out of their way to the youngsters about the importance of a solid work ethic; however, this lesson is put to the test when local truck drivers go on strike, and their leader, Pierre (Eric Cantona) tries to convince everyone (including the children) not to work for a while. Writer and director Gerard Krawczyk adapted La Vie Est A Nous (aka It's Our Life) from the novel L'eau des Fleurs by Jean-Marie Gourio. ~ Mark Deming, Rovi

Filmmaker Sally Potter directed this artful meditation on the dynamics of the romantic and sexual relationship. She (Joan Allen) is an intelligent and gifted genetic scientist of Irish-American heritage who feels smothered in her marriage to a British politician (Sam Neill). While dining at a friend's house, She meets He (Simon Abkarian), a handsome Lebanese exile who was a respected surgeon in his homeland but now supports himself in London as a cook. He flirts with her, and She is pleased with his advances; weeks later, she contacts him, and an affair begins. However, despite their mutual attraction, He and She find it difficult to set aside their political and national differences for very long, as love and lust wage a quiet war against the conscience and the intellect. Yes also features supporting performances from Shirley Henderson and Sheila Hancock. ~ Mark Deming, Rovi

An outlaw finds his life becoming all the more dangerous when he turns against a gang of criminals in this action drama. Frank Martin (Jason Statham) is a former Special Forces officer who lives on the French Mediterranean and has a lucrative second career as a underworld courier for hire. Martin will deliver anything anywhere, but he has three iron-clad rules - once the plan is in motion it cannot be changed, neither he nor his customers are to ever use their real names, and under no circumstances will he open the package. Martin is hired to make a delivery to a wealthy but unscrupulous American known as Wall Street (Matt Schulze), but after taking possession of the package he realizes that whatever is inside happens to be alive. Breaking his own rule, Martin opens the bag to discover a beautiful Asian woman, Lai (Shu Qi), who is bound and gagged. Lai briefly escapes, but Martin captures her, and delivers her to Wall Street as promised. However, after being given a parcel to deliver by Wall Street, Martin finds out what Wall Street is up to - in partnership with Lai's father Mr. Kwai (Ric Young), Wall Street is part of a scheme to smuggle Asian illegal aliens into France. Martin's conscience gets the better of him, and he sets out to rescue Lai and put Wall Street and Mr. Kwai out of business; however, as if this wasn't enough of a challenge, Martin discovers a French detective, Tarconi (Francois Berleand) has gotten wind of his illegal business. The Transporter was the first English-language feature for Hong Kong-based director Corey Yuen, who along with directing a number of HK action flicks designed fight choreography for several American films. ~ Mark Deming, Rovi

Two very different policemen seeking the truth about separate crimes find a terrible common link in this thriller from France. Pierre Niemans (Jean Reno) is a noted French detective assigned to investigate a brutal murder at a prestigious college located high in the Alps; the victim was first disfigured and dismembered, then strangled to death. Niemans soon realizes the murder was not an isolated incident when several similarly mangled corpses are discovered. Meanwhile, in a town 150 miles away, a young police investigator, Max Kerkerian (Vincent Cassel), is called in to investigate when the grave of a ten-year-old girl is dug up and ransacked. While interviewing the mother (Dominique Sanda) of the young girl, he crosses paths with Niemans, whose investigation has led him to the same town, and the two men begin to realize a surprising and troubling link between the crimes. ~ Mark Deming, Rovi

French TV star Nagui, described by Variety as "popular for his lowbrow-Letterman approach," portrays Zak, who learns about "the curse of Onan" experienced by males in his family. If Zak does not impregnate a woman before his 33rd birthday, the joys of sex evaporate forever. However, Zak's interest in married women creates a roadblock. Even his current girlfriend, art auctioneer Florence (Cristiana Reali) is a married mother of triplets. So Zak's rabbi cousin Joseph (Thomas Langmann) fixes him up with an attractive supermodel (Joanna Rhodes). It's a race against time before permanent impotence strikes. ~ Bhob Stewart, Rovi

Ariel Zeitoun directed this French comedy depicting Ashkenazic-Sephardic rivalries in the Jewish garment district of Paris. Tunisian-Jewish businessman Alain Berrebi (Michel Boujenah) courts Ashkenazi princess Arlette Stern (Elsa Zylberstein). Her father David (Maurice Chevit) learns of the death of a rural Auvergne peasant who once hid David and his cousin Nathan (Felix Fibich) from the Nazis. Nathan is now a NYC diamond dealer on West 47th Street. David, Nathan, Arlette, and Berrebi head for the funeral in Auvergne. There they encounter the deceased peasant's son, Jean Bourdalou (Gerard Depardieu), who operates the family's restaurants in Paris. Arlette does a romantic take on Bourdalou, which sends the distraught Berrebi off to cry on the shoulder of his mother Gaby (Gina Lollobrigida). Back in Paris, Bourdalou and Berrebi make plans to open a trendy fashion restaurant in Manhattan. The title of this movie is a pun reference not only to shirt size and the central characters' wide scope of ambitions, but also to XXL, a Paris porn channel. ~ Bhob Stewart, Rovi

While to most outsiders Paris seems the very picture of beauty and civility, France has had a long and unfortunate history of intolerance toward outsiders, and this powerful drama from filmmaker Mathieu Kassovitz takes an unblinking look at a racially diverse group of young people trapped in the Parisian economic and social underclass. Vinz (Vincent Cassel), who is Jewish, Hubert (Hubert Kounde), who is Black, and Said (Said Taghmaoui), who is Arabic, are young men from the lower rungs of the French economic ladder; they have no jobs, few prospects, and no productive way to spend their time. They hang out and wander the streets as a way of filling their days and are sometimes caught up in frequent skirmishes between the police and other disaffected youth. One day, a street riot breaks out after police seriously injure an Arab student; the three friends are arrested and questioned, and it is learned that a policeman lost a gun in the chaos. However, what they don't know is that Vinz picked it up and has it in his possession, and when Vinz, Hubert, and Said get into a scuffle with a group of racist skinheads, the circumstances seem poised for tragedy. Actress Jodie Foster was so impressed with La Haine when she saw it at the 1995 Cannes Film Festival that she helped to arrange American distribution for the film through her production company, Egg Pictures. ~ Mark Deming, Rovi