Marianne Faithfull Movies

Legendary rocker Marianne Faithfull (of "As Tears Go By" and Broken English fame) stars in director Sam Garbarski's gently observed comedy drama Irina Palm (2007). She portrays Maggie, a working-class fiftysomething increasingly desperate to cover the cost of her ailing grandson's (Corey Burke) operation. When denied one loan and prospective job after another, a hopeless Maggie plunges headfirst into the underground skin trade of Soho London and prostitutes herself, under the aegis of new boss Miki (Miki Manojlovic). Equipped with a new name, "Irina Palm," Maggie begins working customers with a stimulatory technique so popular that patrons are soon lining up around the corner to be "serviced" by her. ~ Nathan Southern, All Movie Guide

Twenty acclaimed filmmakers from around the world look at love in the City of Lights in this omnibus feature. Paris, Je T'Aime features 18 short stories, each set in a different part of Paris and each featuring a different cast and director (two segments were produced by two filmmakers in collaboration). In "Faubourg Saint-Denis," Tom Tykwer directs Natalie Portman as an American actress who is the object of affection for a blind student (Melchior Belson). Christopher Doyle's "Porte de Choisy" follows a salesman (Barbet Schroeder) as he tries to pitch beauty aids in Chinatown. Nick Nolte and Ludivine Sagnier are father and daughter in "Parc Monceau" from Alfonso Cuarón. Animator Sylvain Chomet turns his eye to a pair of living, breathing mimes in "Tour Eiffel." An interracial romance in France is offered by Gurinder Chadha in "Quais de Seine." In "Le Marais" from Gus Van Sant, a man (Gaspard Ulliel) finds himself falling for a handsome gent (Elias McConnell) who works in a print shop. Isabel Coixet tells the tale of a man (Sergio Castellitto) who is making his final choice between his wife (Miranda Richardson) and his lover (Leonor Watling) in "Bastille." Juliette Binoche plays a grieving mother in Nobuhiro Suwa's "Place des Victoires," in which she's greeted by a spectral cowboy (Willem Dafoe). Richard LaGravanese's "Pigalle" finds a long-married man (Bob Hoskins) turning to a prostitute for advice on pleasing his wife (Fanny Ardant). Gérard Depardieu and Frédéric Auburtin direct Gena Rowlands and Ben Gazzara as longtime marrieds meeting for one final pre-divorce encounter in "Quartier Latin." Steve Buscemi learns a lesson about local etiquette in the Paris Metro in "Tuileries" from Joel and Ethan Coen. In "Loin du 16ème" by Walter Salles, a housekeeper (Catalina Sandino Moreno) longs for her own child as she tends to the infant of her wealthy employer. Elijah Wood stars in "Quartier de la Madeleine," a vampire tale from Vincenzo Natali. Wes Craven presents another fantasy in "Père-Lachaise," in which an engaged young man (Rufus Sewell) receives romantic advice from the spirit of Oscar Wilde (Alex Payne). A postal worker from Colorado (Margo Martindale) shares her thoughts on her visit to Paris in mangled French in Alexander Payne's witty "14th Arrondissement." Other segments include "Place des Fêtes" from Oliver Schmitz, Bruno Podalydès' "Montmartre," and "Quartier des Enfants Rouges" by Olivier Assayas, which stars Maggie Gyllenhaal. Paris, Je T'Aime received its world premiere at the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Photographer and filmmaker Bruce Weber has often made his enthusiasms and obsessions a part of his work, and he introduces the world to several of the great loves of his life -- his dogs -- in this feature-length documentary. A Letter to True takes the form of an open letter to True, Weber's Golden Retriever, in which he discusses why he loves True and his other dogs, allowing some of his friends to share their own feelings about their pets. Along the way, Weber also writes about how he was impacted by the attacks of September 11, 2001, his admiration for the late photojournalist Larry Burrows, and how he became involved using his talents to aid Haitian refugees. Weber's relationship with his dogs, however, remains the film's focal point and he includes narration from Julie Christie and vocals from Marianne Faithful to accompany his footage of canines in their element. ~ Mark Deming, All Movie Guide

One man's sexual obsessions and emotional weaknesses are laid bare in this controversial drama. Jay (Mark Rylance) is a cold, emotionally distant man who abandoned his wife and children several years ago andnow works in a nightclub. Jay enters into an affair with a married woman, an amateur actress named Claire (Kerry Fox), in which their emotional needs barely enter the picture; they meet once a week and have sex, talking as little as possible and parting ways once they're done. One week, Jay follows Claire after their weekly encounter and sees her meeting her husband Andy (Timothy Spall), a cheerful and good-natured cab driver. Jay becomes curious about Andy and strikes up an acquaintance with him; as they become friendly, Jay begins sharing with Andy the details of his affair with a married woman, without mentioning his lover's name. Claire has already begun moving away from her affair with Jay, and when she discovers that he's been meeting with her husband and sharing information about their relationship, she becomes understandably furious. Intimacy was the first English-language film for French director Patrice Chereau; the film received its North American premiere at the 2001 Sundance Film Festival. ~ Mark Deming, All Movie Guide

The classic songs of Noel Coward are performed by some of the biggest stars of British pop, including Elton John, Sting, and Marianne Faithfull, in this video which celebrates the wit, charm, and timeless beauty of Coward's music. ~ Mark Deming, All Movie Guide

Life continues apace for Edina (Jennifer Saunders), Patsy (Joanna Lumley), and Saffron (Julia Sawalha). Eddy has adopted a dolphin as both house pet and PR client; Pats has moved out of Odd Bins to make room for a new liquor aisle; and Saffy has finally found a boyfriend -- the wealthy, condescending Paolo Carlo (Tom Hollander). Mother (June Whitfield), meanwhile, has taken up with a cadre of in-your-face, elderly "snowbirds," while Bubble (Jane Horrocks) is out of the picture, busy with her new job at French Vogue. Pats and Eddy decide to vacation in Val d'sere, which, as with their earlier vacations in Absolutely Fabulous: France and Absolutely Fabulous: Morocco, turns out to be less welcoming than they'd hoped. While Pats takes up with a hunky ski instructor, Eddy has a near-death experience out on the slopes in which God appears to her in the form of Marianne Faithfull. Convinced she has been spared for some larger purpose, Eddy returns home to find that her mother's new friends have taken up residence in their camper van in the front drive. A more pressing concern arrives in the form of Saffy's engagement to Paolo; a meeting between the Monsoon clan and the mega-rich Carlo family goes poorly at first, but when Patsy realizes that Paolo's mother, Kalishia (Carmen Du Sautoy), is actually a former B-movie bimbo, the fearful society matron finds herself de-fanged. Soon life is a blur of wedding preparations, from fittings at Christian Lacroix's designer boutique to involuntary depilatory sessions forced on the hapless bride-to-be. The action climaxes at the ceremony itself, where the guests include a who's who of previous "AbFab" guest stars. Absolutely Fabulous: The Last Shout was originally broadcast as a two-part TV movie on BBC 1 in 1996, a year after the end of the third "AbFab" series. It would be the last installment until series four began in 2001. Former Shakespear's Sister member Marcella Detroit appears as God's angelic sidekick; the singer also contributed several songs to the soundtrack, including a new rendition of the show's unmistakable theme music, "This Wheel's on Fire." Nickey Clarke, Suzy Menkes, Bruce Oldfield, Christopher Biggins, and Lacroix appear as themselves. ~ Brian J. Dillard, All Movie Guide

Two teenaged lads vie for the attention of a nubile young German tourist visiting the beautiful Irish countryside in this heartfelt coming-of-age drama. ~ Jonathan Crow, All Movie Guide

Though not as successful as Trainspotting (1996) or Lock, Stock and Two Smoking Barrels (1998), this high-energy, kinetic crime thriller belongs in the same British New Wave category as those later films. In a decaying British city of the near future, Billy (Jude Law) is an ex-con adrenaline junkie dating a Belfast native, the thrill-seeking Jo (Sadie Frost). Billy and Jo are the leaders of a teen gang of "ram-raiders," car thieves who jack an automobile, ram the vehicle through the front of a store, and steal whatever booty they can carry before the authorities arrive. A typical ram raid ends up in a high-speed pursuit by the police, which is all a part of the game for Billy, Jo, and their followers. However, a local drug lord, Tommy (Sean Pertwee) doesn't like the teen crooks infringing on his business. His opposition to their scheming leads to a deadly car race that plays out like a game of post-modern "chicken." Following the release of Shopping (1994), writer-director Paul Anderson went in a different direction than contemporaries Guy Ritchie and Danny Boyle, opting to create slick Hollywood science fiction films such as Mortal Kombat (1995), Event Horizon (1996), and Soldier (1998). ~ Karl Williams, All Movie Guide

Marty (Alfred Molina) is a down-and-out jazz musician with colorful dreams of making it big, but right now he's living on the edge and making small money by giving music lessons to people who don't seem to want them. His sometimes girlfriend, Sheila (Maggie O'Neill), is a barmaid at the Rose of Sharon, a local pub owned by the hot-tempered Frank (Seymour Cassel). One day Sheila takes an old rocking chair out of the pub's storage and gives it to Marty; he then discovers that the chair is haunted by two ghosts, a middle-aged woman named Lilly (Marianne Faithfull) and a precocious little girl named Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, but Lilly is contemporary. These easygoing souls appear to Marty and enliven his life with non-threatening pranks, but things turn serious when Marty discovers Lilly was Frank's wife, who killed her in a fit of rage. With the help of the mortal, the ghosts plan revenge.

~ Buzz McClain, All Movie Guide

This musical performance video of The Chieftain's is a holiday celebration. Guest stars highlight this video, including Jackson Browne singing "The Rebel Jesus," Ricki Lee Jones performing "O Holy Night," and Marianne Faithful singing "I Saw Three Ships a Sailing." ~ All Movie Guide

In a careful, step-by-step manner, this documentary traces the lives and careers of the Beatles from childhood to breakup. The post-Beatle lives of John, Paul, George and Ringo are gingerly touched upon in the film's closing sequences, with emphasis given the senseless 1980 murder of John Lennon. Through rare family photos, early home movies and TV kinescopes we are shown the matriculation of the Beatles from a bedraggled punk group to a well-tailored, mop-topped foursome under the aegis of Brian Epstein. We are also briefly introduced to might-have-been Beatles Stu Sutcliffe and Pete Best. George Martin, the producer who oversaw such late-1960s Beatles projects as Sgt. Pepper's Lonely Hearts Club Band, reveals several intriguing trade secrets and wonderful bits of backstage gossip. By incorporating shots of Beatles merchandising, imitation groups, and the ear-piercing reactions of the Fab Four's fans (as well as several shots of disillusioned young ladies during the team's waning years), the amazing impact of the foursome on the 1960s music industry is forcefully brought home. Malcolm McDowell narrates this priceless pop-culture montage. The Complete Beatles was originally produced for home video by MGM/United Artists, the company which in 1982 held the video rights for the Beatles flicks A Hard Day's Night and Help. ~ Hal Erickson, All Movie Guide