Tom Fadden Movies

Screenwriter Philip Dunne doubled as director on the elaborate filmed biography Prince of Players. Richard Burton stars as the eminent American tragedian Edwin Booth, whose life and career is thrown into turmoil after his younger brother John Wilkes Booth (John Derek) assassinates Abraham Lincoln. The film begins as the younger Edwin assists his alcoholic, ailing father Junius Brutus Booth (Raymond Massey) during a tour of the American hinterlands. When Junius dies just before a performance, Edwin goes on in his stead, thereby launching his own starring career. In danger of becoming as much of a drunk and carouser as his father, Edwin eventually pulls himself together, but his brother's act of violence turns the audience against the name of Booth. Almost booed offstage during a performance of Hamlet, Edwin stands his ground, finally earning the respect of his rowdy audience. Not exactly packed with fast action, Prince of Players will appeal most to lovers of theater in general and Shakespeare in particular. Highlight: Richard Burton and Eva LeGalleine performing the balcony scene from Romeo and Juliet in the courtyard of a brothel. ~ Hal Erickson, Rovi

Producer-director-star Hugo Haas attempts a costume melodrama in Thy Neighbor's Wife. Plotwise, it's the usual Haas formula: a middle-aged man, his voluptuous young wife and a handsome interloper. In the 19th century, a Moravian magistrate (Haas) swears vengeance when his gorgeous bride (Cleo Moore) renews her romance with her ex-flame (Ken Carlton). When the young man's uncle is murdered, the judge prosecutes his wife's lover for the crime, despite the fact that he's already heard a confession from the village-idiot (Tom Fadden). To make sure that the young man is hanged, the judge kills the real killer; this is witnessed by the judge's wife, who is likewise promptly murdered by her over-zealous husband. Eventually, justice -- or rather, conscience -- emerges triumphant. The ad campaign for Thy Neighbor's Wife included an alluring 8 X 10 of the bare-backed Cleo Moore being flogged, though this is hardly an important moment in the film's course of events. ~ Hal Erickson, Rovi

The Lawless Breed is based on the exploits of Texas bad man John Wesley Hardin, played here quite convincingly by Rock Hudson. The film takes the Cecil B. DeMille approach of condemning evil by showing as much evil as the censor will allow. After nearly an hour of unrepentant perfidy, Hardin settles down to marry good woman Julie Adams. In middle age, he determines to steer his son clear of outlawry, resulting in a sentimental but non-maudlin finale. Directed by Raoul Walsh, who had given Rock Hudson his first screen role in Fighter Squadron, Lawless Breed was reportedly instrumental in landing Hudson as starring role in George Stevens' Giant (1956). ~ Hal Erickson, Rovi

The old "Cain and Abel" plot device is redefined within Western terms in MGM's Vengeance Valley. Burt Lancaster stars as ranch-hand Owen Daybright, who has been raised as a son by rancher Arch Stroble (Ray Collins). Stroble's natural son Lee (Robert Walker) has always been envious of Owen, who in turn has spent most of his life pulling Lee out of trouble and keeping the boy's misdeeds a secret from the elder Stroble. When Lee fathers an illegitimate child, he tries to shift the responsibility on Owen, leading to a life-threatening confrontation with the vengeance-seeking brothers of the baby's mother (Sally Forrest). There's plenty more plot twists before virtue finally triumphs. Joanne Dru co-stars as Lee's long-suffering wife Jen, who harbors a secret yen for Owen. Since lapsing into public domain, Vengeance Valley has shown up with increasing frequency on cable television; it has also been made available in a narrated version for the visually impaired. ~ Hal Erickson, Rovi

With Dallas, Gary Cooper revived his long-dormant association with westerns. Cooper plays ex-Confederate officer Blayde Hollister, who rides into Dallas in search of the men who killed his family and stole his land. Because he is considered to be an outlaw by the authorities, Hollister is compelled to switch identities with U.S. marshal Martin Wetherby (Leif Erickson). This ruse requires Hollister to explain his plan to Wetherby's lady friend, Tonia Robles (Ruth Roman). One by one, Hollister gets rid of the men responsible for the murders of his loved ones. The most formidable of his enemies, Will Marlow (Raymond Massey), proves to be a bit too clever to fall into Hollister's trap...at least until Marlow shows his hand in the final scene. There's more talk than action in Dallas, but Gary Cooper's laconic performance holds the audience's interest throughout. ~ Hal Erickson, Rovi

In this western comedy, a milquetoast gunsmith from the East Coast goes to Arsenic City, Arizona because he has heard that everybody their carries guns. His trip West is an exercise in misfortune. Everything that could go wrong on the journey, does. At least he meets a pretty woman, also en route to Arsenic City. She goes there in search of her late father's gold mine. They fall in love and work together to find her father's killer and reclaim the mine. ~ Sandra Brennan, Rovi

Barbara Stanwyck plays Polly Fulton, rebellious daughter of a wealthy industrialist (Charles Coburn). Polly marries a conservative economist professor (Richard Hart), but she chafes at his values and leaves him for socialist professor Van Heflin. Polly nearly ruins both her father's reputation and her own by embracing Heflin's radicalism. Based on a novel by J. P. Marquand, B.F.'s Daughter emerges as an unsubtle swipe at the policies of the late president Franklin Roosevelt; perhaps this was at the behest of MGM's arch-Republican head man Louis B. Mayer. In England, where the letters "B. F." comprise a euphemism for "bloody fool", the film was retitled Polly Fulton. ~ Hal Erickson, Rovi

All of his life, Danny Hawkins (Dane Clark) has been taunted and mistreated by most of the people around him, enduring innumerable beatings and other humiliations as a boy because his father was a murderer who died on the gallows. He finds it not much better as an adult, living with his aunt in the small Virginia town of Woodville -- especially when he is contending for the attentions of young schoolteacher Gilly Johnson (Gail Russell) with his boyhood tormentor Jerry Sykes (Lloyd Bridges), whose bullying and arrogance are made worse (and more galling) by the fact that he's the son of the town banker (and its richest man). Sykes picks a fight with Danny and loses for the first time, but he dies in the process. Knowing how the town thinks of him because of his father, Danny tries to hide the body. But for all of his bitterness over how he's been treated, he can't truly escape the feelings of guilt over what he's done -- nor can he escape his fear of what people will probably think. For a time, his new romance with Gilly distracts him, but he's unable to put it out of his mind for long, especially when he's forced to join his good friend Mose (Rex Ingram) on a raccoon hunt that takes them right to the pond where the body is hidden. Soon the sheriff (Allyn Joslyn) is investigating, and he can't help but confer with the one man in town whose judgment he respects nearly as much as his own -- Danny. And when Danny's deaf-mute friend, Billy (Harry Morgan), unknowingly uncovers a key piece of evidence, Danny is pushed almost to the breaking point. He's driven by his own instincts to run away, and invite almost certain capture or death, but Gilly and the sheriff see this as a chance for Danny not only to free himself of the torment over what he's done but from the past that has haunted him and blighted his life -- if only they can reach him and make him understand. ~ Bruce Eder, Rovi

Chased by a posse to a remote cabin, Jeb (Robert Mitchum) is joined by his fearful wife Thorley (Teresa Wright), awaiting the arrival of the men tracking them, as they try to reason out what has gone wrong in their lives. Jeb can't remember anything about his early childhood except for a horrible incident in which the people around him were killed by a mysterious stranger, whose flashing spurs were all the boy saw. He was raised by Ma Callum (Judith Anderson), alongside her two children, Thorley and Adam, as one of her own. But every time Jeb seemed poised to find peace, or even simple stability in his life, lurking nearby was Grant (Dean Jagger), a one-armed stranger who seemed bent on tormenting Jeb -- Jeb doesn't know who he really is, much less who Grant is, but Grant knows enough about him and is good enough at manipulating human nature to make Jeb a target for jealousy and murder. Making Jeb's life even more complicated is the fact that he and his adopted sister Thorley fell in love with each other, while Adam (John Rodney), his adopted brother, has come to hate him. The machinations around Jeb and Thorley come home to roost in multiple shootings and murder, a deadly chase and a long-planned lynching. ~ Bruce Eder, Rovi

A mysterious crook by the name of "The Poet" is robbing Wells Fargo stages and creating havoc in the Old West. The sheriff is having no luck discovering the desperado's identity; when he comes across James Wylie (Dennis Morgan), a gambler who is running from the law in Carson City, he blackmails him into going undercover and tracking the outlaw down. Wylie takes the next coach out, joined by two tantalizing women, Ann (Jane Wyman) and Emily (Janis Paige). Emily is just a saloon singer (which affords her the chance to croon "I'm So in Love" and "Going Back to Old Cheyenne"), but it turns out that Ann is more unusual -- she's the wife of The Poet. The two team up to track him down (encountering The Sundance Kid and his gang along the way) -- and discover that they make a pretty good team. A popular TV series of the same name was loosely based upon the movie; starring Clint Walker, it ran for 7 years starting in 1955. ~ Craig Butler, Rovi

A young girl is adopted into a small town family, but instead of finding happiness, she finds her life a living nightmare due to neighbors' constant speculation as to he father's identity. The scuttlebutt is that she is the illegitimate daughter of a prominent lawyer and former resident (Ronald Reagan). The girl (Shirley Temple in her first role as a teen) becomes especially sensitive to the gossip after she hits adolescence. The backbiting gets so bad, that she loses her first boyfriend. Matters become more explosive when the lawyer returns from Washington D.C. and begins a romance with the girl's favorite teacher. He also finds the troubled girl intriguing but does not realize this until the despondent youth attempts to commit suicide. ~ Sandra Brennan, Rovi

The definitive Humphrey Bogart/Lauren Bacall vehicle, The Big Sleep casts Bogart as Raymond Chandler's cynical private eye Philip Marlowe. Summoned to the home of the fabulously wealthy General Sternwood (Charles Waldron), Marlowe is hired to deal with a blackmailer shaking down the General's sensuous, thumb-sucking daughter Carmen (Martha Vickers). This earns Marlowe the displeasure of Carmen's sloe-eyed, seemingly straight-laced older sister Vivian (Bacall), who is fiercely protective of her somewhat addled sibling. As he pursues the case at hand, Marlowe gets mixed up in the murder of Arthur Geiger (Theodore von Eltz), a dealer in pornography. He also runs afoul of gambling-house proprietor Eddie Mars (John Ridgely), who seems to have some sort of hold over the enigmatic Vivian. Any further attempts to outline the plot would be futile: the storyline becomes so complicated and convoluted that even screenwriters William Faulkner, Leigh Brackett, and Jules Furthmann were forced to consult Raymond Chandler for advice (he was as confused by the plot as the screenwriters). When originally prepared for release in 1945, The Big Sleep featured a long exposition scene featuring police detective Bernie Ohls (Regis Toomey) explaining the more obscure plot details. This expository scene was ultimately sacrificed, along with several others, in favor of building up Bacall's part; for instance, a climactic sequence was reshot to emphasize sexual electricity between Bogart and Bacall, obliging Warners to replace a supporting player who'd gone on to another project. The end result was one of the most famously baffling film noirs but also one of the most successful in sheer star power. ~ Hal Erickson, Rovi

There's only one magnum of French champagne left in all of San Francisco, and both Navy lieutenant Briggs (Ray Milland) and bride-to-be Margie (Olivia De Havilland) want it. Briggs needs the magnum to christen a new aircraft carrier. Margie craves the bottle as the centerpiece for her upcoming wedding reception. Fiercely combative throughout most of the proceedings, hero and heroine eventually fall in love, much to the discomfort of Margie's cloddish fiancee Torchy (Sonny Tufts). Some good location filming helps, but otherwise The Well-Groomed Bride is strident and obnoxious, unworthy of the talents of its stars. ~ Hal Erickson, Rovi