Tom Fadden Movies

Frank Sinatra stars in this bawdy western satire as Dingus Magee, a would-be outlaw who robs Hoke Birdsill (George Kennedy) while Hoke is en route to Yerkey's Hole, New Mexico. Hoke reports the theft to Belle Knops (Anne Jackson), the mayor of Yerkey's Hole and proprietor of the town's biggest business, a brothel favored by the enlisted men at the nearby Army fort. Belle appoints Hoke as the new deputy, and he tracks down Magee as he's enjoying a roll in the bushes with Anna (Michele Carey), a very friendly Indian maid. Hoke brings in Magee, but Anna then helps him escape; Belle uses Magee's unscheduled release to convince the commanding officers at the Army base that an Indian uprising is imminent, and that their planned relocation to Little Big Horn (where they hope to arrive before Gen. Custer and his troops) might be a bit premature (not to mention bad for her business). Soon Hoke is after Magee for robbing a stage and stealing the strongbox (which, of course, he can't open), the Indians are after Magee for running off with Anna, a sexually repressed schoolmarm named Prudence (Lois Nettleton) is after Magee after he awakens the woman within her, and John Wesley Hardin (Jack Elam) is after Magee, well, just because. "Catch-22" author Joseph Heller co-wrote the screenplay. ~ Mark Deming, Rovi

When the Hooterville Cannonball is derailed, Homer Bedloe (Charles Lane) hopes to use the "disaster" as an excuse to put the engine out of commission. In response, the citizens of Hooterville take over the operation of the Cannonball themselves. At first, engineers Charley (Smiley Burnette) and Floyd (Rufe Davis) are delighted--but after a few weeks of suffering the impossible demands of the engine's new "owners", the boys are on the verge of quitting! Virginia Sale, who'd appeared in several earlier episodes as Selma Plout, returns in the role of Maude Blake. ~ Hal Erickson, Rovi

In the conclusion of a two-part story, cropduster Steve Elliott (Mike Minor) is in danger of losing his plane because he can't keep up the payments. Uncle Joe (Edgar Buchanan) rallies the citizens of Hooterville to raise enough money so that Steve can stay in business. But Joe's motives are not entirely altruistic: He's been cashing in on Steve's wrecked plane by touting it as a tourist attraction! ~ Hal Erickson, Rovi

In typical backward fashion, there exists a Hooterville Volunteer Fire Department Band--but there's no Hooterville Fire Department. It seems that they've got the money for instruments, but no firefighting equipment. Under the semi-skilled guidance of bandleader Uncle Joe (Edgar Buchanan), the band stages a concert in hopes of raising the necessary funds. (Trivia note: Tom Fadden, the actor playing Ben Miller, was only six years younger than Walter Baldwin, the actor playing Ben's grandpa!) ~ Hal Erickson, Rovi

Oliver (Eddie Albert) anxiously tunes in the radio to hear the morning farm report -- whereupon all he gets is a roomful of silence. Seems that helpful Lisa (Eva Gabor) has burned out the generator which supplies the farm with electricity. If only she'd remembered that the generator can only handle seven appliances at any one time...but not to worry, our hero and heroine come up with a solution that could only make sense on a show like Green Acres! ~ Hal Erickson, Rovi

Wealthy Sumner Hodge (Philip Ober) accuses erstwhile folksinger Con Bolton (Paul Carr) of taking a shot at him. It seems that Hodge had threatened to disinherit his stepdaughter Irma (Natalie Trundy) unless she broke off her romance with Con. Later, Hodge is killed in an automobile "accident" caused by someone tampering with the brakes. Inevitably, Con is charged with the crime--and in mounting the boy's defense, Perry Mason (Raymond Burr) arrives at the conclusion that the murder was actually a case of mistaken identity. ~ Hal Erickson, Rovi

Elliot Ness (Robert Stack) would love to nail mobster Brian O'Malley (David Brian) on tax-evasion and interstate-smuggling charges; unfortunately, O'Malley has an irksome habit of murdering anyone who can testify against him. Worse still, O'Malley obviously has a number of corrupt officials in his pocket, as proven when Federal witness George Davas (Johnny Seven) "accidentally" falls from a heavily guarded hotel room to his death (a tragedy inspired by the similar demise of real-life hoodlum Abe Reles). Understandably, the only surviving witness, Stan Wolinski (Jack Elam) goes into hiding--from both the bad guys and the good guys. Michael Parks (Then Came Bronson) appears unbilled as an elevator operater. ~ Hal Erickson, Rovi

Director Frank Capra's last feature film, Pocketful of Miracles is a Technicolor remake of his 1933 film Lady for a Day. A barely recognizable Bette Davis plays Apple Annie, the besotted, unkempt, rag-clad street vendor who controls the activities of all the beggars on Broadway. Apple Annie is the pet of Dave the Dude (Glenn Ford), a tough but basically kind-hearted gangster who believes that Annie's apples bring him luck. One morning, Annie fails to show up at her usual corner. That's because she is sitting disconsolate in her squalid shack, contemplating suicide. The reason: Annie has received a letter from her daughter Louise (Ann-Margret, in her screen debut). Annie has been supporting Louise's high-priced European education, leading the girl to believe that she, Annie, is a high-society dowager. Now Louise is returning home with her wealthy fiance Carlos Romero (Peter Mann) in tow, and it looks as though Annie's cover will be blown to bits. Partly out of sympathy, but mostly because of his superstitious belief in the power of Annie's apples, Dave the Dude arranges with his Broadway cohorts to "doll up" Annie so that she can pass as a woman of means, then stage-manages a huge, expensive reception for Louise and her beau. The complications that ensued in the original 1933 version of Lady for a Day exercise their prerogative once more, with a few added plot twists to pad out Glenn Ford's screen time. Cutting through the sentimental goo like a machete is Peter Falk, who is hilarious as Dave the Dude's sarcastic bodyguard. Evidently, Falk was one of the few actors on the set of Pocketful of Miracles with which Capra remained sympatico throughout shooting. In his autobiography (a not altogether reliable tome), Capra insisted that Pocketful of Miracles was ruined by Glenn Ford's autocratic and self-serving on-set behavior, and by Ford's demand that his current lady friend Hope Lange be (mis)cast as brash nightclub chirp Queenie Martin. As usual, Capra was not telling the whole story: at 63, he was beginning to lose his grip on his movie-making skills, allowing every scene to run well past its value and concentrating on cute isolated "bits" rather than the story at hand. Way too long at 136 minutes (Lady for a Day ran but 90), Pocketful of Miracles still has a lot going for it, especially the glowing performance of Bette Davis and the basic, foolproof Damon Runyon story on which it is based. While it disappointed at the box office, Miracles has since its release become a Christmastime TV perennial, seldom failing to draw big ratings numbers. ~ Hal Erickson, Rovi

Stars in the Back Yard is an alternate title for filmmaker Hugo Haas' valedictory feature Paradise Alley. Taking a breather from his usual plot (a dirty old man victimized by a sluttish young wife), Haas casts himself as a washed-up Hollywood director. Hoping to prove that people are basically decent at heart, he pretends to film the comings and goings of the residents of a run-down boarding house. Though he has no film in his camera, his subjects don't know that, and their behavior bears out his thesis. A happy ending is brought about when a major movie studio offers to finance Haas' project-and, incidentally, to give him some film to work with. Among the participants in Haas' faux production are veterans Corinne Griffith, Margaret Hamilton, Billy Gilbert, Chester Conklin and Almira Sessions. Completed in 1958, Paradise Alley didn't attain a release until 1962, when it went directly to television. ~ Hal Erickson, Rovi

Child star Kevin "Moochie" Cocoran shares his top billing with a chimp, Mr. Stubbs, in this story about a forlorn lad who runs away from his foster parents believing he is unloved. Little Toby and his pet chimp leave home and end up at the circus as an oily yet comic Harry Tupper (Bob Sweeney), in charge of a concessions stand, takes them under his wing. Between the circus acts and friendly performers, as well as the antics of Mr. Stubbs and Harry himself, there is plenty to amuse viewers of any age. Sure enough, Toby manages to come to the rescue of the circus when it most needs help, and because this is a Disney film, those foster parents are certain to discover his whereabouts. ~ Eleanor Mannikka, Rovi

A well-dressed older man drives a car along the winding mountain road adjacent to the Grand Canyon. Another man lies in wait for him where the road ends. They fight, and the car and one of the men plunge into the mile-deep gorge. Thus begins a series of four killings that fall into the lap of newly hired Mojave County deputy Les Martin (Cornel Wilde) and his boss, Sheriff Edwards (Edgar Buchanan). Les is an experienced homicide detective trying to redeem himself and his career after a series of personal tragedies and professional disasters, unsteady in his confidence and uncertain of his ability -- the only people he's especially close to are the sheriff who hired him and Scotty (Mickey Shaughnessy), the big-hearted keeper of the local tavern. And complicating his investigation of the murder case at hand is his constant crossing of paths with the beautiful, wealthy Janice Kendon (Victoria Shaw), who seems to have a knack for turning up around every corner of this case. He has to sort out his feelings about her and work out what the murders have to do with the one clue left behind by one of the victims, about the "dancing bucket" that carries men and material more than 7,000 feet across the mile-high chasm. ~ Bruce Eder, Rovi

Don Siegel's classic exercise in psychological science fiction has often been interpreted as a cautionary fable about the blacklisting hysteria of the McCarthy era. It can be read as a political metaphor or enjoyed as a fine low-budget suspense movie, and it works well either way. Kevin McCarthy stars as Miles Bennel, a doctor in the small California community of Santa Mira, where several patients begin reporting that their loved ones don't seem to be themselves lately. They look the same but seem cold, emotionally distant, and somehow unfamiliar. The longer Miles looks into these reports, the more stock he places in them, and in time he makes a shocking discovery: aliens from another world are taking over Santa Mira, one citizen at a time. Emissaries from a distant planet have sent massive seed pods containing creatures that can assume the exact physical likeness of anyone they choose. When Santa Mirans go to sleep, the pod creatures take on the shape of their victims and then destroy their bodies. The aliens may look the same, but they possess no human emotions and, like plants, are concerned only with propagating themselves and eventually subsuming the earth. Needless to say, Miles and his friends are terrified, but since it's hard to tell who's a person and who's a pod, they're at a loss for what to do, especially when it seems that there are increasingly more aliens than humans. Invasion of the Body Snatchers builds tension slowly and steadily, dealing not in the shock of bug-eyed monsters common to other 1950s science-fiction movies but in the unnerving possibility that the enemy is among us -- and impossible to tell from our allies. The ultra-paranoid conclusion of Siegel's original cut was softened by Allied Artists, who added a framing device that suggested help was on the way. This coda was as effective in blunting the film's grim conclusion as giving a Band-Aid to a beheading victim; few films of the era make it more painfully clear that for these people (and maybe for ourselves), there's no turning back and no way home. Keep an eye peeled for a bit part by soon-to-be-legendary Western director Sam Peckinpah, who plays a meter reader and also (uncredited) helped write the screenplay. Based on a novel by Jack Finney, Invasion of the Body Snatchers was remade in 1978 by Philip Kaufman and in 1993 by Abel Ferrara (as Body Snatchers); and its influence can be felt from The Stepford Wives (1975) to The X-Files. ~ Mark Deming, Rovi